Rhyn faced the sarcophagus, surprised to see his father looked as he had when he last saw him thousands of years before.
Sasha sat on top of the sarcophagus and looked around, smug in how safe he was sitting on top of the coffin.
He saw before entering that the sarcophagus was gone.
Complete scenes of worship in which libations are poured before the Sacred Axes are, moreover, given on a fine painted sarcophagus found at Hagia Triada.
To a period contemporary with the concluding age of the Cnossian palace must be referred a remarkable sarcophagus belonging to a neighbouring cemetery.
A painted sarcophagus, found at Hagia Triada, also possibly shows a hero-cult of the dead.
His heart, taken from the body when it was embalmed, and given to Madame Denis and by her to Madame de Villette, was preserved in a silver case, and when it was proposed (in 1864) to restore it to the other remains, the sarcophagus at Sainte Genevieve (the Pantheon) was opened and found to be empty.
High; the sarcophagus, in the centre of the building, is of red Wisconsin porphyry.
This is exemplified in the magnificently sculptured tombs of the Della Scala lords, designed with steadily growing splendour, from the simple sarcophagus of Martino I.
In 1165, when the remains were removed from a marble sarcophagus and placed in a wooden coffin.
Its chief buildings are the Johannisburg, built (1605-1614) by Archbishop Schweikard of Cronberg, which contains a library with a number of incunabula, a collection of engravings and paintings; .the Stiftskirche, or cathedral, founded in 980 by Otto of Bavaria, but dating in the main from the early 12th and the 13th centuries, in which are preserved various monuments by the Vischers, and a sarcophagus, with the relics of St Margaret (1540); the Capuchin hospital; a theatre, which was formerly the house of the Teutonic order; and several mansions of the German nobility.
The church of St Michael, founded by Bishop Bernward early in the 11th century and restored after injury by fire in 1186, contains a unique painted ceiling of the 12th century, the sarcophagus and monument of Bishop Bernward, and a bronze font; it is now a Protestant parish church, but the crypt is used by the Roman Catholics.
The sarcophagus and its contents had been removed by early plunderers of the tomb, all that was left being some broken alabaster vases, pottery and charcoal.
The older and more interesting portions are the royal chapel (1232), with the marble sarcophagus of James II.
On painted vases and sarcophagus bas-reliefs he frequently occurs with Aeacus and Rhadamanthus as judges of the under-world and in connexion with the Minotaur and Theseus.
The tomb of William I., the founder's father - a magnificent porphyry sarcophagus contemporary with the church, under a marble pillared canopy - and the founder William II.'s tomb, erected in 1575, were both shattered by a fire, which in 1811 broke out in the choir, injuring some of the mosaics, and destroying all the fine walnut choir-fittings, the organs, and most of the choir roof.
His house still exists, and his tomb, a sarcophagus supported by four short columns of red marble, stands in front of the church.
The typical torque is a circlet with twisted rope-like strands, the ends not joined together; the torque was usually worn with the opening in the front as seen in a figure of a Gaul in a sculptured sarcophagus in the Capitoline Museum at Rome.
The dead were buried either in the floor (often in a sarcophagus), or, according to later custom, in niches.
It has some interesting medieval works of sculpture, and a fine chapel (Cappella Portinari), with a good dome and a beautiful frieze of angels, built by Michelozzo in 1462-1468, and containing the splendid sculptured tomb (a marble sarcophagus with reliefs, supported by statues) of Peter Martyr, the masterpiece of Giovanni di Balduccio of Pisa 0339); the walls of the chapel are decorated with important frescoes by Vincenzo Foppa of Brescia.
The bones of these brothers rest together in a simple stone sarcophagus opposite the tomb of Alberada.
The mummy thus prepared was then laid on its side like a sleeper, the head supported by a head-rest, in a sarcophagus of wood or stone.
Notable among its seven churches (six Roman Catholic) are the Kloster-Kirche (monasterial), a beautiful Gothic edifice with the sarcophagus of Maria of Brabant, and that of the former Benedictine abbey, Heilig-Kreuz, with a lofty tower.
Still later it is found on the stele of Byblos, and on the sarcophagus of Eshmunazar (about 300 B.C.).
The shrine of St Sebald, in the church of St Sebald, consisting of a bronze sarcophagus and canopy, in the richest Gothic style, adorned with numerous statues and reliefs, is looked upon as one of the greatest achievements of German art.
The large Lutheran church of St Blasius (14th-15th centuries) contains the sarcophagus of Duke Eric of Brunswick-Calenberg (d.
Of later Roman sarcophagi, there is an immense series enriched with figures in high relief, of which the chief are the Niobid example in the Lateran, the Lycomedes sarcophagus in the Capitol, the Penthesilea sarcophagus in the Vatican, and the immense sarcophagus representing a battle of the Romans and the barbarians in the Museo delle Terme.
They are generally decorated with a series of niches with figures in them, divided by small attached shafts with semicircular or sloping covers carved with religious emblems, one of the best examples being the sarcophagus of Sta Barbara, dating from the beginning of the 6th century, at Ravenna, where there are many others.