The only ancient writer who mentions him is Quintilian (Instil.
Cicero held an unfavourable opinion of his methods, which were approved by Quintilian, although he considers that Hermagoras neglected the practical side of rhetoric for the theoretical.
6.8, Brutus, 76, 263.78, 271; Quintilian, Instil.
Of George Sand's style a foreigner can be but an imperfect judge, but French critics, from Sainte-Beuve, Nisard and Caro down to Jules Lemaitre and Faguet, have agreed to praise her spontaneity, her correctness of diction, her easy opulence - the lactea ubertas that Quintilian attributes to Livy.
I, 93 (where it is stated that some (not Quintilian) preferred him to Tibullus), Ov.
Pollio was a distinguished orator; his speeches showed ingenuity and care, but were marred by an affected archaism (Quintilian, Inst.
To) and Cicero (Quintilian, Inst.
I, 22) and professed to detect in Livy's style certain provincialisms of his native Padua (Quintilian, i.
CORNIFICIUS, the author of a work on rhetorical figures, and perhaps of a general treatise (ars, Tixvn) on the art of rhetoric (Quintilian, Instit., iii.
The chief argument in favour of this identity is the fact that many passages quoted by Quintilian from Cornificius are reproduced in the Rhetorica.
In one of his epistles he describes how he recovered Quintilian, part of Valerius Flaccus, and the commentaries of Asconius Pedianus at St Gall.
His prose works on various subjects - Prometheus, Symposium (a banquet at which Virgil, Horace and Messalla were present), De cultu suo (on his manner of life) - were ridiculed by Augustus, Seneca and Quintilian for their strange style, the use of rare words and awkward transpositions.
For Cicero's opinion see Brutus, 82; Quintilian x.
Quintilian is said to have been the first public teacher who enjoyed this imperial favour.
Quintilian credits him with a vigorous and poetical genius (Instit.
But the gossip, not discouraged by Terence, lived and throve; it crops up in Cicero and Quintilian, and the ascription of the plays to Scipio had the honour to be accepted by Montaigne and rejected by Diderot.
Quintilian applies to his writings the word elegantissima.
According to ancient authorities, the writer was very outspoken in his denunciations, and his relatives considered it necessary to strike out the most offensive passages of the work before it was widely circulated (Quintilian, Instit.
In the middle of words between vowels f was originally regularly voiced: life, lives; wife, wives, &c. The Latin V, however, was not a labio-dental spirant like the English v, but a bi-labial semivowel like the English w, as is clear from the testimony of Quintilian and of later grammarians.
He had the reputation of being an excellent raconteur, and Quintilian (x.
Asconius Pedianus and Thrasea Paetus were natives of the town; and Quintilian speaks of the directness and simplicity of their diction as Patavinitas, comparing it with the artificial obscurity of the writers of Rome itself.
The reign of Domitian, although it silenced the more independent spirits of the time, Tacitus and Juvenal, witnessed more important contributions to Roman literature than any age since the Augustan, - among them the Institutes of Quintilian, the Punic War of Silius Italicus, the epics and the Silvae of Statius, and the Epigrams of Martial.
Fabius Quintilianus, or Quintilian (c. 35-95), is brought forward by Juvenal as a unique instance of a thoroughly successful man of letters, of one not belonging by birth to the rich or official class, who had risen to wealth and honours through literature.
But it is not in the Silvae, nor in the epics and tragedies of the time, nor in the cultivated criticism of Quintilian that the age of Domitian lives for us.
He afterwards studied philosophy and rhetoric under Nicetes Sacerdos and Quintilian (vi.
See Quintilian, Instit.
He has been variously identified with Julius Florus, a distinguished orator and uncle of Julius Secundus, an intimate friend of Quintilian (Instil.
Persius, Juvenal and Quintilian vouch for the admiration with which he was regarded in the first century of the empire.
Hist., praefatio, 20; Tacitus, Dialogus de Oratoribus, 23; Quintilian, Instil.
Quintilian asserts that he was far superior to any writer of tragedies he had known, and Tacitus expresses a high opinion of his literary abilities.
2 With these it is usual to include a treatise to Herennius by an anonymous author, a contemporary of Sulla, in modern times generally identified with a person named Cornificius, quoted by Quintilian Oratore, a treatise in three books dedicated to his brother Quintus.
Cicero gives various clausulae which his ears told him to be good or bad, but his remarks are desultory, as also are those of Quintilian, whose examples were largely drawn from Cicero's writings.
His pupil Quintilian calls him the greatest orator he had ever known; but he disgraced his talents by acting as public informer against some of the most distinguished personages in Rome.
Quintilian quotes some of his witty sayings (dicta), collections of which were published, and mentions two books by him On Witnesses.
A sentence of Quintilian expresses the feeling of reverence for his genius and character, mixed with distaste for his rude workmanship, with which the Romans of the early empire regarded him: "Let us revere Ennius as we revere the sacred groves, hallowed by antiquity, whose massive and venerable oak trees are not so remarkable for beauty as for the religious awe which they inspire" (Inst.
Stesichorus indeed made a new departure by using lyric poetry to celebrate gods and heroes rather than human feelings and passions; this is what Quintilian (Instit.
He was famed in antiquity for the richness and splendour of his imagination and his style, although Quintilian censures his redundancy and Hermogenes remarks on the excessive sweetness that results from his abundant use of epithets.
Though a man of profligate and arrogant character, he enjoyed a great reputation as a teacher; Quintilian and Persius are said to have been his pupils.
Writings of Poliziano, the Hypnerotomachia Poliphili, Dante's Divine Comedy, Petrarch's poems, a collection of early Latin poets of the Christian era, the letters of the younger Pliny, the poems of Pontanus, Sannazzaro's Arcadia, Quintilian, Valerius Maximus, and the Adagia of Erasmus were printed, either in first editions, or with a beauty of type and paper never reached before, between the years 1495 and 1514.