He violently attacked Politian (Poliziano), whose Miscellanea (a collection of notes on classical authors) were declared by Merula to be either plagiarized from his own writings or, when original, to be entirely incorrect.
Gabotto and Badini-Gonfalonieri (1894) with bibliography; for the quarrel with Politian see also C. Meiners Lebensbeschreibungen der beruhmten Manner (1796), ii.
Montepulciano is famous for its wine, and was the birthplace of the scholar and poet Angelo Anbrogini (1454-1494), generally known as Poliziano (Politian) and of Cardinal Bellarmine (1542-1621).
After leaving Rome he again lived a wandering life, often visiting Florence, to which he was drawn by his friends Politian and Marsilius Ficinus, and where also he came under the influence of Savonarola.
Among the scholars of Italian birth, probably the only one in this age who rivalled the Greeks as a public expositor of their own literature was Politian (1454-1494), who lectured on Homer and Aristotle in Florence, translated Herodian, and was specially interested in the Latin authors of the Silver Age and in the text of the Pandects of Justinian.
In the case of poetry, this imitative spirit is apparent in Petrarch's Africa, and in the Latin poems of Politian, Pontano, Sannazaro, Vida and many others.
At Canterbury he inspired with his own love of learning his nephew, Linacre, who joined him on one of those visits, studied Greek at Florence under Politian and Chalcondyles, and apparently stayed in Italy from 1485 to 1499.
He then put forth proposals for publishing by subscription the poems of Politian, with notes containing a history of modern Latin verse; but subscriptions did not come in, and the volume never appeared.
The conception and attributes of the figure are taken, as has lately been recognized, from a description in the "Manto" of Politian: the goddess, to whose shoulders are appended a pair of huge wings, stands like Fortune on a revolving ball, holding the emblems of the cup and bridle, and below her feet is spread a rich landscape of hill and valley.
Meanwhile the languages of Greece and Rome had been so thoroughly appropriated that a final race of scholars, headed by Politian, Pontano, Valla, handled once again in verse and prose both antique dialects, and thrilled the ears of Europe with new-made pagan melodies.
Two great scholars, Lorenzo de' Medici and Politian, had already returned to the practice of Italian poetry.
The critique of literature began in the lecture-room of Politian, in the printing-house of Aldus, and in the school of Vittorino.
Chairs had therefore to be founded under the title of rhetoric, from which men like Chrysoloras and Guarino, Filelfo and Politian expounded orally to hundreds of eager students from every town of Italy and every nation in Europe their accumulated knowledge of antiquity.
Crowned poets, of whom the most eminent was Conrad Celtes Protucius (Pickel!), emulated the fame of Politian and Pontano.
Corresponded with Politian, and early in his reign the first printing-press got to work.
In the choir and on the half dome of the apse, are the finest frescoes of Fra Filippo Lippi (scenes from the life of the Virgin) completed after his death by Fra Diamante: his tomb, erected by Lorenzo de' Medici, with the epitaph by Politian, is on the left of the choir.