Times all the resources of the sculptor and the painter were employed to beautify it externally and internally.
He was in fact the first painter of any eminence ever domiciled in Mantua.
There was once a painter whose name was Zeuxis. He could paint pictures so life-like that they were mistaken for the real things which they represented.
It was the birthplace of the painter Pietro Vannucci (Perugino), and possesses several of his works, but none of the first rank.
On his return to Berlin he studied art under the sculptor Christian Daniel Rauch and the painter and architect Karl Friedrich Schinkel (1781-1841), proving himself in the end a good draughtsman, a born architect and an excellent landscape gardener.
The stranger's name was Cimabue.[Footnote: Cimabue (_pro_. she ma boo'a).] He was the most famous painter of the time.
His education was obtained mainly at the Ecole Normale in Paris, where his father, a painter and architect, was engaged in the construction of the Theatre Italien, From his twenty-fifth year he began to lecture in the colleges of Evreux, Dieppe, Blois and Toulouse.
In 1767 he was appointed to succeed Shakelton as principal painter to the king; and so fully employed was he on the royal portraits which the king was in the habit of presenting to ambassadors and colonial governors, that he was forced to take advantage of the services of a host of assistants - of whom David Martin and Philip Reinagle are the best known.
His full-length of Lady Mary Coke is remarkable for the skill and delicacy with which the white satin drapery is managed; while in the portrait of his brown-eyed wife, the eldest daughter of Sir Alexander Lindsay of Evelick, in the Scottish National Gallery, we have a sweetness and tenderness which shows the painter at his highest.
The Dantzig painter named in Italy Pandolfo Reschi was his pupil.
His pupil, Gentile da Fabriano (1370-1428), was a painter of considerably greater skill and wider knowledge; but there are no important works of his at Fabriano.
A mile south of Dunkeld, on the left bank of the Tay, is the village of Birnam (pop. 389), where Sir John Everett Millais, the painter, made his summer residence.
The parish church, effectively situated on an eminence by the side of the lake, was the scene of the ministration of the Rev. John Thomson (1778-1840), the landscape painter, who numbered Sir Walter Scott among his elders.
Gubbio was the birthplace of Oderisio, a famous miniature painter (1240-1299), mentioned by Dante as the honour of his native town (Purg.
In the 13th century we find Guido (da Siena), painter of the wellknown Madonna in the church of S Domenico in Siena.
The 14th century gives us Ugolino, Duccio di Buoninsegna, Simone di Martino (or Memmi), Lippo Memmi, Pietro and Ambrogio Lorenzetti, Andrea di Vanni (painter and statesman), Bartolo di Fredi and Taddeo di Bartolo.
Cobden had married in 1840 Miss Catherine Anne Williams, a Welsh lady, and left five surviving daughters, of whom Mrs Cobden-Unwin (wife of the publisher Mr Fisher Unwin), Mrs Walter Sickert (wife of the painter) and Mrs Cobden-Sanderson (wife of the well-known artist in bookbinding), afterwards became prominent in various spheres, and inherited their father's political interest.
Among the residents have been Edwin Thomas Booth, John Henry Twachtman, the landscape painter, and Henry Osborne Havemeyer (1847-1907), founder of the American Sugar Company.
The first practical step towards the development of the camera obscura seems to have been made by the famous painter and architect, Leon Battista Alberti, in 1437, contemporaneously with the invention of printing.
Below Fiesole, between it and Florence, lies San Domenico di Fiesole (485 ft.); in the Dominican monastery the painter, Fra Giovanni Angelico da Fiesole (1387-1455), lived until he went to S.
The house of the painter Niccolo Giolfino still has its frescoes in a good state of preservation, and gives a vivid notion of what must once have been the effect of these gorgeous pictured palaces.
Pisanello or Vittore Pisano, a charming painter and the greatest medallist of Italy, was probably a pupil of Altichiero.
These include Liberale da Verona, Domenico and Francesco Morone, Girolamo dai Libri (1 474- 1 55 6), &c. Domenico del Riccio, usually nicknamed Brusasorci (1 4941567), was a prolific painter whose works are very numerous in Verona.
David Martin (1737-1798), the painter and engraver; 'Thomas Chalmers (1780-1847), the great divine; and John Goodsir (1814-1867), the anatomist, were natives of Anstruther.
HENRY MOORE (1831-1895), English painter, the ninth son of William Moore, of York, and brother of Albert Joseph Moore, was born in that city on the 7th of March 1831.
His works are marked by admirable appreciation of nature, and by a rare understanding of wave-form and colour and of the subtleties of atmospheric effect; and as a sea-painter he may fairly be regarded as almost without a rival.
In the field of landscape the Japanese painter fully reached the eminence on which his great Chinese masters stood.
As a lacquer painter he left a strong mark upon the work of his contemporaries and successors.
It was in the middle of the 18th century that the decorative, but relatively feeble, Chinese art of the later Ming period found favor in Japan and a clever exponent in a painter named Ryurikyo It must be regarded as a sad decadence from the old Chinese ideals, which was further hastened, from about 1765, by the popularity of the southern Chinese style.
He was essentially a painter of the classical schools, with the speciality of elaborate reproduction of detail in certain sections of animal life, but fortunately this partial concession to truth, emphasized as it was by a rare sense of beauty, did large service.
Amongst these the most famous were Goshun (1742-1811), who is sometimes regarded as one of the founders of the school; Sosen (1757-1821), an animal painter of remarkable power, but especially celebrated for pictures of monkey life; ShhO, the younger brother of the last, also an animal painter; ROsetsu (1755-1799), the best landscape painter of his school; Keibun, a younger brother of Goshun, and some later followers of scarcely less fame, notably Hoyen, a pupil of Keibun; Tessan, an adopted son of Sosen; Ippo and YOsai (1788-1878), well known for a remarkable set of volumes, the Zenken kojitsu, containing a long series of portraits of ancient Japanese celebrities.
A half-length portrait by the German painter, Karl Anton Hickel, is in the National Portrait Gallery, where there is also a terra-cotta bust by Nollekens.
1250); and Antonello da Messina, the painter (1447-1499), of whose works one is preserved in the museum.
His lacquer-ware is distinguished for a bold and at times almost eccentric impressionism, and his use of inlay is strongly characteristic. RitsuO (1663-1747), a pupil and contemporary of KOrin, and like him a potter and painter also, was another lacquerer of great skill.
Thus the main features of the Japanese dwelling-house were evolved, and little change took place subsequently, except that the brush of the painter was freely used for decorating partitions, and in aristocratic mansions unlimited care was exercised in the choice of rare woods.
He summoned to his fief the painter Tangena pupil of the renowned Tanyu, who died in 1674and employed him to paint faience or to furnish designs for the ceramists of Tatsumonji.
Tradition refers to the advent of a Chinese artist named Nanriu, invited to Japan in the 5th century as a painter of the Imperial banners, but of the labors and influence of Period, this man and of his descendants we have no record.
The founder of the first great line of tsuba and menuki artists was Got YjO (1440-1512), a friend of the painter Kano Motonobu, whose designs he adopted.
From this time the temple carvers, although still attached to the carpenters guild, took a place apart from the rest of their craft, and the genius of Hidari Jingoro secured for one important section of the artisan world a recognition like that which Hishigawa Moronobu, the painter and book-illustrator, afterwards won I or another.
His permanent position in literature is due, no doubt, to the art and genius of Menander, whose creations he has perpetuated, as a fine engraver may perpetuate the spirit of a great painter whose works have perished.
To these may be added the names of Charles Berecz, Joseph Zalar, Samuel Nyilas, Joseph Vida, Lewis Tolnai, the sentimental Ladislaus Szelestey, and the talented painter Zoltan Balogh, whose romantic poem Alpdri was published in 1871 by the Kisfaludy society.
In the Campo Santo of Pisa; Agostino and Agnolo, who in 1330 carved the fine tomb of Bishop Guido Tarlati in the cathedral of Arezzo; Lando di Pietro (14th century), architect, entrusted by the Sienese commune with the proposed enlargement of the cathedral (1339), and perhaps author of the famous Gothic reliquary containing the head of S Galgano in the Chiesa del Santuccio, which, however, is more usually attributed to Ugolino di Vieri, author of the tabernacle in the cathedral at Orvieto; Giacopo (or Jacopo) della Quercia, whose lovely fountain, the Fonte Gaia, in the Piazza del Campo has been recently restored; Lorenzo di Pietro (Il Vecchietta), a pupil of Della Quercia and an excellent artist in marble and bronze; Francesco d'Antonio, a skilful goldsmith of the 1 6th century; Francesco di Giorgio Martini (1439-1502), painter, sculptor, military engineer and writer on art; Giacomo Cozzarelli (15th century); and Lorenzo Mariano, surnamed 11 Marrina (16th century).