The invention of colourless Bohemian glass brought in its train the practice of cutting glass, a method of ornamentation for which Venetian glass, from its thinness, was ill adapted.
The earlier stones are devoid of ornamentation, but the later stones and bronzes are sometimes ornamented with designs of leaves, flowers, ox-heads, men and women.
Others were afterwards supplied by Benozzo Gozzoli and men of lesser note, and the labour of ornamentation was only discontinued in 1464.
V., c. 4) speaks of the importance and ornamentation of Maltese dwellings, and to this day remains of palaces and dwellings of the Roman period indicate a high degree of civilization and wealth.
Many of the vessels have four or as many as eight handles, and are decorated with serrated ornamentation, and with the trailed strands of glass already referred to.
Most of the external ornamentation is usually concentrated on the western front, which often has a lofty arched porch on marble columns, resting on griffins or lions devouring their prey.
There is no definite rule as to the material or character of the ornamentation, and attempts have been made, especially in England, to revive the use of the apparelled alb.
Roman milestones and aqueducts also are found, and close by the now famous tomb of Apollophanes, with wall-paintings of animals and other ornamentation, was discovered in 1902; a description of it will be found in Thiersch and Peters, The Marissa Tombs, published by the Palestine Exploration Fund.
Paint and coloured washes were liberally used to cover plastered surfaces and for ornamentation, and paints seem to have been used to bind plastered surfaces.
These last have a white or reddish ground, with ornamentation in blue, red, brown or black, and are of much better manufacture than the modern pottery of the country.
The ornamentation throughout is beautiful, and the west front especially notable.
The style is early Decorated, and a rich ornamentation is carried out in Italian marble, serpentine and alabaster.
Sculptured ornamentation, flowing scrollwork of semi-conventional foliage mingled with grotesque animals, birds or dragons, is freely applied to arches and string courses.
Dentil mouldings, of which examples may still be seen in the remains of the palace of Blachernae at Constantinople, are characteristic of Venetian ornamentation at this period, and remain a permanent feature in Venetian architecture down to the 11th century.
The richest ornamentation was applied to the arches and string courses, while plaques of sculpture, roundels and coats of arms adorned the facades.
On the other hand, the plastic quality of terracotta suggested an abundance of delicate ornamentation on a small scale, which produced its effect by its own individual beauty without broad reference to the general scheme.
The Procuratie Vecchie is perhaps the longest arcaded façade in the world and certainly shows the least amount of wall space; the whole design is simple, the .moulding and ornamentation severe.
- As already stated, the vestments of the great historical Churches of the East are derived from the same Graeco-Roman originals as those of the West, but in contradistinction to the latter they have remained practically stereotyped, both in character and number, for a thousand years; in the East, however, even more than in the West the tendency to gorgeous ornamentation has prevailed.
Sepolcro, a circular church with ornamentation in brick and an imitation of opus reticulatum, should probably be attributed to the 6th or 7th centuries.
Marble of very fine quality and grain is extensively quarried and exported for architectural ornamentation and for furniture-making.
The outer coat was then removed from that portion which was to constitute the ground, leaving the white for the figures, foliage or other ornamentation; these were then sculptured by means of the gem-engraver's tools.
The kings of arms in England, Scotland and Ireland wear crowns, the ornamentation of which round the upper rim of the circlet is composed of a row of acanthus or oak leaves.
The addition of brilliant ornamentation in shell, teeth, feathers, wings of insects and dyed fibres completed the round of the textile art.
In the form of a human figure, with large head-gear and ornamentation of maize-cobs.
They include some of the most brilliantly coloured of all antelopes; the ornamentation taking the form of vertical white lines and rows of spots.
The forms and the ornamentation of the implements and weapons of stone and bronze found in the lake dwellings are the same as those of the implements and weapons in these materials found in the soil of the adjacent regions, and both groups must therefore be ascribed to the industry of one and the same people.
In his history of the Arietidae Hyatt points out that toward the close of the Cretaceous this entire group of ammonites appears to have been affected with some malady; the unrolled forms multiply, the septa are simplified, the ornamentation becomes heavy, thick, and finally disappears in the adult; the entire group ends by dying out and leaving no descendants.
Among the ammonites the loss of power to coil the shell is one feature of racial old age, and in others old age is accompanied by closer coiling and loss of surface ornamentation, such as spines, ribs, spirals; while in other forms an arresting of variability precedes extinction.
The lofty church of the Augustinians in Thomas Street; St Mary's, the pro-cathedral, in Marlborough Street, with Grecian ornamentation within, and a Doric portico; St Paul's on Arran Quay, in the Ionic style; and the striking St Francis Xavier in Gardiner Street, also Ionic, are all noteworthy, and the last is one of the finest modern churches in Ireland.
Across the transepts, and consisted of the choir, the gable of which was pierced by two tiers of five lancet windows and the Omega rose window; the north transept, in which the Dunbars were buried, and the south transept, the doorway of which is interesting for its dog's-tooth ornamentation; and the nave of five aisles.
Since then exterior ornamentation and architectural eccentricities have run riot, and the city is now a mixture of the plain one-storey and two-storey buildings of the Portuguese type, and fanciful modern creations, embellished with stucco and overtopping the others by many storeys.
Tiles are used for roofing, and on modern edifices stucco` ornamentation is lavishly employed.
It is not unlikely that the houses of wealthy persons were distinguished by a good deal of ornamentation in carving and painting.
All the three orders of Greek architecture - the Doric, Ionic and Corinthian - are found freely employed in the various edifices of the city, but rarely in strict accordance with the rules of art in their proportions and details; while the private houses naturally exhibit still more deviation and irregularity., In many of these indeed we find varieties in the ornamentation, and even in such leading features as the capitals of the columns, which remind one rather of the vagaries of medieval architecture than of the strict rules of Vitruvius or the regularity of Greek edifices.
The ornamentation is much less rich and beautiful than that of the preceding period.
The earthenware vessels usually have rounded bottoms. The earliest ornamentation consists of finger-imprints.
Later we find two periods of zigzag designs in south Germany with an intermediate stage of spirals and wavy lines, while in north and east Germany the so-called string-ornamentation predominates.
The ornamentation is of the conventionalized plant type: gold is freely used, and enamel, of a kind different from the Roman enamel used later in Germany, is applied to weapons and ornaments.
Which shows traces of elaborate ornamentation in azure and gilding.
The form of the iota, and even the style of ornamentation, has been handed down unaltered from the earliest times.
The ornamentation of the older parts is simple to the verge of rudeness; and even the more elaborate later forms show no high development of workmanship. The baptistery contains five remarkable stone reliefs of the late 15th century.
When writing to Atticus he eschews all ornamentation, uses short sentences, colloquial idioms, rare diminutives and continually quotes Greek.
It need scarcely be said that tiles have rather increased in value than deteriorated in the eyes of the connoisseur, that the ornamentation of metal-work, wood carving and inlaying, gem and seal engraving, are exquisite of their kind, and that the carpets manufactured by skilled workmen, when left to themselves and their native patterns, are to a great extent unrivalled.
There are some fine stalactites near this pit, and others in the Fairy Grotto and in Pensico Avenue; but, considering the magnitude of Mammoth Cave, its poverty of stalactitic ornamentation is remarkable.
There are many interesting brick houses, dating chiefly from the first half of the 17th century, with curious gables and picturesque ornamentation, carvings and inscriptions.
The design of this mosque is Mahommedan, but the wonderfully delicate ornamentation of its western façade and other remaining parts is Hindu.
Besides varied and beautiful weapons, frequently exhibiting high workmanship, amulets, coronets, diadems of solid gold, and vases of elegant form and ornamentation in gold and bronze are found in the barrows.
The ornamentation of the period is as a rule confined to spirals, bosses and concentric circles.
The ornamentation consists of dots, zigzags, chevrons or crosses.
SILVER (symbol Ag, from the Latin argentum, atomic weight 107.88 (0= 16)), a metallic chemical element, known from the earliest times and of great importance as a "noble" metal for articles of value - coinage, ornamentation and jewelry.
Then came rhetorical ornamentation, - and the Ciceronian era.
The church of St Pierre, in the Renaissance style of the 16th and 17th centuries, is conspicuous for the elaborate ornamentation of its west façade.
24, which prescribes that in every place where Yahweh records his name an altar of earth or of unhewn stone, without steps or other extraneous ornamentation, shall be erected.
463 and 477), writing about 1770, says that there was then a glass-house at Peking, where every year a good number of vases were made, some requiring great labour because nothing was blown (rien n'est souffle), meaning no doubt that the ornamentation was produced not by blowing and moulding, but by cutting.
In the restoration of the papal palace and of the foundation of Acqua Vergine, and in the ornamentation of the magnificent fountain of Trevi.
Ornamentation was in form, colour, technical processes and dyes.
Ornamentation was in carving and in colour, the latter far more effectively used than in Middle America.
The latter give the names of the donors of particular portions of the architectural ornamentation, and most of them are written in the characters used before and after the time of Asoka in the middle of the 3rd century B.C. The monuments are Buddhist, the bas-reliefs illustrate passages in the Buddhist writings, and the inscriptions make use of Buddhist technical terms. Some of the smaller topes give us names of men who lived in the Buddha's time, and others give names mentioned among the missionaries sent out in the time of Asoka.
Opposite the cathedral is a fountain with bronze ornamentation of 1583-1621.
The houses are generally well and elaborately made, but nearly all the ornamentation is put on the inside of the roof.
These are no longer cast but hammered into shape, and decoration is elaborate curvilixear rather than simple rectilinear, the forms and character of the ornamentation of the northern European weapons resembling in some respects Roman arms, while in others they are peculiar and evidently representative of northern art.