The diameter of the orchestra is 762 ft.
As the light faded from the treetops, the birds grew silent and insects began their orchestra of night sounds.
Wagner's Orchestra: Tristan and Isolde.
Among musical organizations may be mentioned the Handel and Haydn Society (1815), the Harvard Musical Association (1837), the Philharmonic (1880) and the Symphony Orchestra, organized in 1881 by the generosity of Henry Lee Higginson.
Other notable conductors of the Weimar theatre orchestra were Eduard Lassen and Richard Strauss.
The foundations of the stage are extant, as well as the orchestra, and the walls and seats of the auditorium.
Are eight horns in the orchestra their material should be indistinguishable from pianoforte writing, and that, in short, the part of every instrument should look exactly like the part of every other - such questions are for posterity to decide.
Handel's orchestra is less detailed.
The representation of plays was perhaps transferred to this spot from the early Orchestra in the Agora at the beginning of the 5th century B.C.; it afterwards superseded the Pnyx as the meeting-place of the Ecclesia.
21 - the my will be that part of the orchestra which played the melody to be sung, virtually corresponding, mutatis mutandis, to what we now call the choir organ, and we need not complicate the compilation of the Psalter by postulating an altogether unnecessary " Director's Psalter."
On the other hand, in a collection intended for synagogue use - and the second collection of psalms is as a whole far more suitable to a synagogue than to the Temple - where there would not be a large choir and orchestra of skilled musicians, it would obviously be desirable to state whether the psalm was to be sung to a Davidic, Asaphic or Korahite tone, or to give the name of a melody appropriate to it.
I shall have my own orchestra, but shouldn't we get the gypsy singers as well?
In the treatment of the orchestra volumes might be written about Haydn's and Mozart's sense of fitness, as shown in Haydn's experiments and Mozart's settled methods.
It was not, however, till 1886 that traces of the original circular Greek orchestra were pointed out by DOrpfeld.
These, however, are sufficient to mark out the circuit of the ancient orchestra, on which the subsequently built proscenia encroached.
He was a man of singularly handsome presence, not without mental qualities of a high order; he was devoted to the arts - Beethoven and Mozart enjoyed his patronage and his private orchestra had a European reputation.
The stage buildings, orchestra and lower parts of the cavea have been cleared.
The whole plan is drawn from three centres, the outer portion of the curves being arcs of a larger circle than the one used for the central portion; the complete circle of the orchestra is marked by a sill of white limestone, and greatly enhances the effect of the whole.
Magnificent preparations were made; it was rehearsed 164 times, 14 times with the full orchestra; and the scenery and dresses were placed entirely under the composer's direction.
The orchestra is paved with marble squares.
They consist of a long rectangular building, with a proscenium or column front which almost forms a tangent to the circle of the orchestra; at the middle and at either end of this proscenium are doors leading into the orchestra, those at the end set in projecting wings; the top of the proscenium is approached by a ramp, of which the lower part is still preserved, running parallel to the parodi, but sloping up as they slope down.
The finest of the Greek sculptures is the head of a youth found in the orchestra of the theatre at a depth of 23 ft.
Music is much cultivated, and there is an opera with a first-rate orchestra, of which Ludwig Spohr was at one time conductor.
This scheme, with the addition of a pair of trumpets and drums and, occasionally, oboes, forms the normal orchestra of 18th-century Masses developed or degenerated from this model.
The orchestra fell silent, and somewhere someone --possibly the host --called for the generators to be turned on.
This orchestra has done much for music not only in Boston but in the United States generally.
The oldest stage-building was erected in the time of Lycurgus; it consisted of a rectangular hall with square projections (1rapauKs vca) on either side; in As= front of this was built in late Greek or early Roman times a stage with a row of columns which intruded upon the orchestra space; a later and larger stage, dating from the time of Nero, advanced still farther into the orchestra, and this was finally faced (probably in the 3rd century A.D.) by the " bema " of Phaedrus, a platform-wall decorated with earlier reliefs, the slabs of which were cut down to suit their new position.
But the more important works were executed in the 18th century; and of the buildings then explored at a great depth, by means of tunnels, none is visible except the theatre, the orchestra of which lies 85 ft.
The city has always been interested in music and the drama: the regular choir of 500 voices of the Mormon Tabernacle (organized in 1890) is one of the best choruses in the country, and closely connected with its development are the Symphony Orchestra and the Salt Lake Choral Society.
He winked at him gaily, smiled, and rested his foot against the orchestra screen.
The arrangements of the stage and orchestra as we now see them belong to Roman times; the cavea or auditorium dates from the administration of the orator Lycurgus (337-323 B.C.), and nothing is left of the theatre in which the plays of Sophocles were acted save a few small remnants of polygonal masonry.
As music becomes more polyphonic the inner parts of the orchestra become more and more emancipated.
The acoustic properties of the theatre are extraordinarily good, a speaker in the orchestra being heard throughout the auditorium without raising his voice.
The pride of place in the world of music is held by the orchestra attached to the court theatre.
Experience shows that in the modern orchestra there is safety in.
The rest of the orchestra consists of Piccolo and 3 flutes.
With the encouragement of a discriminating patron, a small but excellent orchestra and a free hand, Haydn made the most of his opportunity and produced a continuous stream of compositions in every known musical form.
At the foot of the Acropolis Hill, where the ground begins to rise, the theatre lies; and though the material of which this was built is rough, and only seven imperfect rows of seats remain, a good part of the scena and of the chambers behind it is preserved, and beneath these there runs a tunnel, which, together with other peculiar features, has raised interesting questions in connexion with the arrangement of the Greek theatre, the orchestra being at present on a level about 12 ft.
Haydn was for thirty years conductor of his private orchestra and general musical director, and many of his compositions were written for the private theatre and the concerts of this prince.
On the advice of a member of Gung'l's band who had taken up his residence in Edinburgh, Mackenzie was sent for his musical education to Sondershausen, where he entered the conservatorium under Ulrich and Stein, remaining there from 1857 to 1861, when he entered the ducal orchestra as a violinist.
He kept in touch with his old friends by playing in the orchestra of the Birmingham Festivals from 1864 to 1873.
Besides the works mentioned he has written incidental music to plays, as, for instance, to Ravenswood, The Little Minister, and Coriolanus; concertos and other works for violin and orchestra, much orchestral music, and many songs and violin pieces.
In the two "Scottish Rhapsodies" for orchestra, in the music to The Little Minister, and in a beautiful fantasia for pianoforte and orchestra on Scottish themes, he has seized the essential, not the accidental features of his native music.
Immediately in front of the foremost row of seats a hood or sloping screen of wood covers a part of the orchestra, and another hood of similar shape starts from the front of the stage at a slightly lower level.
She was delighted with the orchestra at the hotel, and whenever the music began she danced round the room, hugging and kissing every one she happened to touch.
In the front, in the very center, leaning back against the orchestra rail, stood Dolokhov in a Persian dress, his curly hair brushed up into a huge shock.
We shall indeed find that his orchestra interprets the dramatic situations which his poetry roughly outlines.
Thus there is left a space between the two hoods through which the sound of the orchestra ascends with wonderfully blended effect; the conductor, sitting at the highest point of the orchestra, though under the screen, has a complete view of the stage as well as of his instrumentalists, and the sound of the orchestra is sent most forcibly in the direction of the stage, so that the voices are always well supported.
The cymbals and horns in the orchestra struck up more loudly, and this man with bare legs jumped very high and waved his feet about very rapidly.
"Ozheg-zheg, Ozheg-zheg..." hissed the saber against the whetstone, and suddenly Petya heard an harmonious orchestra playing some unknown, sweetly solemn hymn.
But suddenly a storm came on, chromatic scales and diminished sevenths were heard in the orchestra, everyone ran off, again dragging one of their number away, and the curtain dropped.
During the whole of that entr'acte Kuragin stood with Dolokhov in front of the orchestra partition, looking at the Rostovs' box.