1241), on learning that Oedipus was her son she immediately hanged herself; but in Euripides (Phoenissae, 1 455) she stabs herself over the bodies of her sons Eteocles and Polynices, who had slain each other in single combat before the walls of Thebes.
The country was ravaged by a monster, the Sphinx; Oedipus solved the riddle which it proposed to its victims, freed the country, and married his own mother.
Brea', "Le Mythe d'Odipe," in Mélanges de mythologie (1878), who explains Oedipus as a personification of light, and his blinding as the disappearance of the sun at the end of the day; J.
ANTIGONE, (I) in Greek legend, daughter of Oedipus and Iocaste (Jocasta), or, according to the older story, of Euryganeia.
Her character and these incidents of her life presented an attractive subject to the Greek tragic poets, especially Sophocles in the Antigone and Oedipus at Colonus, and Euripides, whose Antigone, though now lost, is partly known from extracts incidentally preserved in later writers, and from passages in his Phoenissae.
In the order of the events, at least, Sophocles departed from the original legend, according to which the burial of Polyneices took place while Oedipus was yet in Thebes, not after he had died at Colonus.
JOCASTA, or Iocasta ('IoKaarn; in Homer, 'E7rLKao-rn), in Greek legend, wife of Laius, mother (afterwards wife) of Oedipus, daughter of Menoeceus, sister (or daughter) of Creon.
OEDIPUS (Oibiirovs, OiScirobrls, 01.5bros, from Gr.
Thus Oedipus grew up ignorant of his parentage, and, meeting Laius in a narrow way, quarrelled with him and slew him.
Epicaste (as Jocasta is called in Homer) hanged herself, and Oedipus lived as king in Thebes tormented by the Erinyes of his mother.
Oedipus fulfils an ancient prophecy in killing his father; he is the blind instrument in the hands of fate.
Sophocles describes in his Oedipus Tyrannus how Oedipus was resolved to pursue to the end the mystery of the death of Laius, and thus unravelled the dark tale, and in horror put out his own eyes.
The sequel of the tale is told in the Oedipus Coloneus.
Schneidewin, Die Sage von Oedipus (1852); D.
In the Golden Legend of Jacobus de Voragine (13th century) and the Mystbre de la Passion of Jean Michel (15th century) and Arnoul Greban (15th century), the story of Oedipus is associated with the name of Judas.
The Judas legend, however, never really became popular, whereas that of Oedipus was handed down both orally and in written national tales (Albanian, Finnish, Cypriote).
The Oedipus legend was handed down to the period of the Renaissance by the Roman and its imitations, which then fell into oblivion.
Comparetti's Edipo and Jebb's introduction for the Oedipus of Dryden, Corneille and Voltaire; A.
Heintze, Gregorius auf dem Steine, der mittelalterliche Oedipus (progr., Stolp, 1877); V.
The myth which we know from the stories of Oedipus, Perseus, Telephus, Pelias and Neleus, Romulus, Sargon of Agade, Moses, the Indian hero Krishna, and many others, has been transferred to the founder of the Persian empire.
In the time of Photius the poets usually studied at school were Homer, Hesiod, Pindar; certain select plays of Aeschylus (Prometheus, Septem and Persae), Sophocles (Ajax, Electra and Oedipus Tyrannus), and Euripides (Hecuba, Orestes, Phoenissae, and, next to these, Alcestis, Andromache, Hippolytus, Medea, Rhesus, Troades,) also Aristophanes (beginning with the Plutus), Theocritus, Lycophron, and Dionysius Periegetes.
Cholevius, in his Geschichte der deutschen Poesie nach ihren antiken Elementen (1854), pointed out the connexion of the legend with the Oedipus story.
At last Oedipus guessed correctly that it was man; for the child crawls on hands and feet, the adult walks upright, and the old man supports his steps with a stick.
ETEOCLES, in Greek legend, king of Thebes, son of Oedipus and Jocasta (Iocaste).
Five main cycles of story may be distinguished: (1) the foundation of the citadel Cadmea by Cadmus, and the growth of the Sparti or "Sown Men" (probably an aetiological myth designed to explain the origin of the Theban nobility which bore that name in historical times); (2) the building of a "seven-gated" wall by Amphion, and the cognate stories of Zethus, Antiope and Dirce; (3) the tale of the "house of Laius," culminating in the adventures of Oedipus and the wars of the "Seven" and the Epigoni; (4) the advent of Dionysus; and (5) the exploits of Heracles.
This picture was rejected and exists no longer, for Millet, short of canvas, painted over it "Oedipus Unbound," a work which during the following year was the object of violent criticism.
On his release in 1830 he published Schill and die Seinen, a tragedy, and a translation of Oedipus in Colonus.
Orsatto (1538-1603), Venetian senator, translator of the Oedipus Tyrannus of Sophocles and author of a collection of Rime, in imitation of Petrarch.