16; presages recovery or death of patients); (4) the pelican (recalls its young to life by its own blood); (5) the owl (or nyktikorax; loves darkness and solitude); (6) the eagle (renews its youth by sunlight and bathing in a fountain); (7) the phoenix (revives from fire); (8) the hoopoe (redeems its parents from the ills of old age); (9) the wild ass (suffers no male besides itself); (1 o) the viper (born at the cost of both its parents' death); (I I) the serpent (sheds its skin; puts aside its venom before drinking; is afraid of man in a state of nudity; hides its head and abandons the rest of its body); (12) the ant (orderly and laborious; prevents stored grain from germinating; distinguishes wheat from barley on the stalk); (13) the sirens and onocentaurs (Isa.
Another point of interest lies in the difference of outlook with which nudity is regarded by the English and Japanese.
Later, when the novelty of clothing has spent its force, the stimulus is supplied by nudity complete or partial.
One more point must be considered: there is the evidence of competent observers to show that members of a tribe accustomed to nudity, when made to assume clothing for the first time, exhibit as much confusion as would a European compelled to strip in public. This fact, considered together with what has been said above, compels the conclusion that modesty is a feeling merely of acute self-consciousness due to appearing unusual, and is the result of clothing rather than the cause.
More or less, absolute nudity among men is characteristic even of the Bahima (Hamites).
Save where the tribes have come under Arab or European influence, the clothing is extremely scanty, but absolute nudity is not known.
Under Hollywood's production code at the time, movies could not include nudity, criminal activity, or offensive language, or depict illegal drug use, venereal disease, or childbirth.