Its foundation dates from the year 1030, while the nave is Romanesque of the middle of the 12th century, with much pointed work.
The nave is the most beautiful portion.
Brizio, separated from the nave by a fine 14th-century wroughtiron screen.
The choir only is used for service.
The nave passes from Norman to Early English in the course of its eight bays from east to west and also from the arcade through the triforium to the clerestory.
The abbey church of St Mary the Virgin is a stately cruciform building with central tower, the nave and choir having aisles and clerestory.
At Steetley, near Worksop, is a small Norman chapel, with apse, restored from a ruinous condition; Youlgrave church, a building of much general interest, has Norman nave pillars and a fine font of the same period, and Normanton church has a peculiar Norman corbel table.
The church is cruciform and the altar stands beneath the eastern lantern arch, a fine rood screen separating off the choir, which was devoted to monastic use, while the nave was kept for the parishioners, in consequence of a dispute between the vicar and the monastery in 1499.
690) from the ruins of Justinian's church of St Mary on Mount Sion, and the central avenue or nave built with them presents the appearance of a Christian church; it however runs north and south, the Mecca niche being at the south end; originally there were seven aisles on each side, now reduced to three.
Above the nave and is separated from it by a marble rood-screen, on the architrave of which stand fourteen figures, the signed work of Jacobello and Pietro Paolo delle Masegne, 1394.
Later he erected the priory, for canons of his order, of which the nave and transepts of the church remain.
The main building, consisting of a nave with apsidal end and two aisles,.
The church of All Saints is mentioned in Domesday, and tradition ascribes the building of its nave to King John, while the western side of the tower must be older still.
It was not completed, however, till the 19th century, when the west portal and towers and two bays of the nave were added, according to the plans of Violletle-Duc. The fine stained glass of the windows dates from the 13th to the 15th centuries.
In the old town of Bridlington the church of St Mary and St Nicholas consists of the fine Decorated and Perpendicular nave, with Early English portions, of the priory church of an Augustinian foundation of the time of Henry I.
A.) Fleche (French for "arrow"), the term generally used in French architecture for a spire, but more especially employed to designate the timber spire covered with lead, which was erected over the intersection of the roofs over nave and transepts; sometimes these were small and unimportant, but in cathedrals they were occasionally of large dimensions, as in the fleche of Notre-Dame, Paris, where it is nearly ioo ft.
Eu has three buildings of importance - the beautiful Gothic church of St Laurent (12th and 13th centuries) of which the exterior of the choir with its three tiers of ornamented buttressing and the double arches between the pillars of the nave are architecturally notable; the chapel of the Jesuit college (built about 1625), in which are the tombs of Henry, third duke of Guise, and his wife, Katherine of Cleves; and the château.
Basilica with a vaulted portico and a nave and two aisles begun in 1103, a mosaic pavement in the Cosmatesque style, a good ambo resting on columns and decorated with mosaics showing traces of Moorish influence, a Paschal candelabrum, and an organ gallery of similar style.
On one side stands the cathedral of San Lorenzo, a Gothic structure of the 14th and 15th centuries, in the plan of a Latin cross, with nave and aisles of equal height; on the other the Palazzo del Municipio, presenting two fine Gothic façades, of the 14th century (though the building was not completed till 5443), with the figures of the Perugian griffin and the Guelph lion above the outside stair; and in the centre the marble fountain constructed in1277-1280by Arnolfo di Cambio, and adorned with statues and statuettes by Niccolo and Giovanni Pisano.
San Pietro de' Cassinensi (outside the Porta Romana) is a basilica with nave and aisles, founded in the beginning of the i 1th century by San Pietro Vincioli on the site of a building of the 6th century, and remarkable for its conspicuous spire, its ancient granite and marble columns, its walnut stall-work of 1535 by Stefano de' Zambelli da Bergamo, and its numerous pictures (by Perugino, &c.).
Paul began the famous Villa Borghese; enlarged the Quirinal and Vatican; completed the nave, facade and portico of St Peter's; erected the Borghese Chapel in Sta Maria Maggiore; and restored the aqueduct of Augustus and Trajan ("Acqua Paolina").
The vaulting of the nave and aisles and the beautiful cloisters were added in the 13th century.
According to this scheme only the old choir was left; the nave and transepts were to be rebuilt after the classical style, with a lofty dome at the crossing - not unlike the plan eventually carried out.
But the dean and chapter objected to the absence of a structural choir, nave and aisles, and wished to follow the medieval cathedral arrangement.
The principal portal is a fine specimen of 12th-century Romanesque, and the lower part of the nave is of the same period; the choir and the transept are striking examples of the style of the 13th century.
St Michael's, the parish church, has a striking Perpendicular tower, an arch of carved oak dividing its nave and chancel, a magnificent rood-loft, and a 13th-century monument doubtfully described as the tomb of Bracton, the famous lawyer, whose birthplace, according to local tradition, was Bratton Court in the vicinity.
The position of the ambo was not absolutely uniform; sometimes in the central point between the sanctuary and the nave, sometimes in the middle of the church, and sometimes at one or both of the sides of the chancel.
Ursus in 370-390, which had a nave and four aisles, was destroyed in 1734-44, only the (inaccessible) crypt and the round campanile remaining from the earlier structure; there are fragments of reliefs from a pulpit erected by Archbishop Agnellus (556-569) in the interior.
It has a nave and aisles with a closed vestibule on the west, and a fine round campanile of the 9th (?) century.
The plan consists of a large rectangular nave, with semicircular recesses for altars, opening out of the aisles, north and south.
Below the nave is another crypt.
The cathedral, which is Italian Gothic, dating mainly from the 13th century, consists of a nave with eight chapels on each side, and a very high Renaissance domed choir; it contains examples of the Montagnas and of Lorenzo da Venezia.
In the interior, which comprises the nave with aisles, transept and choir with ambulatory and side chapels, there are fine rose-windows with stained glass of the r4th century, and other works of art.
The great meeting-place of Londoners in the day-time was the nave of old St Paul's.
The western limit of the former nave of the church is marked by a fine Early English doorway, now forming an entrance to the churchyard.
Thu: church of St Peter and St Paul has a double nave, with aisles, the north arcade being Norman; but the rest of the building is mainly Decorated and Perpendicular.
The building consists of the nave (120 ft.
In 1128, and the ruined nave of the abbey church still shows parts of the original structure.
Petronio, the patron saint of Bologna, which was begun in 1390; only the nave and aisles as far as the transepts were, however, completed, but even this is a fine fragment, in the Gothic style, measuring 384 ft.
It consists of a chancel, nave and porch, in such unchanged condition that E.
The oldest of its churches, St Mexme, is in the Romanesque style, but only the facade and nave are left.
Its length (outside measurement) is 464 ft., its breadth 159 ft.; the nave is 136 ft.