Messenius was a genuine poet; the lyrics he introduces have something of the charm of the old ballads.
The lyrics clutched at her heart.
The new comedy of Greece was probably limited for the most part to scenes written in the metres of dialogue; it remained for Plautus, as Leo has shown, to enliven his plays with cantica modelled on the contemporary lyric verse of Greece or Magna Graecia, which was in its turn a development of the dramatic lyrics of Euripides.
The percentage of educated men who have written little volumes of lyrics is surprisingly large, and this may be accounted for by the old Portuguese custom of reciting poetry with musical accompaniment.
The first volume of Alexander Kisfaludy's Himfy, a series of short lyrics of a descriptive and reflective nature, appeared at Buda in 1801, under the title of Kesergo szerelem (Unhappy Love), and was received with great enthusiasm; nor was the success of the second volume Boldog szerelem (Happy Love), which appeared in 1807, inferior.
Of a more distinctly national tendency are the lyrics of John Kriza b and John Erdelyi, but the reputation of the latter was more especially due to his collections of folk-lore made on behalf of the Kisfaludy society.
The lyrics of Anthony Varady (1875, 1877) are somewhat dull and unequal in tone; both he and Baron Ivor Kaas, author of Az itelet napja (Day of Judgment, 1876), have shown skill rather in the art of dramatic verse.
Julius Reviczky (1855-1899) also inclined to the Occidental rather than to the specifically Magyar type of poets; his lyrics are highly finished, aristocratic and pessimistic (Pan halala, " The Death of Pan ").
Here were to be read "The Lady of Shalott," "The Dream of Fair Women," "Oenone," "The Lotos-Eaters," "The Palace of Art," and "The Miller's Daughter," with a score of other lyrics, delicious and divine.
To the older and more luxurious lyrics, as reprinted in 1842, Tennyson did not spare the curbing and pruning hand, and in some cases went too far in restraining the wanton spirit of beauty in its youthful impulse.
Hieronymus Vespasian Kohcowski (1633-1699) was a soldier-poet, who went through the campaigns against the Swedes and Cossacks; he has left several books of lyrics full of vivacity, a Christian epic and a Polish psalmody.
As a poet he wrote but little, but there are passages in The Saint's Tragedy and many isolated lyrics, which are worthy of a place in all standard collections of English literature.
He also produced many national lyrics of great beauty.
In 1854 he published The Charge of the Light Brigade, and was.busy composing Maud and its accompanying lyrics; and this volume was published in July 1855, just after he was made D.C.L.
The noble poem Lucretius, one of the greatest of Tennyson's versified monographs, appeared in May 1868, and in this year The Holy Grail was at last finished; it was published in 1869, together with three other idyls belonging to the Arthurian epic, and various miscellaneous lyrics, besides Lucretius.
His few lyrics were spirited ballads of adventure, inspired by an exalted patriotism - "The Revenge" (1878), "The Defence of Lucknow" (1879) - but he reprinted and finally published his old suppressed poem, The Lover's Tale, and a little play of his, The Falcon, versified out of Boccaccio, was produced by the Kendals at their theatre in the last days of 1879.
In 1880 he published the earliest of six important collections of lyrics, this being entitled Ballads and other Poems, and containing the sombre and magnificent "Rizpah."
The untiring old poet was steadily writing on, and by 1886 he had another collection of lyrics ready, Locksley Hall Sixty Years After, &c.; his eyes troubled him, but his memory and his intellectual curiosity were as vivid as ever.
His fame as a poet rests upon his patriotic lyrics, which were published by his father under the title Leier and Schwert in 1814.
2), from which it would appear that he composed lyrics of a light, agreeable kind.
19, are commonly regarded as ancient lyrics of the early monarchy, perhaps in the time of David or Solomon, which J and E inserted in their narrative.
The youngest literary generation in Czechoslovakia was represented in 1921 in particular by three leading poets: So y a, a writer of delicate lyrics; Bezruc, who sings of social and national oppression, and Bi'ezina, a profound visionary and pantheistic mystic. Among prose writers the leading contemporary names are Svobodova, apek, a robust realist, and Sramek, who has also met with success as a dramatist.
Some of his short lyrics are very elegant, and remind us of Herrick and Carew - e.g.
Besides the longer poem previously mentioned, he is the author of many charming lyrics in the style of the Little Russian poems, such as Shevchenko has written in that language.
From the time of Jeremiah downwards the perennial interest of Old-Testament thought lies in the working out of the problems of personal religion and of the idea of a spiritual fellowship of faith transcending all national limitation; and these are the motives not only of the lyrics of the Psalter but of the greater theodiceas of Isa.
Campbell'S Poetry, In Spite Of A Certain Lack Of Compression, Is Full Of Dramatic Vigour; Roberts Has Put Some Of His Best Work Into Sonnets And Short Lyrics, While Carman Has Been Very Tsuccessful With The Ballad, The Untrammelled Swing And Sweep Of Which He Has Finely Caught; The Simplicity And Severity Of Cameron'S Style Won The Commendation Of Even So Exacting A Critic As Matthew Arnold.
In Early English Lyrics (Oxford, 1907) we have a poem in which a lover sends to his mistress a love-greeting composed in three languages, and his learned friend replies in the same style (De amico ad amicam, Responcio, viii and ix).
They included his lyrics and epigrams, most of which had already appeared during his first residence in Berlin in a volume of Kleinigkeiten, published anonymously.
In 1889 he published The Wind among the Reeds, containing some of his best lyrics, and in 1900 another poetical drama, The Shadowy Waters.
Literature.The vast mass of writing which has come down to us from the ancient Egyptians comprises documents of almost every conceivable kind, business documents and correspondence, legal documents, memorial inscriptions, historical, scientific, didactic, magical and religious literature; also tales and lyrics and other compositions in poetical language.
Count Auersperg's first publication, a collection of lyrics, Bleitter der Liebe (1830), showed little originality; but his second production, Der letzte Ritter (1830), brought his genius to light.
His first publication was a volume of metrical experiments, The Ballads and Lyrics of Old France (1872), and this was followed at intervals by other volumes of dainty verse, xxii.
Of historical and patriotic verse there are few specimens, but some of the lyrics and love-songs, more or less medieval in timbre and form, are of importance.
The oldest verses are all lyrics, expressions either of emotion, or of some deep saying, some pregnant thought.
The last of these poetical works which it is necessary to mention is the Sutta Nipata, containing fifty-five poems, all except the last merely short lyrics, many of great beauty.
His discontent found vent in the passionate, unbalanced lyrics of this period.
Behrisch, a genial, original comrade, he learned the art of writing those light Anacreontic lyrics which harmonized with the tone of polite Leipzig society.
She is the "Annette" after whom the recently discovered collection of lyrics was named, although it must be added that neither these lyrics nor the Neue Lieder, published in 1770, express very directly Goethe's feelings for Kathchen SchOnkopf.
Even more than Herder's precept and example, this passion showed Goethe how trivial and artificial had been the Anacreontic and pastoral poetry with which he had occupied himself in Leipzig; and the lyrics inspired by Friederike, such as Kleine Blumen, kleine Blcitter and Wie herrlich leuchtet mir die Natur!
A formal betrothal took place, and the beauty of the lyrics which Lili inspired leaves no room for doubt that here was a passion no less genuine than that for Friederike or Charlotte.
The literary results of these years cannot be compared with those of the preceding period; they are virtually limited to a few wonderful lyrics, such as Wanderers Nachtlied, An den Mond, Gesang der Geister fiber den Wassern, or ballads, such as Der Erlkonig, a charming little drama, Die Geschwister (1776), in which the poet's relations to both Lili and Frau von Stein seem to be reflected, a dramatic satire, Der Triumph der Empfindsamkeit (1778), and a number of Singspiele, Lila (1777), Die Fischerin, Scherz, List and Rache, and Jery and Beitely (1780).
The sharpness of the conflict was, however, blunted by the fact that, without exception, the young Romantic writers looked up to Goethe as its master; they modelled their fiction on Wilhelm Meister; they regarded his lyrics as the high-water mark of German poetry; Goethe, Novalis declared, was the "Statthalter of poetry on earth."
In West-ostlicher Diwan (1819), a collection of lyrics - matchless in form and even more concentrated in expression than those of earlier days - which were suggested by a German translation of Hafiz, Goethe had another surprise in store for his contemporaries.
His Studenten-Briefe (Jena, 1842), a medley of letters and lyrics, are wholly conventional.
The fruit of his long years of illness was a slender volume of lyrics, Gedichte (Stuttgart and Tubingen, 1851), good in form, but seldom inspired, and showing occasionally the influence of a morbid sensuality.
At the period in question an Aeolic literature, the lyrics of Sappho and Alcaeus, were in existence.
The naturalism of which we have been speaking found free utterance now in the fabliaux of jongleurs, lyrics of minnesingers, tales of trouveres, romances of Arthur and his knights - compositions varied in type and tone, but in all of which sincere passion and real enjoyment of life pierce through the thin veil of chivalrous mysticism or of allegory with which they were sometimes conventionally draped.
Dante showed both in his epic poem and in his lyrics that he had not abandoned the sphere of contemporary thought.
Petrarch's lyrics continue the Provencal tradition as it had been reformed in Tuscany, with a subtler and more modern analysis of emotion, a purer and more chastened style, than his masters could boast.
Her lyric poetry, thanks to her temperament, and possibly to her musical training, was her highest literary form: she published Passion Flowers (anonymously, 1854), Words for the Hour (1856), Later Lyrics (1866), and From Sunset Ridge: Poems Old and New (1898); her most popular poem is The Battle Hymn of the Republic, written to the old folk-tune associated with the song of "John Brown's Body," when Mrs Howe was at the front in 1861, and published (Feb.
Peter Lagerldf (1648-1699) cultivated a pastoral vein in his ingenious lyrics Elisandra and Lycillis; he was professor of poetry, that is to say, of the art of writing Latin verses, at Upsala.
An edition of his Latin lyrics appeared at Regensburg in 1884.
More fluent but not less gloomy are the sacred lyrics of Nyeki-Veres first published in 1636 under the Latin title of Tintinnabulum Tripudiantium.
In the most recent lyrics of.
In the great 14th century "Manesse" MS. (c) collection of medieval German lyrics, preserved at Heidelberg, there are two songs written by Conradin, and his fate has formed the subject of several dramas.
His literary capacity was early shown in the remarkable fiction of his Memoirs of Arthur Hamilton (1886) under the pseudonym of "Christopher Carr," and his Poems (1893) and Lyrics (1895) established his reputation as a writer of verse.
He now submitted his earlier poetical work to careful revision, and it was in the revised versions of The Wanderings of Usheen and The Countess Kathleen, and the lyrics given in his collected Poems of 1895 that his authentic poetical note found adequate expression and was recognized as marking the rise of a new Irish school.
Their lyrics celebrated the mountains and rivers of the magnificent country they had left; and, while introducing images and scenery unfamiliar to the inhabitants of monotonous Denmark, they enriched the language with new words and phrases.
His mythological or pastoral dramas, his great satiric epos of Adam Homo (1841-1848), his comedies, his lyrics, and above all his noble philosophic tragedy of Kalanus, prove the immense breadth of his compass, and the inexhaustible riches of his imagination.
Fru Nordenflycht wrote with facility and grace; her collection of lyrics, The Sorrowing Turtledove (1743), in spite of its affectation, enjoyed and merited a great success; it was the expression of a deep and genuine sorrow - the death of her husband after a very brief and happy married life.
I took the greatest delight in these German books, especially Schiller's wonderful lyrics, the history of Frederick the Great's magnificent achievements and the account of Goethe's life.
The two narrative poems which succeeded the early lyrics, Jocelyn and the Chute d'un ange, were, according to Lamartine's original plan, parts of a vast "Epic of the Ages," some further fragments of which survive.
But by this time Tennyson was writing lyrics of still higher promise, and, as Arthur Hallam early perceived, with an extraordinary earnestness in the worship of beauty.
Even the lesser characters are more pleasing than usual, and some beautiful lyrics are interspersed in the play.
More popular than any of the preceding, and well known in England through Sir John Bowring's translation, are the charming lyrics of Alexander Petofi (q.v.), the " Burns " of Hungary.
This was natural, as he belonged to their brotherhood and himself wrote lyrics of no mean quality.