1875.1880.1885.8!J 1895.1r6_Ji 1901-1905.
In some forms we find ji vtes.
For want of space it must here suffice simply to name some of the ornithologists who have elaborated, to an extent elsewhere unknown, the science as regards their own country: Altum, Baldamus, Bechstein, Blasius (father and two sons), Bolle, Borggreve, whose Vogel-Fauna von Norddeutschland (8vo, 1869) contains what is practically a bibliographical index to the subject, Brehm (father and sons), Von Droste, Gatke, Gloger, Hintz, Alexander and Eugen von Homeyer, Ji ckel, Koch, KOnig-Warthausen, Kriiper, Kutter, Landbeck, Landois, Leisler, Von Maltzan, Bernard Meyer, Von der Miihle, Neumann, Tobias, Johann Wolf and Zander.
There is much that is striking and original in his history of marriage (Die ji dische Hochzeit in nachbiblischer Zeit, 1860), and of mourning customs (Die Leichenfeierlichkeiten im nachbiblischen Judenthum, 1861), his contributions to the sources of the Arabian Nights (Zur rabbinischen Sprach-und Sagenkunde, 1873), and his notes on rabbinic antiquities (Beitrage zur rabbinischen Sprachund Altertumskunde, 1893).
A = - (ji) 2 jx; s = (ia)ix; Y = (ra)r x: (3= (T0)T x .
Or, if we please, we may leave the determinant factors untouched and consider the exponents ji, j2, j3,ï¿½ï¿½ï¿½11, 12, 1 3, ...
Trans., 1834) in his original investigation of the diffraction of a circular object-glass, and readily obtained from (6), is z z 3 25 27 J1(z) = 2 2 2.4 + 2 2.4 2.6 2 2.4 2.6 2.8 + When z is great, we may employ the semi-convergent series Ji(s) = A/ (7, .- z)sin (z-17r) 1+3 8 1 ' 6 (z) 2 184.108.40.206.1.3.5 5 () 3 1 220.127.116.11 1 3 cos(z - ?r) 8 ' z (z) 18.104.22.168.22.214.171.124.7 1 5 + 126.96.36.199.40 (z
For the dark rings Ji(z) =o; so that the fraction of illumination outside any dark ring is simply Jo 2 (z).
The oldest existiog work of this period is a mural decoration in the hail of the temple of Horyu-ji, Nara, attributed to a Korean priest named Donchfl, who lived in Japan in the 6th century; and this painting, in spite of the destructive effects of time and exposure, shows traces of the same power of line, color and composition that stamps the best of the later examples of Buddhist art.
The place of honor may perhaps be conferred upon sculptures in wood, representing the Indian Buddhists, Asangha and Vasabandhu, preserved in the Golden Hall of Kofuku-ji, Nara.
With these may be named the demon lantern-bearers, so perfect in the grotesque treatment of the diabolical heads and the accurate anatomical forms of the sturdy body and limbs; the colossal temple guardians of the great gate of Tdai-ji, by Unkei and Kwaikei (11th century), somewhat conventionalized, but still bearing evidence of direct study from nature, and inspired with intense energy of action; and the smaller but more accurately modelled temple guardians in the Saikondo, Nara, which almost compare with the fighting gladiator in their realization of menacing strength.
The wooden portrait of Vimalakirtti, attributed to Unkei, at Kofuku-ji, has some of the qualities of the images of the two Indian Buddhists.
The most perfect of the ancient bronzes is the great image of Bhaicha-djyaguru in the temple of Yakushi-ji, Nara, attributed to a Korean monk of the 7th century, named Giflgi.
The bronze image of the same divinity at Horyu-ji, said to have been cast at the beginning of the 7th century by Tori Busshi, the grandson of a Chinese immigrant, is of good technical quality, but much inferior in design to the former.
The colossal Nara Daibutsu (Vairocana) at Tdai-ji, cast in 749 by a workman of Korean descent, is the largest of the great bronzes in Japan, but ranks far below the Yakushi-ji image in artistic qualities.
It is not possible to enumerate here even the principal styles of ishime, but mention may be made of the zara-maki (broad-cast), in which the surface is finely but irregularly pitted after the manner of the face of a stone; the nashi-ji (pear-ground), in which we have a surface like the rind of a pear; the hari-ishime (needle ishime), where the indentations are so minute that they seem to have been made with the point of a needle; the gama-ishime, which is intended to imitate the skin of a toad; the tsuya-ishime, produced with a chisel sharpened so that its traces have a lustrous appearance; the ore-liuchi (broken-tool), a peculiar kind obtained with a jagged tool; and the gozam, which resembles the plaited surface of a fine straw mat.
Geiger also contributed frequently on Hebrew, Samaritan and Syriac subjects to the Zeitschrift der deutschen morgenldndischen Gesellschaft, and from 1862 until his death (on the 23rd of October 1874) he was editor of a periodical entitled Ji dische Zeitschrift fiir Wissenschaft and Leben.
The amoun brewed per head of the population amounted, in 1905, roughly t 160 imperial pints in the excise district; to 450 in Bavaria; 280 jI Wurttemberg; 260 in Baden; and 122 in Alsace-Lorraine.
Sometimes the Aramaic versions give the form Rekem-Geya, which recalls the name of the village El-ji, south-east of Petra; the capital, however, would hardly be defined by the name of a neighbouring village.
For his speculations on sets had already familiarized him with the idea that multiplication might in certain cases not be commutative; so that, as the last term in the above product is made up of the two separate terms ijyz' and jizy', the term would vanish of itself when the factorlines are coplanar provided ij = - ji, for it would then assume the form ij(yz' - zy').
// ' >?/??pa??ji?g?fi??,?????'1a?1 1? ?
Hostien and die Ji den in Deggendorf (Landshut, 1866); and Das Kloster Metten (Straubing, 1857).
Des ji d.
That is, if an amount jIo is absorbed in the first centimetre, jI 1 is absorbed in the second, and so on.
464-465, Bousset, Die Religion des Judenthums (1903), p. 34 1, and Weber, Ji dische Theologie (1897), pp. 180-184.