Her glass to keep from hurling it at him.
His attributes were the spear and the burning torch, symbolical of the devastation caused by war (in ancient times the hurling of a torch was the signal for the commencement of hostilities).
The Black God was fighting nearby, hurling black clouds at the Others then trying not to get hit by lightning in return.
(The architect being at that time also the contractor.) The chapters are -- (1) on various machines, such as scaling-ladders, windmills, &c.; (2) on windlasses, axles, pulleys and cranes for moving heavy weights, such as those used by Chersiphron in building the great temple of Diana at Ephesus, and on the discovery by a shepherd of a quarry of marble required to build the same temple; (3) on dynamics; (4) on machines for drawing water; (5) on wheels for irrigation worked by a river; (6) on raising water by a revolving spiral tube; (7) on the machine of Ctesibius for raising water to a height; (8) on a very complicated water engine, the description of which is not intelligible, though Vitruvius remarks that he has tried to make the matter clear; (9) on machines with wheels to register the distance travelled, either by land or water; (10) on the construction of scorpiones for hurling stones; (11) and (12) on balistae and catapults; (13) on battering rams and other machines for the attack of a fortress; (14) on shields (testudines) to enable soldiers to fill up the enemy's ditches; (15) on other kinds of testudines; (16) on machines for defence, and examples of their use in ancient times.
Gods are represented with their appropriate attributes - the fire-god hurling his spear, the moon-goddess with a shell, &c.; the scenes of human life are pictures of warriors fighting with club and spear, men paddling in canoes, women spinning and weaving, &c. An important step towards phonetic writing appears in the picture-names of places and persons.