With the Burgundian king Gundahari (Gunther, Gunnar) and the overthrow of his house and nation by the Huns; the scholars have exercised considerable ingenuity in attempting to identify him with various historical figures.
It has also been found convenient to take the boundary between the Atlantic and Pacific, as the shortest line across Drake Strait, from Cape Horn through Snow Island to Cape Gunnar, instead of the meridian of Cape Horn.
Sigurd acquired great fame and riches by slaying the dragon Fafnir, but the chief interest of the story centres round his connexion with the court of the Burgundian king Gunnar (Gunther).
The improvisator of Gluntarne, Gunnar Wennerberg (q.v.; 1817-1 9 01) survived as a romantic figure of the past.
1688; Gunnar Palsson, the author of Gunnarslag, often printed with the Eddic poems, c. 1791; and Eggert Olafsson, traveller, naturalist and patriot, whose untimely death in 1768 was a great loss to his country.
Of tales relating to the east there survive the Weapon-firth cycle - the tales of Thorstein the White (c. 900), of Thorstein the Staffsmitten (c. 985), of Gunnar Thidrand's Bane (1000-1008) and of the Weapon firth Men (975-990), all relating to the family of Hof and their friends and kin for several generations - and the story of Hrafnkell Frey's Priest (c. 960), the most idyllic of sagas and best of the eastern tales.
The sagas of the south are either lost or absorbed in that of Nial (970-1014), a long and complex story into which are woven the tales of Gunnar Nial, and parts of others, as Brian Boroimhe, Hall o' Side, &c. It is, whether we look at style, contents or legal and historical weight, the foremost of all sagas.
The women Hallgerda, Bergthora and Ragnhild are as sharply contrasted as the men Gunnar, Skarphedin, Flosi and Kari.
The pathos of such tragedies as the death of Gunnar and Hoskuld and the burning is interrupted by the humour of the Althing scenes and the intellectual interest of the legal proceedings.
The plot dealing first with the life and death of Gunnar, type of the chivalry of his day, then with the burning of Nial by Flosi, and how it came about, and lastly with Kari's revenge on the burners, is the ideal saga-plot.
GUNNAR WENNERBERG (1817-1901), Swedish poet, musician and politician, was born at Lidkdping, of which place his father was parish priest, on the 2nd of October 1817.
Coming to the court of Giuki, a king in the Rhine country, Sigurd formed a friendship with his three sons, Gunnar, Hogni and Guthorm; and, in order to retain so valuable an ally, it was determined to arrange a match between him and their sister Gudrun.
Gunnar, on the other hand, wished to make Brunhild his wife, and asked Sigurd to ride with him on this quest, which he consented to do on condition of receiving Gudrun to wife.
They set out; but Gunnar was unable to pass the circle of fire round Brunhild's abode, the achievement that was the condition of winning her hand.
So Gunnar and Brunhild were wedded, and Sigurd, resuming his own form, rode back with them to Giuki's court where the double marriage was celebrated.
Brunhild taunted Gudrun with the fact that Sigurd was Gunnar's vassal, whereupon Gudrun retorted by telling her that it was not Gunnar but Sigurd who rode through the flames, and in proof of this held up Brunhild's ring, which Sigurd had given to her.
On their refusal to surrender the hoard, or to say where it was concealed, a fierce fight broke out, in which all the followers of Gunnar and Hogni fell.
Atli then once more offered to spare Gunnar's life if he would reveal his secret; but Gunnar refused to do so till he should see the heart of Hogni.
Hogni's heart was then cut out, the victim laughing the while; but when Gunnar saw it he cried out that now he alone knew where the hoard was and that he would never reveal the secret.