Music with Latin words is not excluded from the Lutheran Church, and the Kyrie and Gloria are frequently sung in succession and entitled a Mass.
In the Western Church the Gloria Patri is repeated at the close of every psalm, in the Eastern Church at the close of the last psalm.
In the 6th century St Sergius was honoured in the West (Gregory of Tours, De gloria martyrusn, 96).
Ci :Ve N Ta E Trivmfos Gloria Christi beloved to me in the Lord."
Theodulf was the author of at least part of the hymn for Palm Sunday, the Gloria laws.
The latter in his De gloria martyrum (i.
14, and the form of the Lesser Doxology, or Gloria Patri, having been in all probability first suggested by Matt.
Alcuin attributes the authorship of the Latin form - the Gloria in Excelsis - to St Hilary of Poitiers (died 367).
There are pleasant suburbs along the shore and farther inland (Floresta, Gloria, Moinhos de Vento, i.e.
The badge is the black double-headed eagle surrounded by a blue-enamelled ornamented border, with the inscription Salus et Gloria on a white fillet; the eagle bears a red Greek cross with gold and blue borders.
On returning to the church, two or four singers enter first and close the doors, then, turning towards the procession outside, sing the first two verses of the hymn "Gloria, laus et honor," those outside repeating them, and so on till the hymn is finished.
It is divided into three parts, each containing five decades, a decade comprising i Pater, 10 Ayes and a Gloria, in addition to a subject for meditation selected from the "mysteries" of the life of Christ and of the Blessed Virgin.
Now the texts of the Gloria and Credo were more voluminous than any others which 16th-century composers attempted to handle in a continuous scheme.
Accordingly, Palestrina and his great contemporaries and predecessors treated the Gloria and Credo in a style midway in polyphonic organization and rhythmic breadth between that of the elaborate motet (adopted in the Sanctus) and the homophonic reciting style of the Litany.
By this time the resources of music were such that the long and varied text of the Gloria and Credo inevitably either overbalanced the scheme or met with an obviously perfunctory treatment.
The text of the Dies Irae so imperatively demands either a very dramatic elaboration or none at all, that even in the 16th century it could not possibly be set to continuous music on the lines of the Gloria and Credo.
Petrarch was under the impression in his old age that he had once possessed Cicero's lost work de Gloria, but it is probable that he was misled by one of the numerous passages in the extant writings dealing with this subject.'
The In gloria martyrum and In gloria confessorum of Gregory of Tours are valuable for the sources used in their compilation.
The seven books of miracles are divided into the De gloria martyrum, the De virtutibus sancti Juliani, four books of Miracula sancti Martini, and the De gloria confessorum, the last dealing mainly with confessors who had dwelt in the cities of Tours and Clermont.
Maria da Gloria (then aged seven); but this abdication was made contingent upon her marriage with her uncle D.
Maria da Gloria (Maria II.).
The General Assembly of Glasgow in 1638 abjured Laud's book and took its stand again by the Book of Common Order, an act repeated by the assembly of 1639, which also demurred against innovations proposed by the English separatists, who objected altogether to liturgical forms, and in particular to the Lord's Prayer, the Gloria Pcrtri and the minister kneeling for private devotion in the pulpit.
In many parts of Germany the seasons of Lent and Advent are still marked by the use of emblems of mourning in the churches, by the frequency of certain phrases (Kyrie eleison, Agnus Dei) and the absence of others (Hallelujah, Gloria in excelsis) in the liturgical services, by abstinence from some of the usual social festivities, and by the non-celebration of marriages.
It is worn at low masses by the priest only when he goes to and from the altar, at high masses also when the celebrant sits during the singing of the Kyrie, Gloria and Creed, and at processions when these take place outside the church and are not sacramental, and so on.
The germ of both is to be found in the Gospels; the first words of the Greater Doxology, or Gloria in Excelsis, being taken from Luke ii.
The Lesser Doxology, or Gloria Patri, combines the character of a creed with that of a hymn.
Mass was then sung; but instead of the ordinary responses to the Introit, Kyrie, Gloria, &c., the congregation chanted "Hinham" (Hee-haw) three times.
According to the Roman Caeremoniale the bishop wears the mitra pretiosa on high festivals, and always during the singing of the Te Deum and the Gloria at mass.
The most important are: Bezerros (17,484), Bom Jardim (40,160), Brejo da Madre de Deus (13,655), a town of the higher agreste region, Cabo (13,337), Caruaru (17,844), Escada (9331), Garanhuns (32,788, covering six towns and villages), Gloria de Goyta (24,554), Goyanna, Limoeiro (21,576), Olinda (8080), the old colonial capital and episcopal see, Rio Formosa (6080), Timbauba (9514) and Victoria (32,422).
Then the candles were relit and he was told that he would see the full light; the bandage was again removed and more than ten voices said together: "Sic transit gloria mundi."