Ten thousand gladiators are said to have perished in the arena, and eleven thousand beasts were killed in the contests.
Adjoining the theatres is a large rectangular enclosure, surrounded by a portico, at first the colonnade connected with the theatres, and converted, about the time of Nero, into the barracks of the gladiators, who were permanently maintained in the city with a view to the shows in the amphitheatre.
In Rome he was patron of gladiators, as of athletes in Greece.
Remains of gladiators' armour and weapons were found in some of the rooms, and in one, traces of the stocks used to confine insubordinate gladiators.
After his return to Rome, he heartily supported the attempt to secure his brother's recall from exile, and was nearly murdered by gladiators in the pay of P. Clodius Pulcher.
He joined the Pompeian party, and organized bands of mercenaries and gladiators to support the cause by public violence in opposition to P. Clodius, who gave similar support to the democratic cause.
Familiae of gladiators were kept by private speculators, who hired them out; they were sometimes owned by men of high rank.
Clodius and Milo used bands of gladiators in their city riots, and this action on the part of the latter was approved by Cicero.
49), says that permission was granted to the Syracusans under Nero to exceed the prescribed number of gladiators in their shows.
The crews consisted of gladiators and condemned criminals; in later times, even of volunteers.
The House of the Faun), and the colonnade round the forum, the basilica, the temples of Apollo and Jupiter, the large theatre with the colonnades of the Foro Triangolare, and the barracks of the gladiators, the Stabian baths, the Palaestra, the exterior of the Porta Marina, and the interior of the other gates - all the public buildings indeed (except the Doric temple mentioned under (t), which do not belong to the time of the Roman colony).
Late Minoan art in its finest aspect is best illustrated by the animated ivory figures, wall paintings, and gesso duro reliefs at Cnossus, by the painted stucco designs at Hagia Triada, and the steatite vases found on the same site with zones in reliefs exhibiting life-like scenes of warriors, toreadors, gladiators, wrestlers and pugilists, and of a festal throng perhaps representing a kind of " harvest home."
At the same time Commodus, proud of his bodily strength and dexterity, exhibited himself in the arena, slew wild animals and fought with gladiators, and commanded that he should be worshipped as the Roman Hercules.
In this case an inscription records the repair and restoration of the edifice after the The interest taken by the Pompeians in the sports of the amphitheatre is shown by the contents of the numerous painted and scratched inscriptions relating to them which have been found in Pompeii - notices of combats, laudatory inscriptions, including even references to the admiration which gladiators won from the fair sex, &c.