Gilding and enamel decoration are applied to vessels when cold, and fixed by heat.
It is a mirror which no stone can crack, whose quicksilver will never wear off, whose gilding Nature continually repairs; no storms, no dust, can dim its surface ever fresh;--a mirror in which all impurity presented to it sinks, swept and dusted by the sun's hazy brush--this the light dust-cloth--which retains no breath that is breathed on it, but sends its own to float as clouds high above its surface, and be reflected in its bosom still.
Ambones were made of wood or else of costly marbles, and were decorated with mosaics, reliefs, gilding, &c.; sometimes also covered with canopies supported on columns.
Edward Dillon (Glass, 1902) has very properly laid stress on the importance of the enamelled Saracenic glass of the r3th, 14th and r 5th centuries, pointing out that, whereas the Romans and Byzantine Greeks made some crude and ineffectual experiments in enamelling, it was under Saracenic influence that the processes of enamelling and gilding on glass vessels were perfected.
Enamel and gilding were freely used, in imitation no doubt of the muchadmired vessels brought from Damascus.
Don Sigismundo Brun is credited with the invention of permanent gilding fixed by heat.
The pillars, architraves, ceilings, panels, and almost every available part of the structure, are covered with arabesques and sculptured figures of dragons, lions, tigers, birds, flowers, and even pictorial compositions with landscapes and figures, deeply carved in solid or open workthe wood sometimes plain, sometimes overlaid with pigment and gilding, as in the panelled ceiling of the chapel of Iyeyasu in Tokyo.
Wide, to have had 4 08 cupolas,130 windows, 444 pillars and 6 entrances, and to have been adorned in the most magnificent manner with gilding, carving, precious mosaics and other elaborate and costly embellishments.
Tin amalgam is used for "silvering" mirrors, gold and silver amalgam in gilding and silvering, cadmium and copper amalgam in dentistry, and an amalgam of zinc and tin for the rubbers of electrical machines; the zinc plates of electric batteries are amalgamated in order to reduce polarization.
One of its rooms, called the "Golden Hall," from the profusion of its gilding, is 113 ft.
The open work was filled up with whitewash, the painting and gilding effaced, the furniture soiled, torn or removed.
The brilliancy and fair light scale of his tints is constantly remarkable, combined with a free use of gilding; this conduces materially to that celestial character which so pre-eminently distinguishes his pictured visions of the divine persons, the hierarchy of heaven and the glory of the redeemed.
These were worked by casting and hammering, and ornamented by inlay, gilding and enamels with the greatest possible skill.
Gilding, stains and lacquers, electro-plating, chasing, "matting," frosting, burnishing, mechanically produced mouldings and enrichments, and the other processes esteemed in the 10th century, are disused and avoided.
Fina from his plans in 1468, and carved the fine marble altar, the original painting and gilding of which are still preserved.
Important features of Greek sacrifice, though not necessarily found in every rite, were the putting of wreaths and pieces of wool on the victim, the gilding of its horns, the lustration of the officiant and the sprinkling of those present with holy water.
Thus, in the treatise known as Physica et Mystica and falsely ascribed to Democritus (such false attributions are a constant feature of the literature of alchemy), various receipts are given for colouring and gilding metals, but the conception of transmutation does not occur.
In 1840 he described a process for the electro-gilding of silver and brass, for which in the following year he received a prize of 3000 francs from the French Academy of Sciences.
There are numerous sculptural adornments without, and there is elaborate interior decoration with paintings, sculpture, coloured marbles and gilding.'
The interior is covered with gilding and frescoes of the 17th century, and is somewhat overloaded with rich decoration, while a range of white marble columns supports the nave.
The interior, which is as rich as coloured marbles, gilding, and sculptures can make it, contains the busts of more than a hundred German worthies.
Salmon-colored, red, yellow and white glazes are also found, and in late specimens gilding was added.