Giustina, now in the Brera Gallery in Milan, 1 453.
The art gallery and free library contain excellent pictures, and valuable books and MSS.
I wouldn't own an art gallery if I didn't love artists.
An hour later, she dismounted her bike and leaned it against the brick front of the art gallery where her work was displayed.
The rood was carried either on a transverse beam, the " rood beam," or by a gallery, the " rood loft."
Then a sudden turn brought them to a narrow gallery where the buggy could not pass.
"Please step into the gallery, your excellency," said the major-domo.
Jackson had decided to build a gallery on the grounds, and although she protested, he knew she would be thrilled with it.
The museum of art comprises a picture gallery, a collection of casts of Thorvaldsen's works and a cabinet of engravings.
The principal modern monument to the poet's memory in Stratford is the Shakespeare Memorial, a semi-Gothic building of brick, stone and timber, erected in 1877 to contain a theatre, picture gallery and library.
This chair, now placed in the gallery referred to, was used for centuries in the imperial coronation ceremonies.
They include the picture gallery, 150 ft.
One day he would order his camp bed to be set up in the glass gallery, another day he remained on the couch or on the lounge chair in the drawing room and dozed there without undressing, while--instead of Mademoiselle Bourienne--a serf boy read to him.
He was conducted through a glass gallery, an anteroom, and a hall, which were familiar to him, into a long low study at the door of which stood an adjutant.
He held her closer and whispered, "We are going to make a date for that when the peanut gallery isn't around."
It is surrounded on the first story by a sixteensided gallery (the Hochmiinster) adorned by antique marble and granite columns, of various sizes, brought by Charlemagne's orders from Rome, Ravenna and Trier.
The footmen began moving about, chairs scraped, the band struck up in the gallery, and the guests settled down in their places.
He drew himself up, a smile of debonair gallantry lit up his face and as soon as the last figure of the ecossaise was ended, he clapped his hands to the musicians and shouted up to their gallery, addressing the first violin:
The countess was accustomed to this tone as a precursor of news of something detrimental to the children's interests, such as the building of a new gallery or conservatory, the inauguration of a private theater or an orchestra.
In her latest works she went back to her earlier themes of romantic and unchartered love, but the scene is shifted from Berri, which she felt she had exhausted, to other provinces of France, and instead of passionate manifestos we have a gallery of genre pictures treated in the spirit of Francois le champi.
The palace contains a picture gallery and collections of natural history and antiquities, and in front of it are two monumental fountains and a monument to the emperor William I.
The government offices, art gallery and exchange, with St Mary's cathedral (Anglican), a building in a combination of native timbers, St Paul's and St Patrick's cathedral (Roman Catholic), are noteworthy buildings.
His portrait by Raeburn is the property of Glasgow University, and in the National Portrait Gallery, Edinburgh, there is a good medallion by Tassie, taken in his eighty-first year.
The ruins are scanty, but the east window is preserved, and the present church incorporates remains of the ancient resthouse for pilgrims. The church has a peculiar music gallery, entered from without.
Christina of Sweden lived there for years, and the gallery is still to be seen where in 1657 she caused her secretary Monaldeschi to be put to death.
Biagio and the municipal picture gallery also contain works by him.
Both the central library and museum and the Akroyd museum and art gallery occupy buildings which were formerly residences, the one of Sir Francis Crossley (1817-1872) and the other of Mr Edward Akroyd.
The top of the narthex forms a wide gallery, communicating with the interior at the triforium level.
In the centre of this gallery stand the four colossal bronze horses which belonged to some Graeco-Roman triumphal quadriga, and were brought to Venice by the Doge Enrico Dandolo after the fall of Constantinople in 1204; they were carried off by Napoleon to Paris in 1797, and restored by Francis of Austria in 1815.
Side by side with these changes has proceeded the reorganization of the Royal Gallery of Ancient Art, which, created by Napoleon I.
The gallery now constitutes a unique collection of Venetian paintings from the most ancient artists down to Tiepolo, one hall only being reserved for other Italian schools and one for foreign schools.
Altogether the gallery contains twenty rooms, one being assigned to the complete cycle of the "History of Saint Ursula," by Carpaccio; another to Giambellino and to the Celliniani; and a whole wall of a third being occupied by the famous Veronese, "11 Convito in casa di Levi."
Titian's "Presentazione al Tempio," painted for the Scuola della Carita, which is now the seat of the gallery, has been placed in its original position.
The reorganization of the Archaeological and Artistic Museum and of the Royal Gallery of Ancient Art coincided with the inauguration in April 1895 of a series of biennial International Art Exhibitions, arranged in order to celebrate the silver wedding of the king and queen of Italy.
The institution of these exhibitions furnished Prince Giovanelli with an opportunity to found at Venice a Gallery of Modern Art, for which a home was found in the Palazzo Pesaro, bequeathed to the city by Princess Bevilacqua la Masa.
The great hall, with elaborately carved music-gallery, is mainly the work of the first earl.
In the Communal Gallery is an altarpiece from the cathedral by the Venetian Jacobello del Fiore (1400-1439).
His library of 70,000 volumes was one of his forms of ostentation, and so was his gallery of pictures.
North Semitic Gallery; (17) Archaeologia LXX.; (18) Proc. Soc. Ant., Dec. 1919; (19) Pezard, Mem.
His full-length of Lady Mary Coke is remarkable for the skill and delicacy with which the white satin drapery is managed; while in the portrait of his brown-eyed wife, the eldest daughter of Sir Alexander Lindsay of Evelick, in the Scottish National Gallery, we have a sweetness and tenderness which shows the painter at his highest.
(From Marchi.) and two on the other, connected by a passage intersecting the gallery at right angles.
To adapt the ground for its purpose as a cemetery, a gallery was run all round the area in the tufa rock at a convenient depth below the surface, reached by staircases at the corners.
If a family vault was required, or a burial chapel for a martyr or person of distinction, a small square room was excavated by the side of the gallery and communicating with it.
- Section of a Gallery in Catacomb at Alexandria.
In 1890 the floor of the gallery in which it stands was excavated, and another floor was found to be 6 ft.
In a cubiculum leading out of a gallery in the vicinity there was also discovered an interesting impression in plaster of an inscription of the mother of Pope Damasus, beginning: HIC [[Damasi Mater Posvit Lavren[Tia Membra]]].
In 1905 Cardiff was selected by a privy council committee to be the site of a state-aided national museum for Wales, the whole contents of the museum and art gallery, together with a site in Cathays Park, having been offered by the corporation for the purpose.
He painted the "Battle of Joshua" in the Quirinal Gallery, the "Crucifixion of St Andrew" in the church of that saint on Monte Cavallo, various works for the Jesuits, some also in co-operation with his brother.
The Kunst-Halle (the picture gallery), containing some good works by modern masters, faces the east end of Lombards-Brucke.
The municipal picture gallery contains a collection of pictures, and among them are some primitive frescoes, attributable to the 12th century, which still retain traces of Byzantine influence.
Among other buildings are the town hall (built 1899-1900), the palace of the hereditary prince, the theatre, the administration offices, the law courts, the Amalienstift, with a picture gallery, several high-grade schools, a library of 30,000 volumes and an excellently appointed hospital.
What is probably a Roman imitation of this work was found in 1583 near the Lateran, and is now in the Uffizi gallery at Florence.
The picture gallery is equally important in its way, affording a survey both of the earlier Bolognese paintings and of the works of the Bolognese eclectics of the 16th and 17th centuries, the Caracci, Guido Reni, Domenichino, Guercino, &c. The primitive masters are not of great excellence, but the works of the masters of the 15th century, especially those of Francesco Francia (1450-1517) and Lorenzo Costa of Ferrara (1460-1535), are of considerable merit.
The gallery in which Charles II.
The picture gallery is associated with the festive scenes that occurred during the short residence of Prince Charles in 1745; and in it the election of representative peers for Scotland takes place.
It is situated on the Mound close to the National Gallery, of which the prince consort laid the foundation stone in 1850.
It was originally intended to form a shrine for Flaxman's marble statue of the poet (now in the National Portrait Gallery), but it proved to be too confined to afford a satisfactory view of the sculptor's work and was at length converted into a museum of Burnsiana (afterwards removed to the municipal buildings).
Upon this street, which divides Princes Street and its gardens into east and west, and which received the title of the Mound, were erected the National Gallery and the Royal Institution.
The Domain embraces 138 acres, extending along one side of Woolloomooloo Bay and surrounding Farm Cove, in which the warships belonging to the Australian station are usually anchored; in this charming expanse of park land are the governor's residence and the National Art Gallery, which houses a splendid collection of pictures by modern artists, statuary, pottery and other objects of art.
On the intellectual side the new movement found its champion and its Maecenas in Bishop Strassmayer, who for over 50 years devoted the surplus revenues of the wealthy see of Dya Kovo (Djakovo) to national purposes, and was mainly instrumental in founding at Zagreb the southern Slav Academy (1867), the first Croat university (1874) and a modern gallery and school of arts.
There is evidence of its vogue in Holland in the 17th century, for the painting by David Teniers (1610-1690), in the Scottish National Gallery at Edinburgh, is wrongly described as "Peasants playing at Skittles."
"Gynaeconitis" is the term given by Procopius to the space reserved for women in the Eastern Church, and this separation of the sexes was maintained in the early Christian churches where there were separate entrances and accommodation for the men and women, the latter being placed in the triforium gallery, or, in its absence, either on one side of the church, the men being on the other, or occasionally in the aisles, the nave being occupied by the men.
The shafts are placed so close together that in many instances they are divided by only a couple of feet of solid ground, but at their bases a considerable amount of gallery work has been excavated, though it is possible that this was done by miners who came after the people who originally sank the shafts.
Basilica with a vaulted portico and a nave and two aisles begun in 1103, a mosaic pavement in the Cosmatesque style, a good ambo resting on columns and decorated with mosaics showing traces of Moorish influence, a Paschal candelabrum, and an organ gallery of similar style.
The ducal palace, standing in extensive grounds, contains a collection of historical curiosities and a gallery of pictures, which includes works by Cimabue, Lippi,Rubens,Titian and Van Dyck.
Southport has also a free library and art gallery, a literary and philosophical institute, and a college (Trinity Hall) for the daughters of Wesleyan ministers; and a museum and schools of science and art.
Several of its churches are architecturally interesting, especially the Madonna delle Lacrime (1487) outside the town, the elegant early Renaissance architecture of which resembles that of the Madonna del Calcinaio at Cortona, and most of them (and also the municipal picture gallery) contain paintings by artists of the Umbrian school - notably Lo Spagna, a pupil of Perugino.