We may also mention the two celebrated fountains, Fonte Gaia and Fontebranda; the former, in the Piazza del Campo, by Jacopo della Quercia (1409-1419), but freely restored in 1868, the much-damaged original reliefs being now in the Opera del Duomo; the Fonte Nuova, near Porta Ovile, by Camaino di Crescentino also deserves notice (1298).
In the Campo Santo of Pisa; Agostino and Agnolo, who in 1330 carved the fine tomb of Bishop Guido Tarlati in the cathedral of Arezzo; Lando di Pietro (14th century), architect, entrusted by the Sienese commune with the proposed enlargement of the cathedral (1339), and perhaps author of the famous Gothic reliquary containing the head of S Galgano in the Chiesa del Santuccio, which, however, is more usually attributed to Ugolino di Vieri, author of the tabernacle in the cathedral at Orvieto; Giacopo (or Jacopo) della Quercia, whose lovely fountain, the Fonte Gaia, in the Piazza del Campo has been recently restored; Lorenzo di Pietro (Il Vecchietta), a pupil of Della Quercia and an excellent artist in marble and bronze; Francesco d'Antonio, a skilful goldsmith of the 1 6th century; Francesco di Giorgio Martini (1439-1502), painter, sculptor, military engineer and writer on art; Giacomo Cozzarelli (15th century); and Lorenzo Mariano, surnamed 11 Marrina (16th century).
After her immigration to Rome she is said to have received the name Gaia Caecilia.
There was a statue of her as Gaia Caecilia in the temple of Sancus, which possessed magical powers.
Tanaquil and Gaia Caecilia are, however, really distinct personalities.
The anecdotes told of Gaia Caecilia are aetiological myths intended to explain certain usages at Roman marriages.
Thus Apollo has to fight the oracle serpent of Gaia, and it has been observed that where Apollo prevailed in Greek religion the serpent became a monster to be slain.
She is the daughter of Ouranos and Gaia; and after Metis she becomes the bride of Zeus.6 Pindar describes her as born in a golden car from the primeval Oceanus, source of all things, to the sacred height of Olympus to be the consort of Zeus the saviour; and she bears the same august epithet, as the symbol of social justice and the refuge for the oppressed.'
Orestes, according to Zielinski, is the son of the sky-god Zeus-Agamemnon, who overcomes his wife the earth-goddess Gaia-Clytaemnestra; with the assistance of the dragon Aegisthus, she slays her husband, whose murder is in turn avenged by his son.
RHEA, a goddess of the Greeks known in mythology as the daughter of Uranus and Gaia, the sister and consort of Kronos, and the mother of Zeus.
Its name (Portucalia, Terra portucalensis) was derived from the little seaport of Portus Cale or Villa Nova de Gaia, now a suburb of Oporto, at the mouth of the Douro.