The frescoes are interesting works of the early 13th century.
The walls and ceiling of the fine Romanesque interior are covered with frescoes of 1570, subdued in colour and well suited to the character of the building; those of the octagonal cupola representing the Assumption of the Virgin are by Correggio, but much restored.
The beautiful frescoes with scenes from the life of the saint (a local saint who died at the age of fifteen) are the earliest work of Domenico Ghirlandaio, completed before 1475.
Agostino (1280-1298) contains a famous series of seventeen frescoes by Benozzo Gozzoli, with scenes from the life of St Augustine (1463-1467).
Another restoration was undertaken after 1860, when a series of historical frescoes was painted upon its walls.
1000, with frescoes of the period.
The interior contains frescoes by Francesco d'Arezzo (1435).
Agostino also contains some good frescoes by Ottaviano Nelli of Gubbio.
(a journey of 21hours) is the pilgrimage church of the Madonna del Monte (2885 ft.), approached by a path which passes fourteen chapels adorned with 17th-century frescoes and groups in stucco illustrating the mysteries of the rosary.
From it rises a tall campanile, the inner walls of which have been covered in parts with frescoes of religious subjects, though these are now much defaced.
The frescoes on the cupola representing the vision of S.
There are other beautiful ceiling frescoes by Correggio in the former Benedictine nunnery of S.
1 A remarkable series of 14th-century frescoes, in perfect condition, were disclosed in 1909 by the removal of the whitewash which had for centuries covered the interior of this fine church.
Christina (martyred by drowning in the lake, according to the legend, in 278) which dates from the 11th century and contains some frescoes, perhaps of the school of Giotto.
This enthusiastic love of poverty is certainly the keynote of St Francis's spirit; and so one of his disciples in an allegorical poem (translated into English as The Lady of Poverty by Montgomery Carmichael, 1901), and Giotto in one of the frescoes at Assisi, celebrated the "holy nuptials of Francis with Lady Poverty."
It is probable, however, that before this time some of the pupils of Squarcione, including Mantegna, had already begun that series of frescoes in the chapel of S.
Some of his early Mantuan works are in that apartment of the Castello which is termed the Camera degli Sposi - full compositions in fresco, including various portraits of the Gonzaga family, and some figures of genii, &c. In 1488 he went to Rome at the request of Pope Innocent VIII., to paint the frescoes in the chapel of the Belvedere in the Vatican; the marquis of Mantua (Federigo) created him a cavaliere before his departure.
This series of frescoes, including a noted " Baptism of Christ," was ruthlessly destroyed by Pius VI.
The works painted by Mantegna, apart from his frescoes, are not numerous; some thirty-five to forty are regarded as fully authenticated.
Maria della Purita has frescoes by Giovanni Battista and Domenico Tiepolo.
The Madonna della Ghiara, built in 1597 in the form of a Greek cross, and restored in 1900, is beautifully proportioned and finely decorated in stucco and with frescoes of the Bolognese school of the early 17th century.
The Gothic portal is fine, and the church contains a mosaic pavement of 1213 with curious representations and some frescoes by Giotto, painted during a visit to Dante between 1317 and 1320.
The former, well restored by Ricci in1898-1900(except for the dome with its baroque frescoes which has not been altered), is a regular octagon, with a vestibule, originally flanked by two towers on the west, a choir added on the east, triangular outside and circular within; it is surrounded within by two galleries interrupted at the presbytery, and supported by eight large pillars, the intervals between which are occupied by open exedrae.
Maria in Porto near the ancient harbour (1096 sqq.), a basilica with open roof, with frescoes by masters of the Rimini school, may be noticed.
The remains of several shrines within the building, and the religious element perceptible in the frescoes, show that a considerable part of the Palace of Cnossus was devoted to purposes of cult.
The walls of the throne room show frescoes with sacred griffins confronting each other in a Nile landscape, and a small bath chamber - perhaps of ritual use - is attached.
North of the central court is a domestic quarter presenting analogies with that of Cnossus, but throughout the later building there was a great dearth of the frescoes and other remains such as invest the Cnossian palace with so much interest.
This was restored in 1867-1878 at the cost of the Prussian government, and was adorned with frescoes portraying events in German history.
5.-Miniature Frescoes, Showing Spectators At Athletic Sports, Cnossus.
Cnossian frescoes show women grouped apart, and they appear alone on gems. Flesh and fish and many kinds of vegetables were evidently eaten, and wine and beer were drunk.
To this wave were owed in all probability the Nilotic scenes depicted on the Mycenae daggers, on frescoes of Hagia Triada and Cnossus, on pottery of Zakro, on the shell-relief of Phaestus, &c.; and also many forms and fabrics, e.g.
The inner walls are decorated with Byzantine frescoes, among which only a painting of the Last Supper, and the portraits of five saints, remain unrestored.
Coloured marbles and frescoes served a like purpose.
The frescoes from the Francois tomb, discovered in 1857, illustrating Greek and Etruscan myths, are now in the Museo Torlonia at Rome.
(From Bosio.) character of the frescoes which ornament the walls and roof.
Some curious frescoes representing these funeral-feasts, found in the cubicula which were the scene of them, are 3; „ I,I - _..
It is unnecessary to enter on any detailed description of the frescoes which cover the walls and ceilings of the burial-chapels in the richest abundance.
Wilpert's great work, in which these frescoes are reproduced in colours, now enables the student even better to distinguish the styles of different centuries and follow the course of artistic development or decay.
The walls are in many places coated with stucco adorned with frescoes, including palms, doves, labara and other Christian symbols.
Explorations conducted in the cemetery of Domitilla in 1897-1898 brought to light a fine double crypt with frescoes representing Christ seated between six male and female saints; also an inscription relating to a new saint (Eulalius) in a cubiculum of the 3rd century.
These were unknown to Bosio, and are both covered with frescoes, the vault being in one case decorated with the scene which represents Christ seated among the apostles and pronouncing sentence upon the defunct.
In 1903 a new cemetery with frescoes came to light on the Via Latina, considered by Marucchi to have belonged to a heretical sect.
Felix and Adauctus, discovered by Boldetti and afterwards choked up with ruins, was cleared again: the crypt, begun by Damasus and enlarged by Siricius, contains frescoes of the 6th-7th centuries.
Wilpert, Le Pitture delle catacombe romane (Rome, 1903), in which all the important frescoes are reproduced in colours, is to be regarded as an addition to the Roma sotterranea.
Not far off, similar relics were found at Sobunar, Zlatiste and Debelobrdo; iron and bronze ornaments, vessels and weapons, often of elaborate design, occur in the huts and cemeteries of Glasinac, and in the cemetery of Jezerine, where they are associated with objects in silver, tin, amber, glass, &c. Among the numerous finds made in other districts may be mentioned the discovery, at Vrankamer, near Bihac, of 98 African coins, the oldest of which dates from 300 B.C. Many vestiges of Roman rule survive, such as roads, mines, ruins, tombs, coins, frescoes and inscriptions.
Of the artistic treasures with which the Escorial was gradually enriched, it is sufficient to mention the frescoes of Peregrin or Pellagrino Tibaldi, Luis de Carbajal, Bartolommeo Carducci or Carducho, and Luca Giordano, and the pictures of Titian, Tintoretto and Velasquez.
326 sqq.); in its interior some 14th-century frescoes were discovered in 1896.
The municipal picture gallery contains a collection of pictures, and among them are some primitive frescoes, attributable to the 12th century, which still retain traces of Byzantine influence.
Another work by him is the group of frescoes including a large "Last Judgment," and scenes from the life of St Augustine, in the church of S.
Here are Pinturicchio's famous frescoes of scenes from the life of the latter pontiff, and the collection of choir books (supported on sculptured desks) with splendid illuminations by Sienese and other artists.
In the Sala dei Nove or della Pace above are the noble allegorical frescoes of Ambrogio Lorenzetti representing the effects of just and unjust government; the Sala delle Balestre or del Mappamondo is painted by Simone di Martino (Memmi) and others, the Cappella della Signoria by Taddeo di Bartolo, and the Sala del Consistorio by Beccafumi.
Another hall, the Sala di Balia, has frescoes by Spinello Aretino (1408) with scenes from the life of Pope Alexander III., while yet another has been painted by local artists with episodes in recent Italian history.
In the centre of the modern town rises the castle, built by Roger I.; in the chapel are frescoes representing his granddaughter, Adelasia, who founded the convent of St Lucia in 1157, taking the veil.
16), but the Aegean women developed it into a bodice-and-skirt costume, well represented by the frescoes of Cnossus and the statuettes of the snake-goddess and her votaries there discovered.
Scott in 1874, is of Early English architecture, and has some remains on one of the columns of frescoes of the same period, while the 14th-century paintings in the chancel are in better preservation.
The Palazzo Pretorio, or Vicariale, the residence of the Florentine governors, recently restored to its original condition, has a picturesque façade and court adorned with coats of arms, and in the interior are various frescoes dating from the 13th to the 16th century.
The interior is fine, and is covered with frescoes by Cremonese masters of the 16th century (Boccaccio Boccaccino, Romanino, Pordenone, the Campi, &c.), which are not of first-rate importance.
This entrance communicated with a corridor showing frescoes of a processional character.