The cole des Fonts et Chausses at Paris is maintained by the government for the training of the engineers for the construction and upkeep of roads and bridges.
At Paris the cole Suprieure des Mines and the cole des Fonts et Chausses are controlled by the minister of public, works, the cole des Beaux-Arts, the cole des Arts Dcoratifs and the Conservatoire National de Musique et de Dclamation by the unr,ler-secretary for fine arts.
It insists on the erection of fonts; on distinction of grades among the ordained clergy; on not postponing baptism too long; on bishops and priests alone, and not deacons, being allowed to baptize and lay hands on or confirm the baptized; on avoiding communion with Arians; on the use of unleavened bread in the Sacrament, &c. We learn from it that the bishop of Basen and Bagrevand was an Arian at that time.
Its most important use in an artistic form has been in the shape of baptismal fonts, chiefly between the lrth and the 14th centuries.
250, give no prayer for consecration of fonts, but enact that "at cock crow the baptismal party shall take their stand near waving water, pure, prepared, sacred, of the sea."
The baptismal fonts date from the 12th century, and the curious spire in the form of an elongated pumpkin and covered with slates gives a fantastic and original appearance to the whole edifice.
In addition to its chief use as a roof covering, lead was sometimes used in England for making fonts, generally tub-shaped, with figures cast in relief.
The fonts are of the 12th century.
They are the following: - (i) Use of fonts; (2) Status of baptizer; (3) Immersion, submersion or aspersion; (4) Exorcism; (5) Baptismal formula and trine immersion; (6) The age of baptism; (7) Confirmation; (8) Disciplina arcani; (9) Regeneration; (10) Relation to repentance; (11) Baptism for the dead; (12) Use of the name; (13) Origin of the institution; (14) Analogous rites in other religions.
They declared that they would yield in the matter of ceremonies so far as to employ unleavened bread in the eucharist, to use fonts in baptism, and to allow festival days, provided the people might pursue their ordinary avocations after public service.
Even if we allow for the difficulty of representing complete submersion in art, it is nevertheless clear that it was not insisted on; nor were the earliest fonts, to judge from the ruins of them, large and deep enough for such an usage.