The executioner from the corner emerged from the shadows and took her arms.
He'd been Damian's most trusted executioner for thousands of years.
The last act affected us most deeply, and we all wept, wondering how the executioner could have the heart to tear the King from his loving wife's arms.
She stayed the urge to curl up in her chair, jumping when a shadow with lopsided shoulders emerged from the corner dressed like an executioner in black hood and gloves.
Some people began to laugh, others continued to watch in dismay the executioner who was undressing the other man.
The man in the executioner uniform dumped her onto a familiar surgical table in a room that stank of blood.
The same day all her reputed lovers were executed; and on the 19th she herself suffered death on Tower Green, her head being struck off with a sword by the executioner of Calais brought to England for the purpose.'
The Heruli remained heathen until the overthrow of their kingdom, and retained many striking primitive customs. When threatened with death by disease or old age, they were required to call in an executioner, who stabbed them on the pyre.
The Spaniard became the swordsman and executioner of the counter-Reformation, because the power of the House of Austria depended on the imposition of religious unity in Europe.
Bernard represents man's bondage to Satan "as righteously permitted as a just retribution for sin," he being "the executioner of the divine justice." :Another theory of Origen's found less acceptance.
He'd served as Damian's executioner for thousands of years, a position he found fitting for his general dislike of the human capacity for evil.
Her eyes slid to Dustin as she tried to reconcile the executioner with the man who liked presents.
1739), public executioner of Paris from 1788 to 1795, was the son of Charles Sanson or Longval, who received in 1688 the office of executeur des hautes oeuvres de Paris, which became hereditary in his family.
By the Etruscans he was also supposed to be a kind of executioner of the powers of the nether world, who, armed with an enormous hammer, was associated with Mars in the slaughter of battle.
The Gulf of Venezuela, with its towns of Maracaibo and Gibraltar, were attacked and plundered under the command of a Frenchman named L'0110nois, who performed, it is said, the office of executioner upon the whole crew of a Spanish vessel manned with ninety seamen.
Its introduction into France was forbidden in 1779; the book was burned by the public executioner, and an order was given for the arrest of the author, whose name had not appeared in the first edition, but was printed on the title page of the Geneva edition of 1780.
The book ends with the obscurest passage of the whole, an elaborate eulogy of the "herb pantagruelion," which appears to be, if it is anything, hemp. Only two probable explanations of this have been offered, the one seeing in it an anticipation of Joseph de Maistre's glorification of the executioner, the other a eulogy of work, hemp being on the whole the most serviceable of vegetable products for that purpose.
The flogging was only just over, and the executioner was releasing from the flogging bench a stout man with red whiskers, in blue stockings and a green jacket, who was moaning piteously.
Of works certainly executed by him during his years of travel there are extant, besides the Basel wood-block, only a much-injured portrait of himself, very finely dressed and in the first bloom of his admirable manly beauty, dated 1493 and originally painted on vellum but since transferred to canvas (this is the portrait of the Felix Goldschmid collection); a miniature painting on vellum at Vienna (a small figure of the Child-Christ); and some half a dozen drawings, of which the most important are the characteristic pen portrait of himself at Erlangen, with a Holy Family on the reverse much in the manner of Schongauer; another Holy Family in nearly the same style at Berlin; a study from the female nude in the Bonnat collection; a man and woman on horseback in Berlin; a man on horseback, and an executioner about to behead a young man, at the British Museum, &c. These drawings all show Diirer intent above all things on the sternly accurate delineation of ungeneralized individual forms by means of strongly accented outline and shadings curved, somewhat like the shadings of Martin Schongauer's engravings, so as to follow their modellings and roundness.