Her erotic dreams were proof that he was becoming more than a friend to her, and that thought was troubling - both from the standpoint of her goals, and the fact that she was setting herself up for rejection.
She shivered at the erotic touch of their bodies.
In her erotic thoughts about him, the actual act of undressing had never crossed her mind.
Jessi's mouth was agape at the erotic poses Laurencio called for them to do.
The heat and size of his body, the erotic pose, his direct gaze … all fed the desire burning within her.
Sex with her would be beyond erotic, for he had to be inside her in order to feel her.
He was the author of a collection of epigrams called Cicuta (" hemlock") 1 from their bitter sarcasm, and of a beautiful epitaph on the death of Tibullus; of elegiac poems, probably of an erotic character; of an epic poem Amazonis; and of a prose work on wit (De urbanitate).
A confused notice in Suidas mentions three persons of the name: the first, the inventor of the alphabet; the second, the son of Pandion, "according to some" the first prose writer, a little later than Orpheus, author of a history of the Foundation of Miletus and of Ionia generally, in four books; the third, the son of Archelaus, of later date, author of a history of Attica in fourteen books, and of some poems of an erotic character.
Boucher speedily realized that his own erotic style did not suit the lad's genius, and recommended him to J.
34, 85) awards equal praise to his erotic elegies.
He is also said to have been a writer of erotic poems. It is as a jurist, however, that Sulpicius was chiefly distinguished.
1 He wrote also Blot /ocftorcov (Lives of the Sophists), Gymnasticus 'and Epistolae (mainly of an erotic character).
Emil Aarestrup (1800-1856) published in 1838 a volume of vivid erotic poetry, but its quality was only appreciated after his death.
In the forms of worship favoured by votaries of these creeds the emotional and erotic elements are allowed yet freer scope than in those that preceded them; and, as an effective auxiliary to these tendencies, the use of the vernacular dialects in prayers and hymns of praise takes an important part in the religious service.
To a certain extent this is indeed the case; but though Vaishnavism, and especially the Krishna creed, with its luxuriant growth of erotic legends, might have seemed peculiarly favourable to a development in this direction, it is practically only in connexion with the Saiva system that an independent cult of the female principle has been developed; whilst in other sects - and, indeed, in the ordinary Saiva cult as well - such worship, even where it is at all prominent, is combined with, and subordinated to, that of the male principle.
His most original compositions in verse, however, are elegiac and hendecasyllabic pieces on personal topics - the De conjugali amore, Eridanus, Tumuli, Naeniae, Baiae, &c. - in which he uttered his vehemently passionate emotions with a warmth of southern colouring, an evident sincerity, and a truth of painting from reality which excuse their erotic freedom.
About the same time (1457-1501) there appeared in Ragusa the poet Menchetich, who wrote nearly four hundred love-songs and elegies, taking Ovid as his model, and George Drzhich (1460-1510), author of many erotic poems and of a drama.
A new light has been thrown on the 7raparcXauviOupov of the Curculio .047-155) by the discovery of the Alexandrian erotic fragment published by Grenfell and Hunt (Oxford, 1896).
By a volume of Erotic Odes (1785).
Yet, for the most part, they either relate to objects thoroughly incapable of poetic treatment, where the writer's endeavour is rather to expound the matter fully than to render it poetically beautiful, or else expend themselves on short isolated subjects, generally myths, and are erotic in character.
They included bucolic poems in Greek.
The general results of the last fifty years of the first period (130 to 80) may be thus summed up. In poetry we have the satires of Lucilius, the tragedies of Accius and of a few successors among the Roman aristocracy, who thus exemplified the affinity of the Roman stage to Roman oratory; various annalistic poems intended to serve as continuations of the great poem of Ennius; minor poems of an epigrammatic and erotic character, unimportant anticipations of the Alexandrian tendency operative in the following period; works of criticism in trochaic tetrameters by Porcius Licinus and others, forming part of the critical and grammatical movement which almost from the first accompanied the creative movement in Latin literature, and which may be regarded as rude precursors of the didactic epistles that Horace devoted to literary criticism.
28), the other of an erotic character, imitated from Callimachus (Gellius xix.