All her emotional and physical efforts were directed toward helping him recover and taking care of things at home.
We have understandable emotional responses to all these situations.
To write an account of symphonic instrumentation in any detail would be like attempting a history of emotional expression; and all that we can do here is to point out that the problem which was, so to speak, shelved by the polyphonic device of the continuo, was for a long time solved only by methods which, in any hands but those of the greatest masters, were very inartistic conventions.
At that moment of emotional tenderness young Nicholas' face, which resembled his father's, affected Pierre so much that when he had kissed the boy he got up quickly, took out his handkerchief, and went to the window.
She clutched his wrists, the logical side of her brain preparing to remove his hands from her face, the emotional side wishing he would repeat the kiss.
The more emotional and ingratiating the expression of Natasha's face became, the more serious and stern grew Sonya's.
He didn't like emotional attachments to anything; it was hard to leave when one was stuck.
Must be some emotional failing.
After Dad died, there was neither time nor emotional strength for a pet.
She was quiet as she put form to her thoughts beyond the emotional turmoil.
The words were swift and emotional and she had no doubt he spoke the truth.
Evelyn was right: she was too emotional for such an existence.
The emotional connection was even more powerful when he was inside her.
Though Dean wished to remain at hand's-length from her troubled life he quickly sensed from her disjointed description Cynthia had been correct when she assessed that the woman carried serious emotional pain.
The logical side of her mind had accepted the fact that he couldn't give her a child, but the emotional side still rebelled.
He Traveled to them, wanting to blow off some of the emotional build-up and kill those that threatened everyone around him.
This was due, no doubt, to his revulsion from the sternness of his upbringing and the period of stress through which he passed in early manhood, but also to the sympathetic and emotional qualities which manifested themselves in his early manhood.
Emotional hurt wasn't satisfying enough.
He hated all this emotional nonsense, and had it been anyone but Sarah, he would have made a hasty retreat and stayed away until the waterworks passed.
But in terms of wanting to converse with robots at an emotional level, I just don't see it.
She was impatient, anxious, emotional… nothing like the women he knew, which both interested him and warned him.
As the Guardian, he'd been her emotional support, and he'd imagined this look when she discussed how scared she was of what was going on outside the Peak.
Thereafter each accepted the emotional limits of their arrangement—it would never evolve to something like love or even affection and surely not a long-term relationship.
Mums hugged her tightly, too emotional to speak.
Likely he was feeling emotional about it and using work as an excuse.
Katie frowned. In the course of a day, Gabe had gone from emotional to unaffected when discussing Death. He was distracted, and she felt like she was talking to someone completely different. Blaming herself for taking his mind off of their survival, she fell silent and followed him. Briars and branches caught her pant legs, and she found herself slowing to push more and more of the jungle's flora out of the way. Gabe, too, began to struggle with the bramble, and she noticed the jungle no longer laid their path before him. Instead of clearing away to allow them passage, it stayed where it was, obstructing them.
The hallway was so charged with emotional electricity that even the young mother noticed.
Finally it must be remembered that musical euphony and emotional effect are inseparable from considerations of harmony and polyphony.
He refused to base Judaism on speculative philosophy alone; there was a deep emotional side to his thought.
While the imaginative and emotional side of Roman poetry was so powerfully represented by Lucretius, attention was directed to its artistic side by a younger genera tion, who moulded themselves in a great degree on Alexandrian models.
The artificial character of the diction renders it in emotional passages stilted and even absurd, and makes Canning's clever caricature - The Loves of the Triangles - often remarkably like the poem it satirizes: in some passages, however, it is not without a stately appropriateness.
In its essence, it is primarily emotional and non-reflective; in process of development it becomes rationalized by education and use.
While most of the "Broad Churchmen" were influenced by ethical and emotional considerations in their repudiation of the dogma of everlasting torment, he was swayed by purely intellectual and theological arguments, and in questions of a more general liberty he often opposed the proposed Liberal theologians, though he as often took their side if he saw them hard pressed.
In all these more emotional rituals, the populace sought expression for the religious emotions which were not satisfied by the cold worship of the older deities.
The Roman oratory of the law courts had to deal not with petty questions of disputed property, of fraud, or violence, but with great imperial questions, with matters affecting the well-being of large provinces and the honour and safety of the republic; and no man ever lived who, in these respects, was better fitted than Cicero to be the representative of the type of oratory demanded by the condition of the later republic. To his great artistic accomplishment, perfected by practice and elaborate study, to the power of his patriotic, his moral, and personal sympathies, and his passionate emotional nature, must be added his vivid imagination and the rich and copious stream of his language, in which he had no rival among Roman writers or speakers.
The same suppression of emotional display in public is observed in all the affairs of life.
As a sort of theoretic basis for this adhesion to national type in literature, he conceived the idea that literature and art, together with language and national culture as a whole, are evolved by a natural process, and that the intellectual and emotional life of each people is correlated with peculiarities of physical temperament and of material environment.
Whatever other gifts Comte may have had - and he had many of the rarest kind, - poetic imagination was not among them, any more than poetic or emotional expression was among them.
More specifically the word has been restricted to emotional states which are in relation to persons.
As all intellectual phenomena have by experimentalists been reduced to sensation, so all emotion has been and is regarded as reducible to simple mental affection, the element of which all emotional manifestations are ultimately composed.
He was an ascetic, and was a keen opponent of the emotional mysticism which was known as the new Hassidism.
Nietzsche's writings must be understood in their relation to these circumstances of his life, and as the outcome of a violent revolt against them on the part of an intensely emotional and nervous temperament.