By Clytaemnestra, Agamemnon had three daughters, Iphigeneia (Iphianassa), Electra (Laodice), Chrysothemis, and a son, Orestes.
Orestes and Iphigeneia fled, takini with them the image; at Delphi they met Electra, the sister of Orestes, who having heard that her brother had been sacrificed by the Tauric priestess, was about to tear out the eyes of Iphigeneia.
Aello and Ocypete, daughters of Thaumas and Electra, winged goddesses with beautiful locks, swifter than winds and birds in their flight, and their domain is the air.
DARDANUS, in Greek legend, son of Zeus and Electra, the mythical founder of Dardanus on the Hellespont and ancestor of the Dardans of the Troad and, through Aeneas, of the Romans.
Amongst the finest of his classical pictures were - "Syracusan Bride leading Wild Beasts in Procession to the Temple of Diana" (1866), "Venus disrobing for the Bath" (1867), "Electra at the Tomb of Agamemnon," and "Helios and Rhodos" (1869), "Hercules wrestling with Death for the Body of Alcestis" (1871), "Clytemnestra" (1874), "The Daphnephoria" (1876), "Nausicaa" (1878), "An Idyll" (1881), two lovers under a spreading oak listening to the piping of a shepherd and gazing on the rich plain below; "Phryne" (1882), a nude figure standing in the sun; "Cymon and Iphigenia" (1884), "Captive Andromache" (1888), now in the Manchester Art Gallery; with the "Last Watch of Hero" (1887), "The Bath of Psyche" (1890), now in the Chantrey Bequest collection; "The Garden of the Hesperides" (1892), "Perseus and Andromeda" and "The Return of Persephone," now in the Leeds Gallery (1891); and "Clytie," his last work (1896).
They often reach distinction and dignity of attitude and gesture, and occasionally, as in the "Hercules and Death," the "Electra" and the "Clytemnestra," a noble intensity of feeling.
The word will well bear this sense in the two passages in which Sophocles (Electra, 162, 859) applies it to Orestes; and it is likely enough that after the disappearance of the old Eupatridae as a political corporation, the name was adopted in a different sense, but not without a claim to the distinction inherent in the older sense, by one of the oldest of the clans.
In the time of Photius the poets usually studied at school were Homer, Hesiod, Pindar; certain select plays of Aeschylus (Prometheus, Septem and Persae), Sophocles (Ajax, Electra and Oedipus Tyrannus), and Euripides (Hecuba, Orestes, Phoenissae, and, next to these, Alcestis, Andromache, Hippolytus, Medea, Rhesus, Troades,) also Aristophanes (beginning with the Plutus), Theocritus, Lycophron, and Dionysius Periegetes.
ELECTRA ('HMKTpa), "the bright one," in Greek mythology.
After her amour with Zeus, Electra fled to the Palladium as a suppliant, but Athena, enraged that it had been touched by one who was no longer a maiden, flung Electra and the image from heaven to earth, where it was found by Ilus, and taken by him to Ilium; according to another tradition, Electra herself took it to Ilium, and gave it to her son Dardanus (Schol.
In her grief at the destruction of the city she plucked out her hair and was changed into a comet; in another version Electra and her six sisters had been placed among the stars as the Pleiades, and the star which she represented lost its brilliancy after the fall of Troy.
The gate Electra at Thebes and the fabulous island Electris were said to have been called after her (Apollodorus iii.
She does not appear in Homer, although according to Xanthus (regarded by some as a fictitious personage), to whom Stesichorus was indebted for much in his Oresteia, she was identical with the Homeric Laodice, and was called Electra because she remained so long unmarried ('A-MKTpa).
Electra, cruelly ill-treated by Clytaemnestra and her paramour, never loses hope that her brother will return to avenge his father.
122), Electra, having received a false report that Orestes and Pylades had been sacrificed to Artemis in Tauris, went to consult the oracle at Delphi.
Electra in her rage seized a burning brand from the altar, intending to blind her sister; but at the critical moment Orestes appeared, recognition took place, and the brother and sister returned to Mycenae.
Aletes was slain by Orestes, and Electra became the wife of Pylades.
The story of Electra is the subject of the Choephori of Aeschylus, the Electra of Sophocles and the Electra of Euripides.
It is in the Sophoclean play that Electra is most prominent.
There are many variations in the treatment of the legend, for which, as also for a discussion of the modern plays on the subject by Voltaire and Alfieri, see Jebb's Introduction to his edition of the Electra of Sophocles.
21, and elsewhere; Sophocles, Electra, 504; Hyginus, Fab.
Other plants are one at Electra (154 m.
He was preserved by his sister Electra from his father's fate, and conveyed to Phanote on Mount Parnassus, where King Strophius took charge of him.
According to Aeschylus, he met his sister Electra before the tomb of Agamemnon, whither both had gone to perform rites to the dead; a recognition takes place, and they arrange how Orestes shall accomplish his revenge.
The story of Orestes was the subject of the Oresteia of Aeschylus (Agamemnon, Choephori, Eumenides), of the Electra of Sophocles, of the Electra, Iphigeneia in Tauris, and Orestes, of Euripides.
Parnassus becomes the holy mountain of Apollo, and Orestes himself an hypostasis of Apollo "of the mountain," just as Pylades is Apollo "of the plain" similarly Electra, Iphigeneia and Chrysothemis are hypostases of Artemis.
(1898), and Jebb's edition of the Electra of Sephocles.