They generally were built where property had been left by the donors to foreign orders to pray for their souls.
The period is closed, so far as paintings are concerned, by two examples of far higher value than those above named, that is to say the Paumgartner altarpiece at Munich, with its romantically attractive composition of the Nativity with angels and donors in the central panel, and the fine armed figures of St George and St Eustace (lately freed from the over-paintings which disfigured them) on the wings; and the happily conceived and harmoniously finished "Adoration of the Magi" in the Uffizi at Florence.
This altarpiece was afterwards replaced at Frankfort (all except the protraits of the donors, which remained behind) by a copy, while the original was transported to Munich, where it perished by fire in 1674.
It was therefore to Byzantium that Italy turned for metal-workers, and especially for goldsmiths, when, in the 6th to the 8th centuries, the basilica of St Peter's in Rome was enriched with masses of gold and silver for decorations and fittings, the gifts of many donors from Belisarius to Leo III., the mere catalogue of which reads like a tale from the Arabian Nights.
Donors contributed Church property that had been stolen.
Morgan Library; Williston Hall, containing the Mather Art Museum, the rooms of the Young Men's Christian Association, and several lecture-rooms; Walker Hall, with college offices and lecture-rooms; Hitchcock Hall; Barrett Hall (1859), the first college gymnasium built in the United States, now used as a lecture hall; the Pratt Gymnasium and Natatorium and the Pratt Health Cottage, whose donors also gave to the college the Pratt Field; an astronomical observatory; and the two dormitories, North College and South College, supplemented by several fraternity houses.
The latter give the names of the donors of particular portions of the architectural ornamentation, and most of them are written in the characters used before and after the time of Asoka in the middle of the 3rd century B.C. The monuments are Buddhist, the bas-reliefs illustrate passages in the Buddhist writings, and the inscriptions make use of Buddhist technical terms. Some of the smaller topes give us names of men who lived in the Buddha's time, and others give names mentioned among the missionaries sent out in the time of Asoka.