After Francis I., Fontainebleau owes most to Henry IV., to whom are due the Cour d'Henri IV., the Cour des Princes, with the adjoining Galerie de Diane, and Galerie des Cerfs, used as a library.
Three other survivors of the Nile were at anchor in Malta - the " Guillaume Tell " (80), and two frigates, the " Diane " and the " Justice."
List of authentic works of Jean Goujon: Two marble columns supporting the organ of the church of St Maclou (Rouen) on right and left of porch on entering; left-hand gate of the church of St Maclou; bas-reliefs for decoration of screen of St Germain l'Auxerrois (now in Louvre); "Victory" over chimney-piece of Salle des Gardes at Ecouen; altar at Chantilly; illustrations for Jean Martin's translation of Vitruvius; bas-reliefs and sculptural decoration of Fontaine des Innocents; bas-reliefs adorning entrance of Hotel Carnavalet, also series of satyrs' heads on keystones of arcade of courtyard; fountain of Diana from Anet (now in Louvre); internal decoration of chapel at Anet; portico of Anet (now in courtyard of Ecole des Beaux Arts); bust of Diane de Poictiers (now at Versailles); Tribune of Caryatides in the Louvre; decoration of "Escalier Henri II.," Louvre; eeils de beeuf and decoration of Henri II.
From that time he was under the influence of two personages, who dominated him completely for the remainder of his life - Diane de Poitiers, his mistress, and Anne de Montmorency, his mentor.
Moreover, his younger brother, Charles of Orleans, who was of a more sprightly temperament, was his father's favourite; and the rivalry of Diane and the duchesse d'Etampes helped to make still wider the breach between the king and the dauphin.
Diane, Montmorency and the Guises were all-powerful, and dismissed Cardinal de Tournon, de Longueval, the duchesse d'Etampes and all the late king's friends and officials.
By de la Ferriere, Paris, 1880), of Diane de Poitiers (ed.
It has not been proved that he was the lover of Diane de Poitiers, nor does the story of " La belle Ferronniere " appear to rest on any historical foundation.'
Henry being completely under the influence of his mistress, Diane de Poitiers, she had little authority.
DIANE DE FRANCE (1538-1619), duchess of Montmorency and Angouleme, was the natural daughter of Henry II.
Diane was the only one who resembled him.
A wise and moderate woman, Diane undoubtedly helped to make Francis de Montmorency one of the leaders of the party of the politiques.
Diane de Poitiers >>
And Diane de Poitiers.
Diane de France >>
The new duchy passed to Diane de Poitiers (1553), to Catherine of Lorraine, duchess of Montpensier (1578), to Marguerite of Valois (1582) and to Gabrielle d'Estrees (1598).
Orazio, Pierluigi's third son, was made duke of Castro when his father became duke of Parma, and married Diane, a natural daughter of Henry II.
DIANE DE POITIERS (1499-1566), duchess of Valentinois, and mistress of Henry II.
Although he was ten years younger than Diane, she inspired the young prince with a profound passion, which lasted until his death.
In 1547 was also the accession of Diane: she was virtual queen, while Henry's lawful wife, Catherine de' Medici, lived in comparative obscurity.
The part Diane played, however, must not be exaggerated.
Diane retired to her chateau at Anet, where she died in 1566.
Presented it to his mistress Diane de Poitiers, who on his death was forced to exchange it for Chaumont-sur-Loire by Catherine de' Medici.
He also translated the pastorals of Longus, wrote a tale called Diane de Castro, and defended, in a treatise on the origin of romance, the reading of fiction.
Rivalry between Madame dEtampes, the imperious mistress of the aged Francis I., and Diane de Poitiers, whose ascendancy over the dauphin was complete, now brought court outbreak intrigues and constant changes in those who held of war, office, to complicate still further this wearisome policy of ephemeral combinazion.i with English, Germans, Italians and Turks, which urgent need of money always brought to naught.
Shone but with a reflected lightin his private life eflected from his old mistress, Diane de Poitiers, and in his political action reflected from the views of Mont morency or the Guises.
Diane was a patroness of the arts.
Guiffrey, Lettres inedites de Diane de Poytiers (Paris, 1866) and Proces criminel de Jehan de Poytiers (Paris, 1867); Capefigue, Diane de Poitiers (Paris, 1860); Hay, Madame Dianne de Poytiers (London, 1goo).