The walls and ceiling of the fine Romanesque interior are covered with frescoes of 1570, subdued in colour and well suited to the character of the building; those of the octagonal cupola representing the Assumption of the Virgin are by Correggio, but much restored.
John are by Correggio, and the arabesques on the vault of the nave by Anselmi.
There are other beautiful ceiling frescoes by Correggio in the former Benedictine nunnery of S.
As a republic its government was mainly in the hands of the Rossi, Pallavicino, Correggio and Sanvitale families.
In 1307 the city became a lordship for Giberto da Correggio, who laid the basis of its territorial power by conquering Reggio, Brescello and Gaustalla, and was made commander-in-chief of the Guelphs by Robert of Apulia.
The Correggio family never managed to keep possession of it for long, and in 1346 they sold it to the Visconti (who constructed a citadel, La Rocchetta, in 1356, of which some remains exist on the east bank of the river, while the later ate du Pont may be seen on the west bank), and from them it passed to the Sforza.
GREGORIO ALLEGRI, Italian priest and musical composer, probably of the Correggio family, was born at Rome either in 1560 or in 1585.
In 1849 he studied for a few months in Paris, where he copied Titian and Correggio in the Louvre, and then returned to Frankfort, where he settled down to serious art work under Edward Steinle, whose pupil he declared he was "in the fullest sense of the term."
In the upper rooms is placed a large collection of Milanese and central Italian ceramics, stuffs, furniture, bronzes, ivories, enamels, glass and historical relics; together with a picture gallery containing works by Vincenzo Foppa, Gianpietrino, Boltraffio, Crivelli, Pordenone, Morone, Cariani, Correggio, Antonello da Messina, Tiepolo, Guardi, Potter, Van Dyck and Ribeira.
But the perfect plastic art of Italy, the pure art of the Cinque Cento, the painting of Raphael, Da Vinci, Titian and Correggio, the sculpture of Donatello, Michelangelo and Sansovino, the architecture of Bramante, Omodeo and the Venetian Lombardi, however much imbued with the spirit of the classical revival, takes rank beside the poetry of Ariosto as a free intelligent product of the Renaissance.
It won him the friendship of their ambassador, Azzo di Correggio - a fact which subsequently influenced his life in no small measure.
During the spring months of 1341 his friend Azzo di Correggio had succeeded in freeing Parma from subjugation to the Scaligers, and was laying the foundations of his own tyranny in that city.
The noble houses of Gonzaga at Mantua, at Carrara at Padua, of Este at Ferrara, of Malatesta at Rimini, of Visconti at Milan, vied with Azzo di Correggio in entertaining the illustrious man of letters.
Azzo di Correggio died in 1362, and Laelius, Simonides, Barbato, in the following year.