He was one of the earliest composers for stringed instruments, and Kircher has given one specimen of this class of his works in the Musurgia.
Modern composers have often produced their most characteristic orchestral effects with fewer contrasting elements than Bach uses in his Trauer-Ode, in the pastoral symphony in his Christmas Oratorio, in the first chorus of the cantata Liebster Gott, wann werd' ich sterben, and in many other cases; but the modern instrumental effects are as far outside Bach's scope as a long passage of preparation on the dominant leading to the return of a first subject is beyond the scope of a gigue in a suite.
Although he wrote poetry, also an anthology of verses on the monasteries of Mesopotamia and Egypt, and a genealogical work, his fame rests upon his Book of Songs (Kitab ul-Aghani), which gives an account of the chief Arabian songs, ancient and modern, with the stories of the composers and singers.
Medieval composers, however, regarded the Ionian mode as the least perfect of the series and placed it last in order.
Among contemporary composers in 1921 the foremost were Foerster, Novak, Ostrcil, and Suk; and as executants Sev ik, Kubelik and Ondricek.
Now, from the outset of his Rhetoric Aristotle himself claims to be the first to distinguish between artificial evidences from arguments and other evidences which he regards as mere additions; and he complains that the composers of arts of speaking had neglected the former for the latter.
Side by side with the Minorites, the spokesmen of the specifically political opposition to the papacy were the Parisian professors, Marsilius of Padua and John of Jandun, the composers of the " Defender of the Peace " (defensor pacis).
An Art Union was founded in 1826, and a musical conservatorium in 1870 under the direction of the composers N.
Now the texts of the Gloria and Credo were more voluminous than any others which 16th-century composers attempted to handle in a continuous scheme.
The practical limits of the church service made it impossible to break them up by setting each clause to a separate movement, a method by which 16th-century music composers contrived to set psalms and other long texts to compositions lasting an hour or longer.
Moreover, as being inseparably associated with the highest act of worship, it inspired composers in direct proportion to their piety and depth of mind.
The next definite stage in the musical history of the Mass was attained by the Neapolitan composers who were first to reach musical coherence after the monodic revolution at the beginning of the 17th century.
His ambition to found a school of composers as well as a school of pianists met with complete success on the one hand and partial failure on the other.
Like other Russian composers he owed much to the influence of Liszt at Weimar.
His father, Christian Ignatius Latrobe (1758-1836), a musician of some note, did good service in the direction of popularizing classical music in England by his Selection of Sacred Music from the Works of the most Eminent Composers of Germany and Italy (6 vols., 1806-1825).
His greatest opera, Boris Godounov, based on Pushkin's drama, was produced in St Petersburg in 1874, and on it his reputation stands as one of the finest creative composers in the ranks of the modern Russian school.
The priests, who were the composers and repositories of these texts, succeeded in giving them a perfectly general form.
Writers, composers, painters, sculptors.
It is amusing to read in one of the magazines of 1895 that Miss Keller "has a just and intelligent appreciation of different composers from having literally felt their music, Schumann being her favourite."