I told Fitzgerald to quit all this hero business so you don't have to worry about having to back up some cartoon story.
Katie looked to the fridge, where a small business card was stuck beneath a cartoon magnet.
She attached the prescriptions to the fridge with another cartoon magnet and smoothed out the paperwork she'd been given from the police station.
The cover advertised art lessons for anyone drawing cartoon pictures and seeking "A rewarding career."
During these years he painted several Florentine subjects- "Tybalt and Romeo," "The Death of Brunelleschi," a cartoon of "The Pest in Florence according to Boccaccio," and "The Reconciliation of the Montagues and the Capulets."
Of the numerous paintings of Henry none is by Holbein, who, however, executed the striking chalk-drawing of Henry's head, now at Munich, and the famous but decaying cartoon at Devonshire House.
In reply her correspondent says that the master is wholly taken up with geometry and very impatient of the brush, but at the same time tells her all about his just completed cartoon for the Annunziata.
A cartoon of this composition in the Esterhazy collection at Vienna is held to be only a copy, and the original cartoon must be regarded as lost.
A rough first sketch for the motive of the Academy cartoon is in the British Museum; one for the motive of the lost cartoon and of the Louvre picture is at Venice.
Nc painting by Leonardo from the Academy cartoon exists, but in the Ambrosiana at Milan there is one by Luini, with the figure of St Joseph added.
It remains a matter of debate whether the Academy cartoon or that shown by Leonardo at the Annunziata in 1501 was the earlier.
The place assigned to Leonardo for the preparation of his cartoon was the Sala del Papa at Santa Maria Novella.
His accounts with the signory enable us to follow its progress step by step. He had finished the cartoon in less than two years (1504-1505), and when it was exhibited along with that of Michelangelo, the two rival works seemed to all men a new revelation of the powers of art, and served as a model and example of the students of that generation, as the frescoes of Masaccio in the Carmine had served to those of two generations earlier.
The cartoon did not last so long.
Our only existing memorials of the great work are a number of small pen-studies of fighting men and horses, three splendid studies in red chalk at Budapest for heads in the principal group, one head at Oxford copied by a contemporary of the size of the original cartoon (above life); a tiny sketch, also at Oxford, by Raphael after the principal group; an engraving done by Zacchia of Lucca in 1558 not after the original but after a copy; a 16th-century Flemish drawing of the principal group, and another, splendidly spirited, by Rubens, both copies of copies; with Edelinck's fine engraving after the Rubens drawing.
One was no doubt that just mentioned; can the other have been the Louvre "Virgin with St Anne and St John," now at last completed from the cartoon exhibited in 1501?