And baldacchini, choir-screens, paschal candlesticks, ambones, tombs and the like, all enriched with sculpture and glass mosaic of great brilliance and decorative effect.
Churches at Rome the paschal candlesticks were fixtures, but elsewhere they were usually movable, and were brought into the church and set up on the Thursday before Easter.
Retrotabulum), a term of ecclesiastical art and architecture, applied in modern English usage to an altar-ledge or shelf, raised slightly above the back of the altar or communion table, on which are placed the cross, ceremonial candlesticks and other ornaments.
Sacred images were not the only specimens of glyptic art produced in these six centuries; reliquaries, bells, vases, incenseburners, candlesticks, lanterns, decorated arms and armour, and many other objects, showing no less mastery of design and execution, have reached us.
In 1736 there were under 10,000 inhabitants in the former city; in 1760 when Horace Walpole passed through it, buying for two guineas a pair of candlesticks of the local plate, which he thought "quite pretty," and pronouncing it to be "one of the foulest towns in England," there were two-and-twenty thousand who remitted eleven thousand pounds a week to London.
The crosses must be of wood; the candlesticks of iron.
The duties of the acolyte, as given in the Roman Pontifical, are identical with those mentioned in the Statuta Ecclesiae Antigua of Arles: "It is the duty of acolytes to carry the candlesticks, to light the lamps of the church, to administer wine and water for the Eucharist."
On the altar are placed a cross and candlesticks - six in number, and seven when a bishop celebrates in his cathedral; and over it is suspended or fixed a tabernacle or receptacle for the reservation of the Sacrament.
In the age of Justinian (first half of the 6th century) the great church of St Sophia at Constantinople was adorned with an almost incredible amount of wealth and splendour in the form of screens, altars, candlesticks and other ecclesiastical furniture made of massive gold and silver.
At the latter part of the 15th century and the beginning of the 16th the Pollaiuoli, Ricci and other artists devoted much labour and artistic skill to the production of candlesticks and smaller objects of bronze, such as door-knockers, many of which are works of the greatest beauty.
The candlesticks in the Certosa near Pavia, and in the cathedrals of Venice and Padua, are the finest examples of these.
Niccolo Grossi, who worked in wrought iron under the patronage of Lorenzo dei Medici, produced some wonderful specimens of metal-work, such as the candlesticks, lanterns, and rings fixed at intervals round the outside of the great palaces (see fig.
When the bishop celebrates) the lights are seven, because seven golden candlesticks surround the risen Saviour, the chief bishop of the Church (see Rev. i.
2 Altar candlesticks consist of five parts: the foot, stem, knob in the centre, bowl to catch the drippings, and pricket (a sharp point on which the candle is fixed).
Round it stood seven large candlesticks like those used in churches.