The large bronze candelabrum in the left transept is said to be 13th century work.
In the second temple there was a water libation every morning of the festival, and on the evening of the first day the great golden candelabrum was lit up and the men danced a torch dance around it (Mishnah, Sukkah, v.
One type took the form of a candelabrum with a small flat brazier on the top. They were carried in processions and were lifted by cords.
The interior is in the form of a basilica, the double aisles being borne by ancient columns, and contains ambones and a candelabrum of 1311, the former resting on columns supported by lions, and decorated with reliefs and coloured marble mosaic. The castle at the highest point of the town was erected in the 14th century.
The first specimen of the apparatus found at Perugia resembles a candelabrum on a base, tapering towards the top, with a blunt end, on which the small disk (found near the rod), which has a hole near the edge and is slightly hollow in the middle, could be balanced.
Basilica with a vaulted portico and a nave and two aisles begun in 1103, a mosaic pavement in the Cosmatesque style, a good ambo resting on columns and decorated with mosaics showing traces of Moorish influence, a Paschal candelabrum, and an organ gallery of similar style.
The most important building is the Groote Kerk, of St Walpurgis, which dates from the 12th century and contains monuments of the former counts of Zutphen, a 13th-century candelabrum, an elaborate copper font (1527), and a fine modern monument to the van Heeckeren family.
The most important existing work of art in metal of the 13th century is the great candelabrum now in Milan Cathedral.
The great candelabrum or tenebrarium in Seville Cathedral is the finest specimen of 16th-century metal-work in Spain; it was mainly the work of Bart.
The sculptures of the portals, the pulpit, the Paschal candelabrum, &c., and the bronze doors of this period are important.