In the ordinary temples were candelabra, e.g.
The clerk darted around the counter towards the corner, where someone had accidently tipped over a lit candelabra that was now burning the curtains.
The massively moulded ormolu stair balustrade of Northumberland House, now at 49 Prince's Gate; the candelabra at Windsor and Buckingham Palace, produced in Birmingham by the firm of Messenger; the cast-iron railings with javelin heads and lictors' fasces, the tripods, Corinthian column standard lamps and candelabra, boat-shaped oil lamps and tent-shaped lustres with classic mountings, are examples of the metal-work of a style which, outside the eccentric Brighton Pavilion and excursions into Gothic and Elizabethan, was universally accepted in the United Kingdom from the days of the Regency until after the accession of Victoria.
Two fine silver candelabra, the tabernacle and the altar front are of the 17th century; and the treasury also contains some good silver work.
Special progress has been made in the production of mirrors, electric lamps, candelabra and mosaics.
Many of the old chambers, some of which are of enormous size, are embellished with portals, candelabra, statues, &c., all hewn in rock-salt.
Its general plan is that of a Greek cross, with two great naves and three aisles, twenty side-chapels and a magnificent high altar supported by marble columns and surrounded by a tumbago balustrade with sixty-two tumbago statues carrying elaborate candelabra made from a rich alloy of gold, silver and copper.
These include the bronze doors executed by Bishop Bernward, with reliefs from the history of Adam and of Jesus Christ; a brazen font of the 13th century; two large candelabra of the 11th century; the sarcophagus of St Godehard; and the tomb of St Epiphanius.
The church of the Magdalene possesses two candelabra, a gold cross, and various other works in metal by Bishop Bernward; and the Lutheran church of St Andrew has a choir dating from 1389 and a tower 385 ft.
He is credited with having himself designed candelabra and other objects in metal, and he directly encouraged the production of the sumptuous treatise on metal-work by Digby Wyatt, which laid the foundations of the revival.
At the same time a most active production of modern designs was proceeding, stimulated by rewards, with the result that the supply of clocks, lamps, candelabra, statuettes, and other ornaments in bronze and zinc to the rest of Europe became a monopoly of Paris for nearly half a century.