In 1241 Adelasia, heiress of Gallura and Logudoro, was married as her third husband to Enzio, the natural son of Frederick II., who received the title of king of Sardinia from his father, but fell into the hands of the Bolognese in 1249, and 3 Three inscriptions of the middle of this century, set up by the iipXcov Zap8'vias with the title protospatarius, are illustrated by A.
JACOBUS BALDUINUS, Italian jurist of the 13th century, was by birth a Bolognese, and is reputed to have been of a noble family.
After taking Castel Bolognese he returned to Rome in June, to take part in the Franco-Spanish intrigues for the partition of Naples.
The Madonna della Ghiara, built in 1597 in the form of a Greek cross, and restored in 1900, is beautifully proportioned and finely decorated in stucco and with frescoes of the Bolognese school of the early 17th century.
Ravenna has railway communication with Bologna (via Castel Bolognese), Ferrara and Rimini, and by steam tram with Forli.
Contemporary with these three men was Ulysses Aldrovandus, a Bolognese, who wrote an Historia Naturalium in sixteen folio volumes, most of which were not printed till after his death in 1605; but those on birds appeared between 1599 and 1603.
Previously the several districts formally recognized were Latium, the Marittima (or sea-board) and Campagna, the patrimony of Saint Peter, the duchy of Castro, the Orvietano, the Sabina, Umbria, the Perugino, the March of Ancona, Romagna, the Bolognese, the Ferrarese, and the duchies of Benevento and of Pontecorvo.
He studied also the Bolognese painters and Giovanni Barbieri, and formed for himself a style with very little express mannerism, partly resembling that of Maratta.
The picture gallery is equally important in its way, affording a survey both of the earlier Bolognese paintings and of the works of the Bolognese eclectics of the 16th and 17th centuries, the Caracci, Guido Reni, Domenichino, Guercino, &c. The primitive masters are not of great excellence, but the works of the masters of the 15th century, especially those of Francesco Francia (1450-1517) and Lorenzo Costa of Ferrara (1460-1535), are of considerable merit.
And against the neighbouring cities of Romagna and Emilia; indeed, in 1249 the Bolognese took Enzio, the emperor's son, prisoner, and kept him in confinement for the rest of his life.
The territories of the state were enlarged; a friendly alliance was maintained with Florence; trade flourished; in 1321 the university was founded, or rather revived, by the introduction of Bolognese scholars; the principal buildings now adorning the town were begun; and the charitable institutions, which are the pride of modern Siena, increased and prospered.
He ruled with a stern sway for nearly half a century, but the brilliance of his court, his encouragement of the fine arts and his decoration of the city with sumptuous edifices, to some extent compensated the Bolognese for the loss of their liberty.
Innocenzo Francucci (Innocenzo da Imola), a painter of the Bolognese school (1494-1549), was a native of Imola, and two of his works are preserved in the Palazzo del Com.une.
High; in the basement may be seen the wooden bucket captured by the Modenese from the Bolognese in the affray at Zappolino (1325), and rendered famous by Tassoni's Secchia Rapita.
FRANCIA (c. 1450 - 1517), a Bolognese painter, whose real name was Francesco Raibolini, his father being Marco di Giacomo Raibolini, a carpenter, descended from an old and creditable family, was born at Bologna about 1450.
Then, in May 1248, came the tidings of Enzio's capture by the Bolognese, and of his hopeless imprisonment, the captors refusing all offers of ransom.
LORENZO CAMPEGGIO (1464-1532), Italian cardinal, was born at Milan of a noble Bolognese family.
Raphael cordially responded to the Bolognese master's admiration, and said, in a letter dated in 1508, that few painters or none had produced Madonnas more beautiful, more devout, or better portrayed than those of Francia.
Distanced though he may have been by Raphael, Francia is rightly regarded as the greatest painter of the earlier Bolognese school, and hardly to be surpassed as representing the art termed "antico-moderno," or of the "quattrocento."