Ravenel, with a notice by Sainte-Beuve (1846) and by Eugene Asse (1873).
In the same way as signified a whole inheritance; whence heres ex asse, the heir to the whole estate, heres ex semisse, heir to half the estate.
It soon becomes the boundary for a while between the departments of the HautesAlpes and of the Basses-Alpes, and receives successively the considerable Ubaye river, flowing from near the foot of Monte Viso past Barcelonnette (left), and then the small stream of the Luye (right), on which, a few miles above, is Gap. It enters the Basses-Alpes shortly before reaching Sisteron, where it is joined (right) by the wild torrent of the Busch, flowing from the desolate region of the Devoluy, and receives the Bleone (left) (on which Digne, the capital of the department, is situated) and the Asse (left), before quitting the department of the Basses-Alpes just as it is reinforced (left) by the Verdon, flowing from the lower summits of the Maritime Alps past Castellane.
South of the Zambezi the group reappears in the shape of the asse-fox or fennec. (V.
But he was soon called away by Ludovico to a different undertaking, the completion of the interior decorations, already begun by another hand and interrupted, of certain chambers of the Castello called the Saletta Negra and the Sala Grande dell' Asse, or Sala della Torre.
But in the great Sala dell' Asse (or della Torre) abundant traces of Leonardo's own hand were found, in the shape of a decoration of intricate geometrical knot or plait work .combined with natural leafage; the abstract puzzle-pattern, of a kind in which Leonardo took peculiar pleasure, intermingling in cunning play and contrast with a pattern of living boughs and leaves exquisitely drawn in free and vital growth.
Et la Sala dell' Asse (1902); Id., " 11 Cenacolo di Leonardo," in Raccolta Vinciana (Milan, 1908), the official account of the successful work of repair carried out by Signor Cavenaghi in the preceding years; Woldemar von Seidlitz, Leonardo da Vinci, der Wendepunkt der Renaissance (2 vols., 1909), a comprehensive and careful work by an accomplished and veteran critic, inclined to give perhaps an excessive share in the reputed works of Leonardo to a single pupil, Ambrogio Preda.