Chapel with vestibule and apse, and 34.
The cathedral has a fine polygonal apse of the r 6th century.
Foundations of the apse of a large preNorman church have been discovered below the present building.
Was a yard, fenced with wooden palings; in it were a well near the apse, and a small structure of tile with a pit near the east end.
On his death in 1035 Archbishop Poppo converted the gate into two churches, one above the other, but all the additions except the apse have now been removed.
Archbishop Poppo and his successors in the i 1 th and 12th centuries extended the cathedral westwards and added an apse at each end.
The exterior is uninteresting, and the church lost both atrium and apse in the 16th century.
The apse has mosaics of the 6th and 7th centuries.
The relics of the two Marks, who are said to have been buried at Saintes-Maries, are bestowed in the upper storey of the apse of the fortress-church, a remarkable building of the 12th century with crenelated and machicolated walls.
At Steetley, near Worksop, is a small Norman chapel, with apse, restored from a ruinous condition; Youlgrave church, a building of much general interest, has Norman nave pillars and a fine font of the same period, and Normanton church has a peculiar Norman corbel table.
The apse is built over a canal.
15) and Achilleus, said to have been baptized by St Peter, refused to do the bidding of Domitian as praetorians, and entering the service of Flavia Domitilla, suffered martyrdom with their mistress Petronilla, of the Aurelian family closely connected with the Flavii, and the spiritual daughter of St Peter, who was buried in a sarcophagus with the inscription: [[Avreliae Petronillae Fil Dvlcissimae]] This is now in St Peter's, but was probably originally behind the apse of this basilica, for there is a fresco of her in an arcosolium, with a matron named Veneranda.
The chief building in Agen is the cathedral of St Caprais, the most interesting portion of which is the apse of the 12th century with its three apse-chapels; the transept dates from the 12th and 13th centuries, the nave from the 14th to the 16th centuries; the tower flanking the south facade is modern.
The fine interior is remarkable for the peculiar structure of its apse, and for the choir-stalls carved in English oak by Miguel Ancheta, a native artist (1530).
Several styles are represented in its architecture which for the most part is the work of the 11th, 12th and 13th centuries; the eastern apse and the tower date from the reign of Louis XV.
The cathedral was built between 973 and loos; the gallery round the back of the apse and the crypt have plain cubical capitals of this period.
Its baptistery, rebuilt early in the 12th century,Fis a quite separate building, with nave and apse, forming a church dedicated to S.
It consists of a nave in six bays, aisles, transepts, each with two eastern chapels, and an apse, all vaulted with simple quadripartite brick groining.
The interior was restored in 1 559, though the pointed arches of the nave, borne by ancient granite columns, are still visible: and the only mosaics preserved are those of the apse and the last bay of the choir: they are remarkably fine specimens of the art of the period (1148) and, though restored in 1859-1862, have suffered much less than those at Palermo and Monreale from the process.
Theodosius erected another, with western apse, in the main court of the Jupiter temple.
The mosaic in the apse of S.
To the north of and below the apse lies the group of buildings known as the BelleChaise.
The Romanesque choir and apse belong to the 11th century, the rest of the interior is contemporary with the facade.
Apse (Architecture) >>
The half dome of the central apse has a colossal halflength figure of Christ, with a seated Virgin and Child below; the other apses have full-length colossal figures of St Peter and St Paul.
In the central apse at Monreale, behind the high altar, is a fine marble throne for the archbishop. This position of the throne is a survival of the early basilican arrangement, when the apse and altar were at the west end.
In the centre of this court stands the catholicon or conventual church, a square building with an apse of the cruciform domical Byzantine type, approached by a domed narthex.
The church (D) is cruciform, with a nave of nine bays, and a semicircular apse at either extremity.
A cylindrical campanile stands detached from the church on either side of the western apse (FF).
The choir terminated in a semicircular apse (F), surrounded by five chapels, also semicircular.
The church (12th century), of which only the choir and apse are appropriated to divine service, has a beautiful nave formerly covered by four cupolas destroyed in 1816.
In the choir and on the half dome of the apse, are the finest frescoes of Fra Filippo Lippi (scenes from the life of the Virgin) completed after his death by Fra Diamante: his tomb, erected by Lorenzo de' Medici, with the epitaph by Politian, is on the left of the choir.
Thick, and at the angles of an inscribed octagon are chapels formed in the thickness of the wall, and roofed with wagon-headed vaults visible on the exterior; the eastern chapel, however, is enlarged and developed into a bema and apse projecting beyond the circle, and the western and southern chapels constitute the two entrances of the building.
The Eski Juma, or Old Mosque, is another interesting basilica, evidently later than Constantine, with side aisles and an apse without side chapels.
Part of the crypt dates from 1015; the apse shows the transition from the Romanesque to the Gothic style; and the nave, finished in 1275, is a fine specimen of pure Gothic. Of the elaborate west façade, with its screen of double tracery and its numerous sculptures, the original design was finished by Erwin von Steinbach (d.
And W., divided by two piers and eight columns on either hand into nave and aisles, with an apse at the eastern end and galleries on the three other sides.
The choir (the East church) was added in 1494 by James IV., and the apse a few years later by James Beaton, archbishop of St Andrews, or his nephew, Cardinal David Beaton.
Its cathedral of St Pierre, in some respects the most daring achievement of Gothic architecture, consists only of a transept and choir with apse and seven apse-chapels.
The new cathedral is in the Early French (pointed) style, with an eastern apse and a striking west front.
The cathedral of St Martin was begun in 1063 by Bishop Anselm (later Pope Alexander II.); but the great apse with its tall columnar arcades and the fine campanile are probably the only remnants of the early edifice, the nave and transepts having been rebuilt in the Gothic style in the 14th century, while the west front was begun in 1204 by Guidetto (lately identified with Guido Bigarelli of Como), and "consists of a vast portico of three magnificent arches, and above them three ranges of open galleries covered with all the devices of an exuberant fancy."
St Frediano or Frigidian dates originally from the 7th century, but was built in the Romanesque style in 1112-1147, though the interior, originally with four aisles and nave, shows traces of the earliest structure; the front occupies the site of the ancient apse; in one of its chapels is the tomb of Santa Zita, patroness of servants and of Lucca itself.
Remains of a Roman amphitheatre and the chapel of St Quenin (dedicated to a bishop of the 6th century), with a curious apse of the end of the IIth century, are also to be seen in the old town.