His leave-taking of Andromache in the sixth book of the Iliad, and his departure to meet Achilles for the last time, are most touchingly described.
Among the titles of his tragedies are Aegisthus, Lycurgus, Andromache or Hector Proficiscens, Equus Trojanus, the last named being performed at the opening of Pompey's theatre (55).
Amongst the finest of his classical pictures were - "Syracusan Bride leading Wild Beasts in Procession to the Temple of Diana" (1866), "Venus disrobing for the Bath" (1867), "Electra at the Tomb of Agamemnon," and "Helios and Rhodos" (1869), "Hercules wrestling with Death for the Body of Alcestis" (1871), "Clytemnestra" (1874), "The Daphnephoria" (1876), "Nausicaa" (1878), "An Idyll" (1881), two lovers under a spreading oak listening to the piping of a shepherd and gazing on the rich plain below; "Phryne" (1882), a nude figure standing in the sun; "Cymon and Iphigenia" (1884), "Captive Andromache" (1888), now in the Manchester Art Gallery; with the "Last Watch of Hero" (1887), "The Bath of Psyche" (1890), now in the Chantrey Bequest collection; "The Garden of the Hesperides" (1892), "Perseus and Andromeda" and "The Return of Persephone," now in the Leeds Gallery (1891); and "Clytie," his last work (1896).
It was followed by others, painted on the same principles, but with greater perfection of art: "The Grief of Andromache" (1783), "The Oath of the Horatii" (Salon, 1785), "The Death of Socrates," "Love of Paris and Helen" (1788), "Brutus" (1789).
In the time of Photius the poets usually studied at school were Homer, Hesiod, Pindar; certain select plays of Aeschylus (Prometheus, Septem and Persae), Sophocles (Ajax, Electra and Oedipus Tyrannus), and Euripides (Hecuba, Orestes, Phoenissae, and, next to these, Alcestis, Andromache, Hippolytus, Medea, Rhesus, Troades,) also Aristophanes (beginning with the Plutus), Theocritus, Lycophron, and Dionysius Periegetes.
The heroes and heroines of the Trojan cycle, such as Achilles, Ajax, Telamon, Cassandra, Andromache, were prominent figures in some of the dramas adapted from the Greek.
ANDROMACHE, in Greek legend, the daughter of Eetion, prince of Thebe in Mysia, and wife of Hector.
When the captives were allotted, Andromache fell to Neoptolemus (Pyrrhus), the son of Achilles, whom she accompanied to Epirus, and to whom she bore three sons.
After the death of her third husband, Andromache returned to Asia Minor with her youngest son Pergamus, who there founded a town named after himself.
Andromache is one of the finest characters in Homer, distinguished by her affection for her husband and child, her misfortunes and the resignation with which she endures them.
The death of Astyanax, and the farewell scene between Andromache and Hector (Iliad, vi.
323), were represented in ancient works of art, while Andromache herself is the subject of tragedies by Euripides and Racine.
311, but from this point, in the meetings of Hector with Helen and Andromache, and again in the seventh book when Hector challenges the Greek chiefs, his prowess is forgotten.
816; Euripides, Andromache, 1242-1260.
After the capture of Troy, he and his sister-in-law Andromache accompanied Neoptolemus (Pyrrhus) as captives to Epirus, where Helenus persuaded him to settle.
After the death of Neoptolemus, Helenus married Andromache and became ruler of the country.
What an inexpressible joy it will be to read about Achilles, and Ulysses, and Andromache and Athene, and the rest of my old friends in their own glorious language!