The majority of Bartolommeo's compositions are altar-pieces.
Here at early morning on the 21st of December the emperor offers sacrifice on an open altar to Shang-ti, and at periods of drought or famine presents prayers for relief to the same supreme deity.
This conception of the Sabbath, however, necessarily underwent an important modification when the local sanctuaries were abolished under the "Deuteronomic" reform, and those sacrificial rites and feasts which in Hosea's time formed the essence of every act of religion were limited to the central altar, which most men could visit only at rare intervals.
Worthy of special note are canon 33, enjoining celibacy upon all clerics and all who minister at the altar (the most ancient canon of celibacy); canon 36, forbidding pictures in churches; canon 38, permitting lay baptism under certain conditions; and canon 53, forbidding one bishop to restore a person excommunicated by another.
The building of this altar is spread over a whole year, during which period the sacrificer has to carry about the sacrificial fire in an earthen pan for at least some time each day, until it is finally deposited on the completed altar to serve as the offering-fire for the Soma oblations.
An important collateral identification is that of Prajapati (and the sacrificer) with Agni, the god of fire, embodied not only in the offering-fire, but also in the sacred Soma-altar, the technical name of which is agni.
For this reason the altar, as representative of the universe, is built in five layers, representing earth, air and heaven, and the intermediate regions; and in the centre of the altar-site, below the first layer, on a circular gold plate (the sun), a small golden man (purusha) is laid down with his face looking upwards.
One of the fourteen sections of the Satapathabrahmana, the tenth, called Agni-rahasya or "the mystery of Agni (the god and altar)," is entirely devoted to this feature of the sacrificial symbolism.
He became a Salian priest at the age of eight, and soon knew by heart all the forms and liturgical order of the official worship, and even the sacred music. In the earliest statue we have he is a youth offering incense; he is a priest at the sacrificial altar in the latest triumphal reliefs.
It may have been in 1459 that he went to Verona; and he painted, though not on the spot, a grand altar-piece for the church of S.
In Sparta children were flogged before the altar of Artemis Orthia till the blood flowed (Plutarch, Instit.
This they did by sacrificing a victim and effecting communion with the god by the application of its blood to the altar; or, more directly, by the sacrifice of the animal-god and the contact of the sacrificer with its blood.
(4) The placing of the bread and wine upon the altar was followed by the kiss of peace.
In the more important shrines, as at Jerusalem or Samaria, there would be an altar of stone or of bronze.
In the same temple stands the altar of prayer for good harvests, which is surmounted by a triple-roofed circular structure 99 ft.
It was a rectangular platform on which the standard of the city and an altar were erected; priests held services on the altar before the battle, and the trumpeters beside them encouraged the fighters to the fray.
6-8)2 The Deuteronomic history of the monarchy actually ascribes to the Judaean king Josiah (621 B.C.) the suppression of the high-places, and states that the local priests were brought to Jerusalem and received support, but did not minister at the altar (2 Kings xxiii.
A huge car drawn by oxen, bearing the standard of the burgh, and carrying an altar with the host, this carroccio, like the ark of the Israelites, formed a rallying point in battle, and reminded the armed artisans that they had a city and a church to fight for.
The altar itself is constructed in the form of a bird, because Soma was supposed to have been brought down from heaven by the metre Gayatri which had assumed the form of an eagle.
It is probable that this larger plan had to be given up, because it would have interfered with sacred objects such as the precinct of Artemis Brauronia and the altar of Nike, and religious conservatism prevailed over the waning influence of Pericles.
The second stage was for the sub-deacon who read the epistle (facing the altar); and the third for the subordinate clergy who read other parts of scripture.
Thence they were subsequently removed to a tomb beneath the high altar of the cathedral.
The only permitted method of kindling it, (b) the tracing on the ground of the vedi, or magical circle, to destroy impurities, (c) the digging of the hole which constituted the real altar, (d) the preparation of the post which represented the sacrificer and to which the victim was tied, and other minor details.
The corpse may be burnt, in part or as a whole; portions may be assigned to the priest, the sacrificer and the gods; the skull, bones, &c., may receive special treatment; the fat or blood may be set aside, and they or the ashes may be singled out as the share of the god, to be offered upon the altar; the skin of the victim may be employed as a covering for the idol or material representative of the god, either permanently or till the next annual sacrifice.
The animal was then clubbed, its throat cut and the altar sprinkled with its blood.
Cakes were laid on the altar of Zeus Polieus and oxen driven round; the one which touched the cakes was the victim.
20 the word " altar " in Hebrew is substituted).
It is probable that in some primitive sanctuaries no real distinction was made between this stonepillar and the altar or place where the animal was slaughtered.
The altar at which these solemn rites are performed consists of a triple circular marble terrace, 210 ft.
The other powers of nature have shrines dedicated to them in the altar: to the Earth on the north of the city, the altars to the Sun and Moon outside the north-eastern and north-western angles respectively of the Chinese city, and the altar of agriculture inside the south gate of the Chinese city.
She invented a deity of her own, a mysterious Corambe, half pagan and half Christian, and like Goethe erected to him a rustic altar of the greenest grass, the softest moss and the brightest pebbles.