Romances Sentence Examples

romances
  • This determination closes the first chapter of his life; the second, from 1304 to 1314, is occupied by his contest for the kingdom, which was really won at Bannockburn, though disputed until the treaty of Northampton in 1328; the last, from 1314 to his death in 1329, was the period of the establishment of his government and dynasty by an administration as skilful as his generalship. It is to the second of these that historians, attracted by its brilliancy even amongst the many romances of history and its importance to Scottish history, have directed most of their attention, and it is during it that his personal character, tried by adversity and prosperity, gradually unfolds itself.

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  • Such of them as are not genuine relics of the 12th century are either poetical versions of the leading episodes in the hero's life as contained in the Chronicle, that Chronicle itself having been doubtless composed out of still earlier legends as sung by the wandering juglares, or pure inventions of a later time, owing their inspiration to the romances of chivalry.

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  • In fact, it does for the Robin Hood cycle what a few years before Sir Thomas Malory had done for the Arthurian romances - what in the 6th century B.C. Peisistratus is said to have done for the Homeric poems.

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  • Meanwhile in addition to many legal works of high standing, he had begun the publication of that long series of histories and historical romances which has made his name a household word in Germany.

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  • Not less important than his histories are the historical romances, the best-known of which, Ein Kampf um Rom, in four volumes (Leipzig, 1876), which has gone through many later editions, was also the first of the series.

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  • The scene of the "sparrow-hawk" tournament, described in Geraint and Enid, one of the Arthurian romances, is laid at Cardiff.

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  • Whenever the cultivation 'of his estate and the vigorous championship of his Samoan retainers gave him the leisure, Stevenson was during these years almost wholly occupied in writing romances of Scottish life.

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  • Through 1894 he was engaged in composing two romances, neither of which he lived to complete.

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  • No doubt it is still by his romances that Stevenson keeps the wider circle of his readers.

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  • The most popular of his romances are Iracema and 0 Guarany.

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  • His national romances, however, and especially Etelka (Pozsony, 1787) and Az arany pereczek (Pest and Pozsony, 1790), attracted public attention, and were soon adapted for the stage.

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  • As generally able writers of lyrical poetry during the earlier part of this period may be mentioned among others Francis Csaszar, Joseph Szekacs and Andrew Kunoss-also Lewis Szakal and Alexander Vachott, whose songs and romances are of an artless and simple character, and the sacred lyricist Bela Tarkanyi.

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  • Far from adopting the levity of style too often observable in French romances, the Magyar novels, although enlivened by touches of humour, have generally rather a serious historical or political bearing.

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  • In these, as in many other of the romances of Josika, a high moral standard is aimed at.

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  • The romances of Baron Frederick Podmaniczky are simpler, and rather of a narrative than colloquial character.

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  • Among authors of other historical or humorous romances and tales which have appeared from time to time are Francis Marton alias Lewis Abonyi, Joseph Gaal, Paul Gyulai, William GyOri, Lazarus Horvath, the short-lived Joseph Irinyi, translator of Uncle Tom's Cabin, Francis Ney, Albert ' D affy, Alexander Vachott and his brother Emeric (Vahot), Charles Szathmary, Desider Margittay, Victor Vajda, Joseph Bodon, Atala Kisfaludy and John Kratky.

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  • It seems difficult also to believe that Map's name should be so constantly connected with our Arthurian tradition without any ground whatever; though it must be admitted that he himself never makes any such claim - the references in the romances are all couched in the third person, and bear no sign of being other than the record by the copyist of a traditional attribution.

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  • Neither of these passages would fit the prose romance, as we know it, but both might well suit the lost French source of the Lanzelet; where we are in a position to compare the German versions of French romances with their originals we find, as a rule, that the translators have followed their source faithfully.

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  • The Burmese literature is for the most part metrical, and consists of religious romances, chronological histories and songs.

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  • In his childhood Gaston Paris learned to appreciate the Old French romances as poems and stories, and this early impulse to the study of Romance literature was placed on a solid basis by courses of study at Bonn (1856-1857) under Friedrich Diez, at Göttingen (1857-1858) and finally at the Ecole des Chartes (1858-1861).

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  • A word must be said of the historical romances, the beginnings of which go back to the first centuries of Islam.

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  • The two parts of this play, like all those by Castro, have the genuine ring of the old romances; and, from their intense nationality, no less than for their primitive poetry and flowing versification, were among the most popular pieces of their day.

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  • The chief heroes of the medieval Arthurian romances are the following.

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  • The romances of this cycle, of Germanic (Frankish) origin and developed probably in the north of France by the French (probably in the north of France) contain reminiscences of the heroes of the Merovingian period, and in their later development were influenced by the Arthurian cycle.

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  • The late Charlemagne romances originated the legends, in English form, of Sowdone of Babylone, Sir Otnel, Sir Fieumbras and Huon of Bordeaux (in which Oberon, the king of the fairies, the son of Julius Caesar and Morgan the Fay, was first made known to England).

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  • While much that Herder produced after settling in Weimar has little value, he wrote also some of his best works, among others his collection of popular poetry on which he had been engaged for many years, Stimmen der Volker in Liedern (1778-1779); his translation of the Spanish romances of the Cid (1805); his celebrated work on Hebrew poetry, Vom Geist der hebrdischen Poesie (1782-1783); and his opus magnum, the Ideen zur Philosophie der Geschichte der Menschheit (1784-1791).

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  • Of the Perceval-Grail romances the oldest from the point of view of manuscript preservation is the Perceval or Conte del Graal of Chretien de Troyes.

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  • Besides the poems, we have also two prose Perceval romances, the relative position of which has not yet been satisfactorily determined.

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  • It is not improbable that it represents a free and individual working over of the original Fescamp version, and that in its later shape it was intended to form, and did at one time form, the Quest section of the cyclic redaction of the Arthurian prose romances, being dislodged from this position by the Galahad Quese.

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  • This was at one time claimed as the original source of all the Perceval romances, but this theory cannot be maintained in face of the fact that the writer gives in one place what is practically a literal translation of Chretien's text in a passage which there is strong reason to believe was borrowed by Chretien from an earlier poem.

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  • The value and interest of the Perceval romances stand very high, not alone for their intrinsic merit, though that is considerable - Chretien's Perceval, though not his best poem, is a favourable specimen of his work, and von Eschenbach's Parzival, though less elegant in style, is by far the most humanly interesting, and at the same time, most deeply spiritual, of the Grail romances - but also for the interest of the subject matter.

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  • The Perceval was edited from the Mons text by Potvin (6 vols., 1866-1871); Syr Percyvelle of Galles, in The Thornton Romances, by Halliwell (1844) for the Camden Society.

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  • The books illustrated by the men of this school were mainly collections of useful information, guide-books, romances and historical and religious compilations; but much of the best of their work is to be found in the collections of pictorial designs, very often taken from Chinese sources, which were produced for the use of workers in lacquer, pottery and similar crafts.

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  • Francois de Rochefort, abbot of St Mesmin, instructed Francis and his sister Marguerite in Latin and history; Louise herself taught them Italian and Spanish; and the library of the château at Amboise was well stocked with romances of the Round Table, which exalted the lad's imagination.

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  • Several of Ainsworth's romances, illustrated by Cruikshank, first saw the light in Bentley.

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  • The succeeding age saw the Arthurian story popularized, through translations of the French romances, as far afield as Germany and Scandinavia.

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  • Sir Thomas Malory paraphrased and arranged the best episodes of these romances in English prose.

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  • Most unfortunately our English version of the romances, Malory's Morte Arthur, being derived from these later forms (though his treatment of Gawain is by no means uniformly consistent), this unfavourable aspect is that under which the hero has become known to the modern reader.

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  • Recent discoveries have made it practically certain that there existed, prior to the extant romances, a collection of short episodic poems, devoted to the glorification of Arthur's famous nephew and his immediate kin (his brother Ghaeris, or Gareth, and his son Guinglain), the authorship of which was attributed to a Welshman, Bleheris; fragments of this collection have been preserved to us alike in the first continuation of Chretien de Troyes Perceval, due to Wauchier de Denain, and in our vernacular Gawain poems. Among these "Bleheris" poems was one dealing with Gawain's adventures at the Grail castle,where the Grail is represented as non-Christian, and present s features strongly reminiscent of the ancient Nature mysteries.

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  • The chronicle of Villehardouin is justly held to be the very best presentation we possess of the spirit of chivalry - not the designedly exalted and poetized chivalry of the romances, not the self-conscious and deliberate chivalry of the 14th century, but the unsophisticated mode of thinking and acting which brought about the crusades, stimulated the vast literary development of the 12th and 13th centuries, and sent knights-errant, principally though not wholly of French blood, to establish principalities and kingdoms throughout Europe and the nearer East.

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  • The two 13th-century romances, Gaidon, by Herbert Leduc de Dammartin, and Anseis de Carthage, contain a purely fictitious account of the end of the war in Spain, and of the establishment of a Frankish kingdom under the rule of Anseis.

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  • The English Charlemagne Romances were edited (extra series) for the Early Eng.

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  • They have been celebrated as the birthplace of King Arthur, or as the stronghold of King Mark, in a host of medieval romances, and in the poems of Tennyson and Swinburne.

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  • Her first literary efforts were historical romances in verse in the style of Walter Scott - Worcester Field (published without date), Demetrius and other Poems (1833).

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  • Fauriel was biased in this work by his preconceived and somewhat fanciful theory that Provence was the cradle of the chansons de geste and even of the Round Table romances; but he gave a great stimulus to the scientific study of Old French and Provencal.

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  • Under the pseudonym George Taylor he wrote several historical romances, especially Antinous (1880), which quickly ran through five editions, and is the story of a soul "which courted death because the objective restraints of faith had been lost."

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  • A considerable proportion of the romances are founded upon episodes in the final life, or in one of the innumerable former existences, of the Buddha.

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  • The historical works above referred to have been issued in many editions, and selections from the ancient fables and romances are continually being edited and reissued in narrative form or as plays.

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  • A writer of romances of considerable power was Joseph Korzeniowski (1797-1863), tutor in early youth to the poet Krasinski, and afterwards director of a school at Kharkov.

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  • Among the very numerous writers of romances may be mentioned Henry Rzewuski (1791-1866); Joseph Dzierzkowski wrote novels on aristocratic life, and Michael Czajkowski (1808-1876) romances of the Ukraine; Valerius Wieloglowski (1865) gave pictures of country life.

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  • It should be noted that Tristan is never more than superficially connected with Arthur, an occasional visitor at his court; though in its later form ranked among the Arthurian romances, the Tristan is really an independent story, and does not form a part of the ordinary cyclic redaction.

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  • These versions of the pseudo-chronicles practically ascribe the foundation to Arthur; the romances, however, differ.

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  • It is also to be noted that whereas, in the pseudo-chronicles, it is the common table of Arthur's court, designed in the interests of peace and unity, in the romances it is a sign of superiority, only the best and most valiant knights being adjudged worthy of a seat at the Round Table.

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  • In two romances, the prose Tristan and the Parzival, the place of the Round Table proper is taken, on a journey, by a silken cloth laid on the ground, round which the knights are seated.

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  • This would make the Round Table analogous to the turning castles which we frequently meet with in romances; and while explaining the peculiarities of Layamon's text, would make it additionally probable that he was dealing with an earlier tradition of folklore character, a tradition which was probably also familiar to Wace, whose version, though much more condensed than Layamon's, is yet in substantial harmony with this latter.

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  • The most important contribution to Urania was his sentimental novel, Fanni Hagyomanai, much in the style of La nouvelle Héloise and Werther, the most exquisite product of Hungarian prose in the 18th century and one of the finest psychological romances in the literature.

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  • His last novel, Despotism, or the Fall of the Jesuits, appeared in 1811, but none of his romances was, popular.

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  • He wrote (in Italian) a book called The Learned Man as a counterblast to the widespread reading of romances, and also a history of his order in 6 vols.

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  • Richardson Afterwards Wrote Half A Dozen Other Romances, Dealing Chiefly With Incidents In Canadian History.

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  • In the prose romances he is a monarch, the splendour of whose court, whose riches and generosity, are the admiration of all; but morally he is no whit different from the knights who surround him; he takes advantage of his bonnes fortunes as do others.

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  • The imitation of the Charlemagne romances is here evident; the Saxons bear names of Saracen origin, and camels and elephants appear on the scene.

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  • These are the only texts in which Arthur is the central figure; in the great bulk of the romances his is but a subordinate role.

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  • The young poet wooed the girl with poems, romances, dramas and mute worship, but received nothing except chilling indifference and lively ridicule.

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  • The interinfluence of French and English literature can be studied in the Breton romances and the romans d'aventure even better than in the epic poetry of the period.

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  • The lais of Marie de France were written in England, and the greater number of the romances composing the matiere de Bretagne seem to have passed from England to France through the medium of Anglo-Norman.

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  • To these two romances by an Anglo-Norman author, Amadas et Idoine, of which we only possess a continental version, is to be added.

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  • But there is no doubt that his history was very popular, and much used by Diodorus Siculus, Quintus Curtius, Justin and Plutarch, and the authors of the Alexander romances.

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  • He wrote also several dramas and romances, the best of the latter being Fernando de Lemos (1872).

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  • The bachelor and the banneret were both equally knights, only the one was of greater distinction and authority 3 Du Cange, Dissertation, xxi., and Lancelot du Lac, among other romances.

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  • Even Gautier, while he contends that chivalry did much to refine morality, is compelled to admit the prevailing immorality to which medieval romances testify, and the extraordinary free behaviour of the unmarried ladies.

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  • No doubt these romances, taken alone, might give as unfair an idea as modern French novels give of Parisian morals, but we have abundant other evidence for placing the moral standard of the age of chivalry definitely below that of educated society in the present day.

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  • His theological writings include three anonymously published religious romances - Philochristus (1878), Onesimus (1882), Silanus (1906).

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  • In the French romances Lancelot is a late addition to the Arthurian cycle, his birth is not recorded till long after the marriage of Arthur and Guenevere, and he is at least twenty years the junior of the queen.

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  • A curious fragment of Welsh dialogues, printed by Professor Rhys in his Studies on the Arthurian Legend, appears to represent Kay as the abductor, In the pseudo-Chronicles and the romances based upon them the abductor is Mordred, and in the chronicles there is no doubt that the lady was no unwilling victim.

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  • The truth is probably that the tradition of his wife's adultery and treachery was a genuine part of the Arthurian story, which, neglected for a time, was brought again into prominence by the social conditions of the courts for which the later romances were composed; and it is in this later and conventionalized form that the tale has become familiar to us.

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  • The last of the long series of young men who sat at Godwin's feet was Edward Lytton Bulwer, afterwards Lord Lytton, whose early romances were formed after those of Godwin, and who, in Eugene Aram, succeeded to the story as arranged, and the plan to a considerable extent sketched out, by Godwin, whose age and failing health prevented him from completing it.

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  • In the principal coffee-shops of Cairo are to be found reciters of romances, surrounded by iiiterested audiences.

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  • Bernhard Severin Ingemann (q.v.; 1789-1862) contributed to Danish literature historical romances in the style of Sir Walter Scott.

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  • Among novelists who were not also poets was Andreas Nikolai de Saint-Aubain (1798-1865), who, under the pseudonym of Carl Bernhard, wrote a series of charming romances.

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  • The first edition of his Specimens of the Early English Poets appeared in 1790; and this was followed by Specimens of Early English Metrical Romances (1805).

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  • He carried the humour and sub-acidity of discrimination which marked his criticism of fellow folk-lorists into the discussion of purely literary subjects in his Books and Bookmen (1886), Letters to Dead Authors (1886), Letters on Literature (1889), &c. His Blue Fairy Tale Book (1889), beautifully produced and illustrated, was followed annually at Christmas by a book of fairy tales and romances drawn from many sources.

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  • As to its substance, it is beyond dispute that much of the text derives from the French romances of the Round Table; but the evidence does not enable us to say (1) whether it was pieced together from various French romances; (2) whether it was more or less literally translated from a lost French original; or (3) whether the first Peninsular adapter or translator was a Castilian or a Portuguese.

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  • Dr Warton, in his observations upon Pope's line, "Unthought-of frailties cheat us in the wise," says, "Who could imagine that Locke was fond of romances; that Newton once studied astrology; that Dr Clarke valued himself on his agility, and frequently amused himself in a private room of his house in leaping over the tables and chairs ?"

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  • He also wrote many poems, and several dramas and romances, and translated into German various English works, including the Letters of Junius and Buckle's History of Civilization.

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  • The naturalism of which we have been speaking found free utterance now in the fabliaux of jongleurs, lyrics of minnesingers, tales of trouveres, romances of Arthur and his knights - compositions varied in type and tone, but in all of which sincere passion and real enjoyment of life pierce through the thin veil of chivalrous mysticism or of allegory with which they were sometimes conventionally draped.

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  • At the same time Spanish influences reached them through the imitators of Guevara and the dramatists; French influences in the versions of romances; German in fluences in popular translations of the Faust legend, Eulenspiegel and similar productions.

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  • The history of the manufacture of this wool into cloth is one of the romances of commerce.

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  • Besides editing the memoirs of Fernow, she published Notes on Travels in England, Scotland and Southern France (1813-1817); Johann van Eyck and his Successors (1823); three romances, Gabriele (1819-1820), Die Tante (1823) and Sidonia (1828), besides some shorter tales.

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  • The collection of rhymed romances which bears the name of Queen Euphemia's Songs must have been written before the death of the Norwegian queen in 1312.

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  • His romances have some likeness to those of Richard son; they are moral, long-winded, and slow in evolution, but written in an exquisite style, and with much knowledge of human nature.

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  • A volume of elegies, Angelika (1840), established his fame, and two volumes of poems published in 1845 and 1847 contain a number of ballads, romances and lyrics which keep their hold on Swedish literature.

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  • His father, Theodor Schwarz, pastor at Wiek, was well known as a preacher, and as the writer of a number of popular works (parables, romances, &c.) under the pseudonym "Theodor Melas."

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  • Rich as its romanceiro is, its volume is far less than the Spanish, but the cancioneiros remain to prove that the early love songs of the whole Peninsula were written in Portuguese, while the primitive prose redaction of Amadis, the prototype of all romances of chivalry, was almost certainly made in Portugal, and a native of the same country produced in the Diana of Montemor (Montemayor) the masterpiece of the pastoral novel.

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  • The romanceiro, comprising romances of adventures, war and chivalry, together with religious and sea.

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  • The taste for romances of chivalry continued throughout the 5th century, but of all that were produced the only one that has come down to us is the Estorea do Imperador Vespasiano, an introduction to the Graal Cycle, based on the apocryphal gospel of Nicodemus.

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  • In bucolics there arose a worthy disciple of Ribeiro in Francisco Rodrigues Lobo, author of the lengthy pastoral romances Corte na aldea and Primavera, the songs in which, with his eclogues, earned him the name of the Portuguese Theocritus.

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  • His remarkable works include Arnor de Perdirao, Amor de Salvarao, Retrato de Ricardina, and the series entitled Novellas do Minho; moreover some of his essays in history and literary criticism, such as Bohemia do Espirito, rank only next to his romances.

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  • Ega de Queiroz (q.v.) founded the Naturalist school in Portugal by a powerful book written in 1871, but only published in 1875, under the title The Crime of Father Amara; and two of his great romances, Cousin Basil '' and Os Maias, were written during his occupancy of consular posts in England.

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  • After the success of his fantastic story The Time Machine (1895) he gave his time chiefly to the writing of romances, in which the newest scientific and technical discoveries were used to advance his views on politics and sociology.

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  • The story of Aeneas, as a sequel to the legend of Troy, formed the subject of several epic romances in the middle ages.

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  • This is a short book on the plan of the later burlesques and romances of the Round Table.

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  • The fabliaux, the early burlesque romances of the Audigier class, the farces of the t5th century, equal (the grotesque iteration and amplification which is the note of Gargantua and Pantagruel being allowed for, and sometimes without that allowance) the coarsest passages of Rabelais.

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  • Zola also wrote a series of three romances on cities, Lourdes, Rome, Paris (1894-98), novels on the "gospels" of population (Fecondite) and work (Travail), a volume of plays, and several volumes of criticism, .and other things.

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  • Lyonnesse is the scene of many incidents in the Arthurian romances, and especially in the romances of Tristram and Iseult.

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  • Aaron wrote the Passion, in 10,000 verses (1802; often reprinted); the lyrical romances of Piram Tisbe (1808) and Sofronim si Hdriti (1821); and the humorous Leonat .i Dorofata, a satire on bad women and on drunken husbands, now a chapbook.

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  • Students of the original romances are aware that there is in these texts an extraordinary diversity of statement as to the nature and origin of the Grail, and that it is extremely difficult to determine the precise value of these differing versions.'

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  • The discrepancy between this and the other Grail romances is most startling.

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  • The Perceval forms the third and concluding section of a group of short romances, the two preceding being the Joseph of Arimathea and the Merlin.

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  • The last three romances unite, it will be seen, the quest and the early history.

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  • Through the medium of French-speaking Bretons these tales came to the cognizance of Northern French poets, notably Chretien de Troyes, who wove them into romances.

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  • According to Professor Forster there were no Arthurian romances previous to Chretien, and equally, of course, no insular romantic tradition.

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  • Of these three branches the prose romances offer the most insuperable problems; none can be dated with any certainty; all are of enormous length; and all have undergone several redactions.

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  • These were rhymed but also alliterative, in regular form, with prologue or mansong (often the prettiest part of the whole), main portion telling the tale (mostly derived in early days from the French romances of the Carlovingian, Arthurian or Alexandrian cycles, or from the mythic or skriik-segur), and epilogue.

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  • Some forty or fifty of these Riddara-Sogur (Romances of Chivalry) remain.

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  • All classes delight in hearing or intoning the endless romances which celebrate the feats of their national heroes; for every true Serb lives as much in the past as in the present, and medieval wars still constantly furnish themes of new legends and ballads.

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  • It is obvious that we need look no farther for the explanation of the supernatural events in Arab romances.

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  • The old Irish gods in the poetic romances appear to have the same origin and shade away into the fairies.

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  • Neither the witty and lucid form in which the philosophers clothed their ideas in their satires, romances, stage-plays and treatises, nor the salons of Madame du Deffand, Madame Geoffrin and Mademoiselle de Lespinasse, could possibly have been sufficiently far-reaching or active centres of political propaganda.

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  • Most of his books are stories for boys; others, and his best, are romances dealing with life in the South especially in the Virginias and the Carolinas - before and during the Civil War.

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  • Belfair, she explained, in rapid-fire falsetto, was the heroine of a series of intergalactic romances she was writing.

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  • I wrote it as another feel-good bucolic frolic, but there are three romances in there too.

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  • The romances, the drunken frolics and the laughter are just as important as the squabbles - probably more so.

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  • He published two romances, Valentine (1885) and Sforza (1889).

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  • This poem gave rise to two prose romances - La Conqueste de Grece faicte par Philippe de Madien, by Perrinet du Pin, first printed in 1527, and Histoire du roi Florimond (1528).

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  • The authorship of the Lancelot proper, on the other hand, is invariably ascribed to Walter Map (see MAP), the chancellor of Henry II., but so also are the majority of the Arthurian prose Romances.

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  • De nugis is a comparatively small book; if it were difficult to find leisure for that, much more would it have been difficult to find the time requisite for the composition of one only of the many long-winded romances which have been fathered on Map. Giraldus Cambrensis, with whom he was on most friendly terms, and who frequently refers to and quotes him, records a speech in which Map contrasted Giraldus' labours with his own, apparently to the disadvantage of the latter, "vos scripta dedistis, et nos verba" - a phrase which has been interpreted as meaning that Map himself had produced no literary work.

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  • In his childhood Gaston Paris learned to appreciate the Old French romances as poems and stories, and this early impulse to the study of Romance literature was placed on a solid basis by courses of study at Bonn (1856-1857) under Friedrich Diez, at Göttingen (1857-1858) and finally at the Ecole des Chartes (1858-1861).

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  • In order of time the Peredur probably ranks latest in the series of Perceval romances, which, however, does not detract from its interest as a possible representative of genuine Welsh traditions, unknown to other writers.

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  • Francois de Rochefort, abbot of St Mesmin, instructed Francis and his sister Marguerite in Latin and history; Louise herself taught them Italian and Spanish; and the library of the château at Amboise was well stocked with romances of the Round Table, which exalted the lad's imagination.

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  • It is curious, for instance, to compare the scanty references to the material marvels of Constantinople which Villehardouin saw in their glory, which perished by sack and fire under his very eyes, and which live chiefly in the melancholy pages of his Greek contemporary Nicetas, with the elaborate descriptions of the scarcely greater wonders of fabulous courts at Constantinople itself, at Babylon, and elsewhere, to be found in his other contemporaries, the later chanson de geste writers and the earlier embroiderers of the Arthurian romances and romans d'aventures.

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  • The chief heroes who fought Charlemagne's battles were Roland; Ganelon, afterwards the traitor; Turpin, the fighting archbishop of Reims; Duke Naimes of Bavaria, the wise counsellor who is always on the side of justice; Ogier the Dane, the hero of a whole series of romances; and Guillaume of Toulouse, the defender of Narbonne.

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  • It may be true that, in the comparative scarcity of historical evidence, 12 th-century romances present a more favourable picture o£ chivalry at that earlier time; but even such historical evidence as we possess, when carefully scrutinized, is enough to dispel the illusion that there was any period of the middle ages in which the unselfish championship of " God and the ladies " was anything but a rare exception.

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  • The truth is probably that the tradition of his wife's adultery and treachery was a genuine part of the Arthurian story, which, neglected for a time, was brought again into prominence by the social conditions of the courts for which the later romances were composed; and it is in this later and conventionalized form that the tale has become familiar to us (see also Lancelot).

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  • Routine is a tenacious killer of passion?a suspect in the deaths of over 1 million steamy romances.

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  • The May-December romances ended with funerals for five elderly men, all wooed by younger women.

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  • Here she shares her opinion on the romances of La La Land, what makes them have longevity, and which ones were bound to fail before they even got started.

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  • For his part, Cole has not denied the romances and has only commented to apologize to his wife and say he wanted to "make it up to her for the rest of her life."

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  • Who knows what kind of songs this next round of romances will spawn?

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  • People make it work though -- look at the poster-couple for so-called "May-December" romances Demi Moore and Ashton Kutcher.

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  • These couples seemed perfect for each other and always appeared blissfully happy in public, but somehow their romances ended abruptly.

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  • If anything, the rules regarding office romances have only become stricter.

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  • The reason that many companies have restrictions on office romances is that when they end it often results in negative feelings, which leads to poor working relationships.

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  • The things lasting romances are built on.

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  • Romances that start with this much excitement quickly fizzle.

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  • They don't have to be romances in the bodice-ripper sense of the word, but rather romantic in the sense that they deal with human emotions in a strong and expressive way.

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  • May-December romances have been going on for centuries, and the Internet dating scene is no exception.

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  • One of the most interesting phenomena of the contemporary dating scene is the amount of attention that "May-December" romances attract.

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  • Even the great movie romances, such as Spencer Tracy and Katherine Hepburn, are examples of older men dating younger women.

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  • Every year, a few celebrities spark fervent interest with their whirlwind romances.

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  • Sapphire engagement rings are particularly popular in September, as the gem is that month's birthstone and can be a sentimental and meaningful option for September-born brides or for fall romances.

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  • As tortured as some of their youthful romances may be, mature Geminis love things that challenge the brain as well as the heart.

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  • Aquarius and Gemini romances are often of the true soul-mate nature.

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  • Over the course of the next few years, they would lead GH away from the seventh floor of the hospital and begin one of Daytime's most enduring romances.

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  • Bo's romances with Cassie, Nora and Sarah were all enormously popular with the fans of the daytime drama.

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  • Test your knowledge of who's who, the big romances, the little romances, who died where and more.

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  • Betty moves on from her romances with Gio and Henry.

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  • Neighbours Australian soap opera has taken the world by storm thanks to its intoxicating romances, controversial storylines, and gorgeous cast.

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  • Although many head writers have come and gone over the years, ATWT manages to maintain a balance of storylines for all age groups from the teen dramas to the romances of the seniors and everything in between.

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  • While they were (like most of Brooke's romances) ultimately sacrificed to reopen the door to Brooke's bond with Ridge, I thought both relationships brought out a different side of Brooke.

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  • While Grey's Anatomy centers around the lives and romances of doctors Meredith Grey and Derek Shepherd, the list of Private Practice episodes tell the story of Derek's ex-wife, Dr. Addison Montgomery.

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  • The leap proved successful for the series, allowing new story lines, new romances and new troubles for the families of One Tree Hill.

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  • The character of Erica is integral to the show, experiencing her own romances, as well as helping her daughters move through their own, Lucci has the same.

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  • The couple's love story would be listed as one of the top television romances of the 1980s.

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  • The Surreal Life spawned many memorable moments, a few romances and several battles.

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  • These stories range from sweet romances to spicy-hot erotica.

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  • Nerys shared similar feelings that endured her other romances, though the two did not admit their attraction for quite some time.

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  • Fairies were popular in medieval romances, and over time were replaced by characters such as wizards.

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  • In medieval romances such as Marie de France's "Lanval" and the Renaissance epic "The Fairy Queene" the fairy is the love of the main character, symbol of unattainable, perfect courtly love and an object of adoration.

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  • In fact, the more users on a social networking website the better chances users have of making the type of professional connections, friendships, and potential romances that come with an increased population.

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  • Recrossing the Italian frontier, he was arrested at Figline and taken back to Caprera, where he eked out his slender resources by writing several romances.

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  • He wrote Famous and Decisive Battles (1884), Campaigning with Crook (1890), and many popular romances of military life.

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  • But their name plays a part in medieval legends and romances.

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  • When the source of the name was forgotten its meaning was not unnaturally misinterpreted, and gained for Gawain the reputation of a facile morality, which was exaggerated by the pious compilers of the later Grail romances into persistent and aggravated wrong-doing; at the same time it is to be noted that Gawain is never like Tristan and Lancelot, the hero of an illicit connexion maintained under circumstances of falsehood and treachery.

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  • The building of the Central Pacific and Union Pacific lines are among the romances of American railway history.

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