Colour Sentence Examples

colour
  • There is a good deal of variation in the colour of the fur, the prevailing tint being grey.

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  • You see, she had an idea that the colour of our thoughts matched that of our skin.

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  • The free acid turns blue litmus to a claret colour.

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  • The corolla is tubular with a spreading limb, and varies widely in colour, being white, yellow, orange, crimson, scarlet, blue or purple.

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  • The colour of their garments was always white.

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  • When born, the Australian baby is of 'a much` lighter colour than its parents and remains so for about a week.

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  • Canadian honey for colour, flavour and substance is unsurpassed.

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  • It is blue in colour and sublimes readily.

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  • In colour they vary from ash-grey to black, and their fracture is conchoidal.

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  • The urine becomes dark green in colour owing to the formation of various oxidation products such as pyrocatechin.

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  • Closely associated with the colour is the polarization of the light from the sky.

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  • On continuing the heating, the viscosity diminishes while the colour remains the same.

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  • This solution is yellow in colour, and is very unstable decomposing at ordinary temperature into sulphur and sulphur dioxide.

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  • The fools are given a local colour, and Barclay appears as the unsparing satirist of the social evils of his time.

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  • His life was uneventful except in so far as the variety of his work lent it colour.

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  • With his aid, and that of Congressional requirements that all members of the legislature must take the Test Oath and none be excluded on account of colour, a Republican majority was secured for both houses, and the Fifteenth Amendment was ratified.

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  • The first exhibits him as a man of letters, the second as a philosopher, a theologian, and simply a man, for in no one is the colour of the theology and the philosophy more distinctly personal.

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  • Yet it builds its nest in thick bushes or trees at about a man's height from the ground, therein laying two eggs, which Professor Burmeister likens to those of the Land-Rail in colour.'

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  • The great critic of scepticism has diverged from idealism toward scepticism again, or has given his idealism a sceptical colour, mitigated - but only mitigated - by faith in the moral consciousness.

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  • In Hydra viridis the polyp is of a green colour and produces a spherical egg with a smooth shell which is dropped into the mud.

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  • General colour dark brown, the outer fur being long and rather loose, with a woolly under-coat.

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  • Enclosures of pyrites may give a bluish colour to amber.

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  • Moreover, yellow amber after long burial is apt to acquire a reddish colour.

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  • The molybdates may be recognized by the fact that they give a white precipitate on the addition of hydrochloric or nitric acids to their solutions, and that with reducing agents (zinc and sulphuric acid) they give generally a blue coloration which turns to a green and finally to a brown colour.

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  • When exposed in the moist condition to the air it gradually acquires a red colour.

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  • These are distinguishable from the grey Chalk coprolites by their brownish ferruginous colour and smooth appearance.

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  • It sublimes in thin plates of a dark colour and metallic lustre, and is soluble in solutions of the caustic alkalis.

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  • Sulphur containing selenium, such as occurs in the isle of Vulcano in the Lipari Isles, may be orange-red; and a similar colour is seen in sulphur which contains arsenic sulphide, such as that from La Solfatara near Naples.

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  • It finds considerable application in the colour industry.

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  • They form many double salts and give a dark violet coloration with ferric chloride solution, this colour, however, gradually disappearing on standing, sulphur being precipitated.

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  • The pentathionates give a brown colour on the addition of ammoniacal solutions of silver nitrate and ultimately a black precipitate.

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  • Many trees offer magnificent displays of flowers at certain seasons of the year; perhaps the loveliest effect is derived from the bushes and trailing creepers of the Combretum genus, which, during the "winter" months from December to March, cover the scrub and the forest with mantles of rose colour.

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  • Their colour is usually a darker brown than that of their kinsfolk of the eastern Pacific, but light-complexioned Maoris, almost European in features, are met with.

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  • They are all, as found in commerce, of a pale yellow-green colour; they emit a peculiar aromatic odour, and have a slightly astringent bitter taste.

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  • Most of the Chrysomelidae are metallic in colour and convex in form; in some the head is concealed beneath the prothorax, and the so-called "tortoise" beetles (Cassidinae) have the elytra raised into a prominent median ridge.

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  • In its vivid blue colour it contrasts strikingly with the emerald-green malachite, also a basic copper carbonate, but containing rather more water and less carbon dioxide.

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  • The first is a huge mass of a bright green colour, living to a great age, and when dead becoming of a grey and stony appearance.

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  • In any case, the Samoans are the most perfect type of Polynesians, of a light brown colour, splendid physique, and handsome regular features, with an average height of 5 ft.

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  • The ordinary colour of the wolf is yellowish or fulvous grey, but almost pure white and entirely black wolves are known.

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  • Lawsoniana, the Port Orford cedar, a native of south Oregon and north California, where it attains a height of Too ft., was introduced into Scotland in 1854; it is much grown for ornamental purposes in Britain, a large number of varieties of garden origin being distinguished by differences in habit and by colour of foliage.

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  • Several varieties are distinguished by habit and colour of foliage.

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  • This vegetation, covering plains, mesas, and even extending up the sides of the mountains, gives the entire landscape the greyish or dull olive colour characteristic of the Great Basin.

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  • The constitution as adopted limited the suffrage to adult white males, but this provision was annulled by the fifteenth amendment to the Federal constitution; and in 1880 amendments to the state constitution were adopted striking out the word " white " from the suffrage clause and adding a new article granting rights of suffrage and office holding without regard to race, colour or previous condition of servitude.

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  • In colour Anopheles is usually brownish or slaty, but sometimes buff, and the thorax frequently has a dark stripe on each side.

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  • The four wall-surfaces that flank the three western doorways are decorated with very beautiful sculpture in relief, once ornamented with colour, the designs for which, according to Burckhardt, must be ascribed to the architect of the whole, though executed by other (but still Sienese, not Pisan) hands.

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  • The smaller and young sea otters of a grey or brown colour are of small value compared to the large dark and silvery ones.

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  • Is a native of South America, similar to a lion in habits and colour of coat.

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  • Is an animal varying considerably in size and in quality and colour of fur, according to the part of North America in which it is found.

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  • When dyed dark blue or skunk colour it is good-looking and is sold widely in Europe.

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  • The Cambridgeshire coprolites are either amorphous or finger-shaped; the coprolites from the Greensand are of a black or dark-brown colour; while those from the Gault are greenish-white on the surface, brownish-black internally.

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  • There is throughout his works more balancing of colour than fineness of tone.

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  • The salt of Wieliczka is well known for its purity and solidity, but has generally a grey or blackish colour.

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  • The colour of amethyst is usually attributed to the presence of manganese, but as it is capable of being much altered and even discharged by heat it has been referred by some authorities to an organic source.

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  • Veins of amethystine quartz are apt to lose their colour on the exposed outcrop.

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  • It is familiar in the titles, showing the colour of their wands of office, of the gentlemen ushers of the three principal British orders of knighthood, the ushers of the Garter and St Patrick being "Ushers of the Black Rod," and of the Thistle "Green Rod."

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  • None of the sierras or mountains in Uruguay exceeds (or perhaps even attains) a height of 2000 ft.; but, contrasting in their tawny colour with the grassy undulating plains, they loom high and are often picturesque.

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  • Crystals of sulphur are transparent or translucent and highly refractive with strong birefringence; they have a resinous or slightly adamantine lustre, and present the characteristic sulphur-yellow colour.

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  • The distinguishing colour of a prelate's clothing is violet; the form, like the greater or less use of violet, depends on the rank of the prelate.

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  • The liturgical colour for Easter was everywhere white, as the sign of joy, light and purity, and the churches and altars were adorned with the best ornaments that each possessed.

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  • The main distinguishing features consist in the fact that one of the inner pieces of the perianth becomes in course of its growth much larger than the rest, and usually different in colour, texture and form.

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  • A bee, we will assume, attracted by the colour and perfume of the flower, alights on that part of it which is the first to attract its attention - the lip. There, guided by the hairs or ridges before-mentioned, it is led to the orifice of the spur with its store of honeyed juice.

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  • It is possible that some of the incidents ascribed to this period properly belong to an earlier part of his life, and that tradition has idealized the life of David the king even as it has not failed to colour the history of David the outlaw and king of Hebron.

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  • The plasma may be pink (Magelona) or yellow (Aphrodite) in which cases the colour is owing to another pigment.

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  • Its presence contributes to the dark colour of many basalts and other basic rocks, and may cause them to disturb the compass.

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  • All his gifts were made available for influencing other men by his easy command of a style rarely matched in dignity and colour.

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  • In the county town and neighbourhood are several important chemical and colour works; and in various parts of the county, as at Belper, Cromford, Matlock, Tutbury, are cottonspinning mills, as well as hosiery and tape manufactories.

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  • As a picturesque tree, for park and ornamental plantation, it is among the best of the conifers, its colour and form contrasting yet harmonizing with the olive green and rounded outline of oaks and beeches, or with the red trunk and glaucous foliage of the pine.

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  • It forms extensive forests in Vancouver Island, British Columbia and Oregon, whence the timber is exported, being highly prized for its strength, durability and even grain, though very heavy; it is of a deep yellow colour, abounding in resin, which oozes from the thick bark.

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  • The next night, however, having dreamt that he beheld Firdousi in paradise dressed in the sacred colour, green, and wearing an emerald crown, he reconsidered his determination; and the poet was henceforth held to be perfectly orthodox.

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  • In 1834 he was appointed professor of physics, but in 5839 contracted an affection of the eyes while studying the phenomena of colour and vision, and, after much suffering, resigned.

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  • One is quite black in colour, and measures when FIG.

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  • Crystals of barytes may be transparent and colourless, or white and opaque, or of a yellow, brown, bluish or greenish colour.

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  • Hence they were known in England as "grey amices" (from the ordinary colour of the fur), to distinguish them from the liturgical amice.

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  • The union of the index and middle fingers by means of a web extending as far as the terminal joints is the distinctive feature of the siamang, which is the largest of the group, and black in colour with a white frontal band.

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  • Gondolas are mentioned as far back as 1094, and, prior to a sumptuary edict passed by the great council in the 16th century, making black their compulsory colour, they were very different in appearance from now.

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  • Mosaic is the essential decoration of the church, and the architectural details are subordinated to the colour scheme.

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  • He desired to have the facade of his house in colour.

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  • Polo, a late central Gothic building (1380-1400) which Ruskin describes as "of the finest kind and superb in its effect of colour when seen from the side.

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  • Although the state has a great amount of limestone, especially in Erie and Ottawa counties, its dull colour renders it unsuitable for most building purposes.` It is, however, much used as a flux for melting iron and for making quick lime.

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  • Large foreign colonies, like adjoining but unmixing nations, divide among themselves a large part of the city, and give to its life a cosmopolitan colour of varied speech, opinion, habits, traditions, social relations and religions.

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  • Therefore the flesh, especially of the larger kinds, is of a red colour; and the energy of their muscular action causes the temperature of their blood to be several degrees higher than in other fishes.

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  • Many Thomisidae lurk amongst the stamens and petals of flowers, which they closely match in colour, waiting to seize the insects which visit the blossoms for nectar.

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  • It is in this and related families that the greatest diversity in the colour and form of the cocoon is found.

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  • Sometimes the shape of the spider combines with the colour to produce the same effect, as in the species of Uloborus, which as they hang in thin shabby-looking webs exactly resemble fragments of wind-blown rubbish.

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  • In several families of spiders, but principally in those like the Clubionidae and Salticidae, which are terrestrial in habits, there are species which not only live amongst ants, but so closely resemble them in their shape, size, colour and actions that it requires a practised eye to distinguish the Arachnid from the insect.

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  • Some members of the Argyopidae (Cyclosa) are exactly like small snails; others (Cyrtarachne) resemble Coccinellidae in shape and colour.

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  • The flowers, which are borne in the leaf-axils at the ends of the stem, are very handsome, the six, generally narrow, petals are bent back and stand erect, and are a rich orange yellow or red in colour; the six stamens project more or less horizontally from the place of insertion of the petals.

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  • The colour ranges from pale yellow through red and brown to black or greenish, while by reflected light it is, in the majority of cases, of a green hue.

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  • It is found that transparent oils under the influence of light absorb oxygen, becoming deeper in colour and opalescent, while strong acidity and a penetrating odour are developed, these changes being due to the formation of various acid and phenylated compounds, which are also occasionally found in fresh oils.

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  • The products obtained by the distillation of petroleum are not in a marketable condition, but require chemical treatment to remove acid and other bodies which impart a dark colour as well as an unpleasant odour to the liquid, and in the case of lamp-oils, reduce the power of rising in the wick by capillary attraction.

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  • At the inception of the industry kerosene came into the market as a dark yellow or reddish-coloured liquid, and in the first instance, the removal of colour was attempted by treatment with soda lye and lime solution.

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  • To illuminating oil or kerosene a series of tests is applied in order that the colour, odour, specific gravity and flash-point or fire-test may be recorded.

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  • Soaps give an alkaline reaction and have a decided acrid taste; in a pure condition - a state never reached in practice - they have neither smell nor colour.

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  • It is here stirred till it becomes ropy, and the perfume, colour or any other substance desired in the soap is added.

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  • Vincent attributes to Rhazes the statement that copper is potentially silver, and any one who can eliminate the red colour will bring it to the state of silver, for it is copper in outward appearance, but in its inmost nature silver.

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  • The colour varies somewhat with the chemical composition, being grey or colourless in chlorargyrite, greenish-grey in embolite and bromargyrite, and greenish-yellow to orange-yellow in iodembolite.

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  • On exposure to light the colour quickly darkens.

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  • The general colour is dark umber-brown, almost black on the back and grey below.

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  • These are washed with ammonium chloride until the filtrate is colourless, ignited, fused with caustic potash and nitre, the melt dissolved in water and nitric acid added to the solution until the colour of potassium ruthenate disappears.

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  • Lying in a hollow, the town is shut in by hills which terminate in the forelands of Salcombe and High Peak, two sheer cliffs of a deep red colour.

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  • The Hindus are fond of painting the outside of their houses a deep red colour, and of covering the most conspicuous parts with pictures of flowers, men, women, bulls, elephants and gods and goddesses in all the many forms known in Hindu mythology.

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  • Its solution in concentrated sulphuric acid is of a yellow colour and shows a marked blue fluorescence.

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  • In the view of some alchemists, the ultimate principles of matter were Aristotle's four elements; the proximate constituents were a " sulphur " and a " mercury," the father and mother of the metals; gold was supposed to have attained to the perfection of its nature by passing in succession through the forms of lead, brass and silver; gold and silver were held to contain very pure red sulphur and white quicksilver, whereas in the other metals these materials were coarser and of a different colour.

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  • Note whether any moisture condenses on the cooler parts of the tube, a gas is evolved, a sublimate formed, or the substance changes colour.

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  • Nitrogen oxides, recognized by their odour and brown-red colour, result from the decomposition of nitrates.

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  • Hold a small portion of the substance moistened with hydrochloric acid on a clean platinum wire in the fusion zone' of the Bunsen burner, and note any colour imparted to the flame.

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  • Some of these insoluble compounds can be detected by their colour and particular reactions.

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  • The residue, which is black in colour, consists of mercuroso-ammonium chloride, in which mercury can be confirmed by its ordinary tests.

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  • Filter from the bismuth hydrate, and if copper is present, add potassium cyanide till the colour is destroyed, then pass sulphuretted hydrogen, and cadmium is precipitated as the yellow sulphide.

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  • In the first group, we have to notice the titration of a cyanide with silver nitrate, when a milkiness shows how far the reaction has gone; the titration of iron with permanganate, when the faint pink colour shows that all the iron is oxidized.

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  • In the second group, we may notice the application of litmus, methyl orange or phenolphthalein in alkalimetry, when the acid or alkaline character of the solution commands the colour which it exhibits; starch paste, which forms a blue compound with free iodine in iodometry; potassium chromate, which forms red silver chromate after all the hydrochloric acid is precipitated in solutions of chlorides; and in the estimation of ferric compounds by potassium bichromate, the indicator, potassium ferricyanide, is placed in drops on a porcelain plate, and the end of the reaction is shown by the absence of a blue coloration when a drop of the test solution is brought into contact with it.

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  • Colour and Constitution.-In this article a summary of the theories which have been promoted in order to connect the colour of organic compounds with their constitution will be given, and the reader is referred to the article Colour for the physical explanation of this property, and to Vision for the physiological and psychological bearings.

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  • A clear distinction must be drawn between colour and the property of dyeing; all coloured substances are not dyes, and it is shown in the article Dyeing that the property of entering into chemical or physical combination with fibres involves properties other than those essential to colour.

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  • On this theory colour is regarded as due to the presence of a " chromophore," and dyeing power to an " auxochrome "; the latter by itself cannot produce colour or dyeing power, but it is only active in the presence of a chromophore, when it intensifies the colour and confers the property of dyeing.

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  • The nitro group has a very important action mainly on account of the readiness with which it can be introduced into the molecule, but its effect is much less than that of the azo group. The colour produced is generally yellow, which, in accordance with a general rule, is intensified with an increase in the number of groups; compare, for example, mono-, diand tri-nitrobenzene.

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  • The colour produced is generally of a greenish shade; for example, nitrosobenzene is green when fused or in solution (when crystalline, it is colourless), and dinitrosoresorcin has been employed as a dyestuff under the names " solid green " and " chlorine."

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  • The carbonyl group by itself does not produce colour, but when two adjacent groups occur in the molecule, as for example in the a-diketones (such as di-acetyl and benzil), a yellow colour is produced.

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  • According to the modern theory of auxochromic action, the introduction of a group into the molecule is accompanied by some strain, and the alteration in colour produced is connected with the magnitude of the strain.

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  • The amino group is more powerful than the hydroxyl, and the substituted amino group more powerful still; the repeated substitution of hydroxyl groups sometimes causes an intensification and sometimes a diminution of colour.

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  • It may be generally inferred that an increase in molecular weight is accompanied by a change in colour in the direction of the violet.

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  • This creature is semi-aquatic and lives chiefly on fishes; it grows to a length of about 5 ft.; the general colour is reddish to dark brown, FIG.

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  • The small flowers are densely crowded on thick fleshy spikes, which are associated with, and often more or less enveloped by, a large leaf (bract), the so-called spathe, which, as in cuckoo-pint, where it is green in colour, Richardia, where it is white, creamy or yellow, Anthurium, where it is a brilliant scarlet, is often the most striking feature of the plant.

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  • Of the "particular" varieties, we can only notice those used in the colour industry.

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  • The skins from northern regions are more full and of a finer colour and gloss than those from more temperate climates, as are those of animals killed in winter compared to the same individuals in summer.

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  • Its general colour is blackish, lighter by mixture of brown or grey on the head and upper fore part of the body, with no light patch on the throat, and unlike other martens generally darker below than above.

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  • Occasionally, in hypnagogic illusions, the observer can see the picture develop rapidly out of a blot of light or colour, beheld by the closed eyes.

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  • One or two scryers think that they, too, can trace the picture as it develops on the suggestion of some passage of light, colour or shadow in the glass or crystal.

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  • Gold has a characteristic yellow colour, which is, however, notably affected by small quantities of other metals; thus the tint is sensibly lowered by small quantities of silver, and heightened by copper.

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  • When the gold is finely divided, as in " purple of Cassius," or when it is precipitated from solutions, the colour is ruby-red, while in very thin leaves it transmits a greenish light.

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  • Filter paper soaked with the clear solution is burnt, and the presence of gold is indicated by the purple colour of the ash.

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  • The Japanese use for ornament an alloy of gold and silver, the standard of which varies from 350 to 500, the colour of the precious metal being developed by " pickling " in a mixture of plum-juice, vinegar and copper sulphate.

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  • Matthiessen and Bose obtained large crystals of the alloy Au 2 Sn 5, having the colour of tin, which changed to a bronze tint by oxidation.

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  • Breeding males are readily recognized at a distance by the intensely black colour of the lower parts of their body.

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  • San Antonio, a suburb of Cuernavaca, is noted for its pottery, which is highly attractive in form and colour, and finds a ready market among the visitors to that city.

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  • It is a singularly beautiful substance, being of pink, greenish, or milk-white colour, streaked with reddish, copper-coloured veins.

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  • Among the external characters by which the mammoth was distinguished from either of the existing species of elephant was the dense clothing, not only of long, coarse outer hair, but also of close under woolly hair of a reddish-brown colour, evidently in adaptation to the cold climate it inhabited.

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  • Fertilization is effected by insects, especially by bees, which are directed in their search by the colour and fragrance of the flowers; but some pollen must also be transported by the wind to the female flowers, especially in arctic species which, in spite of the poverty of insect life, set abundant fruit.

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  • The tfngan horse usually stands about thirteen hands high, is short-bodied, clean-limbed, deep in the chest and extremely active, his colour usually inclining to piebald.

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  • When not tarnished, the mineral has a silver-white colour with a tinge of red, and the lustre is metallic. Hardness 2-21; specific gravity 9-70-9.83.

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  • Bismuth is a very brittle metal with a white crystalline fracture and a characteristic reddish-white colour.

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  • A brittle potassium alloy of silver-white colour and lamellar fracture is obtained by calcining 20 parts of bismuth with 16 of cream of tartar at a strong red heat.

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  • The leaves are generally lance-shaped with a sharp apex and a spiny margin; but vary in colour from grey to bright green, and are sometimes striped or mottled.

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  • As garden plants the Phyllocacti are amongst the most ornamental of the whole family, being of easy culture, free blooming and remarkably showy, the colour of the flowers ranging from rich crimson, through rosepink to creamy white.

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  • By the end of August 1885, when a political crisis had supervened between Great Britain and Russia, under the orders of the Amir the Mosalla was destroyed; but four minars standing at the corners of the wide plinth still remain to attest to the glorious proportions of the ancient structure, and to exhibit samples of that decorative tilework, which for intricate beauty of design and exquisite taste in the blending of colour still appeals to the memory as unique.

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  • In 1563 the long-gathering storm of obloquy burst upon the occasion of the publication of his Thirty Dialogues, in one of which his adversaries maintained that he had justified polygamy under colour of a pretended refutation.

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  • It has a long tail and shaggy fur; the general colour of the latter being dark grey, with conspicuous black and white markings on the face.

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  • The urns themselves are small, often of terra-cotta, originally painted, though the majority of them have lost their colour, and rectangular in shape.

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  • These are at first yellowish in colour and fleshy; but as they grow older they become rotten and assume a brown or black colour.

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  • These are light yellow in colour and in appearance resemble their mother, but with relatively larger appendages.

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  • They moult five times, becoming with each change of skin darker in colour; in about three weeks they become adult and capable of laying parthenogenetic eggs.

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  • The pure metal is silver-white in colour, is very ductile, and becomes remarkably hard when hammered, a diamond drill making little impression upon it.

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  • Its carpets have a great reputation in the Balkan Peninsula for their quaint designs, durability and freshness of colour.

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  • Blue mud, according to Murray and Renard, is usually of a blue or slaty or grey-green colour when fresh, the upper surface having, however, a reddish tint.

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  • Green mud differs to a greater extent from the blue mud, and owes its characteristic nature and colour to the presence of glauconite, which is formed inside the cases of foraminifera, the spines of echini and the spicules of sponges in a manner not yet understood.

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  • The reddish colour comes from the presence of oxides of iron, and particles of manganese also occur in it, especially in the Pacific region, where the colour is more that of chocolate; but when it is mixed with globigerina ooze it is grey.

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  • Sonnstadt 2 detected gold by means of a colour test and roughly estimated the amount as i grain per ton of sea-water, and on this estimate all the projects for extracting gold from sea-water have been based.

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  • The colour of ocean water far from land is an almost pure blue, and all the variations of tint towards green are the result of local disturbances, the usual cause being turbidity of some kind, and this in the high seas is almost always due to swarms of plankton.

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  • The colour of sea-water as it is seen on board ship is most readily determined by comparison with the tints of Forel's xanthometer or colour scale, which consists of a series of glass tubes fixed like the rungs of a ladder in a frame and filled with a mixture of blue and yellow liquids in varying proportions.

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  • There is a distinct relationship between colour and transparency in the ocean; the most transparent water which is the most free from plankton is always the purest blue, while an increasing turbidity is usually associated with an increasing tint of green.

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  • The natural colour of pure sea-water is blue, and this is emphasized in deep and very clear water, which appears almost black to the eye.

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  • Brown or even blood-red stripes have been observed in the North Atlantic when swarms of the copepod Calanus finmarchicus were present; the brown alga Trichodesmium erythraeum, as its name suggests, can change the blue of the tropical seas to red; swarms of diatoms may produce olive-green patches in the ocean, while some other forms of minute life have at times been observed to give the colour of milk to large stretches of the ocean surface.

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  • The rich colour of the grass is due to the fertilizing quality of the decaying fungi, which are peculiarly rich in nitrogenous substances.

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  • On the continent of Europe it is customary to consider coal as divisible into two great classes, depending upon differences of colour, namely, brown coal, corresponding to the term "lignite" used in England and France, and black or stone coal, which is equivalent to coal as understood in England.

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  • It varies in colour from a light brown in the newest lignites to a pure black, often with a bluish or yellowish tint in the more compact anthracite of the older formations.

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  • It is opaque, except in exceedingly thin slices, such as made for microscopic investigation, which are imperfectly transparent, and of a dark brown colour by transmitted light.

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  • Bright, glance or pitch coal is another brilliant variety, brittle, and breaking into regular fragments of a black colour and pitchy lustre.

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  • Sometimes it is almost pasty, and crumbles to powder when dried, so as to be susceptible of use as a pigment, forming the colour known as Cologne earth, which resembles umber or sepia.

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  • A coal of this kind is generally to be Lignite distinguished by its brown colour, either in mass or in the blacker varieties in the streak.

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  • An indication of the character of the ash of a coal is afforded by its colour, white ash coals being generally freer from sulphur than those containing iron pyrites, which yield a red ash.

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  • In 1813 he was appointed professor of chemistry at the Lycee Charlemagne, and subsequently undertook the directorship of the Gobelins tapestry works, where he carried out his researches on colour contrasts (De la loi du contraste simultane des couleurs, 1839).

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  • The sooty-grey colour that, deepening into blackish-brown on the crown and quills, pervades the whole of its plumage - the lower tailcoverts, which are of a deep chestnut, excepted - renders it a conspicuous object; and though, for some reason or other, far from being a favourite, it is always willing when undisturbed to become intimate with men's abodes.

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  • The common squirrel, whose habits are too well known to need special description, ranges over the whole of Europe and Northern Asia, from Ireland to Japan, and from Lapland to North Italy; but specimens from different parts of this wide range differ so much in colour as to constitute distinct races.

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  • Thus, while the squirrels of north and west Europe are of the bright red colour of the British animal, those of the mountainous regions of southern Europe are of a deep blackish grey; while those from Siberia are a clear pale grey colour, with scarcely a tinge of rufous.

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  • There is also a great seasonal change in appearance and colour in this squirrel, owing to the ears losing their tufts of hair and to the bleaching of the tail.

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  • For the greater part of the year the animal is of a uniform grey colour, but about December its back becomes a brilliant orange-yellow, which lasts until about March, when it is again replaced by grey.

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  • Detection and Estimation.-Most calcium compounds, especially when moistened with hydrochloric acid, impart an orange-red colour to a Bunsen flame, which when viewed through green glass appears to be finch-green; this distinguishes it in the presence of strontium, whose crimson coloration is apt to mask the orange-red calcium flame (when viewed through green glass the strontium flame appears to be a very faint yellow).

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  • This coast, though beautiful, is somewhat sombre, the prevalent colour of the rocks, a light, dead grey, contrasting harshly with the dark vegetation, which on some of the islands is luxuriant.

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  • Her letters are full of vivacity, of colour, and at times of insight and wit, but she never learnt to write either French or German correctly.

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  • The acid so obtained usually contains more or less water and some dissolved nitrogen peroxide which gives it a yellowish red colour.

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  • They may be recognized by the fact that on the addition of a solution of ferrous sulphate, followed by that of concentrated sulphuric acid (the mixture being kept quite cold), the ferrous sulphate solution becomes of a deep brown colour, owing to the reducing action of the ferrous sulphate on the nitric acid which is liberated by the action of the sulphuric acid on the nitrate.

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  • Moreover, its colour is not pleasing.

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  • One result of this among the Vertebrata is that the eyeball is pink in colour, since the cornea, iris and retina being transparent, the red blood contained in the capillaries is unmasked by the absence of pigmentary material.

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  • In these animals the eyeball and the fur of the body are unpigmented, but the tips of the ear pinnae and extremities of the fore and hind limbs, together with the tail, are marked by more or less well defined colour.

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  • Occasionally, however, some are born with a grey colour and a few may be quite black, but ultimately they attain their characteristic coat.

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  • Some domesticated mice are entirely white with the exception that they have black eyeballs; and individuals of this type are known in which there is a reduction of pigment in the eyeballs, and since the colour of the blood is then partially visible these appear of a reddish-black colour.

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  • Cuenot, in order to explain certain features in the hereditary transmission of coat colour in mice, postulated the hypothesis that the grey colour of the wild mouse (which is known to be a compound of black, chocolate and yellow pigments) may be due either to the interaction of a single ferment and three chromogens, or vice versa, to one chromogenic substance and three ferments.

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  • The colour of this substance is that of the pigment in the skin or hairs of the animal used.

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  • We may conceive, then, that a pigmented animal owes its colour to the power that certain tissues of its body possess to secrete both tyrosinases and chromogenic substances.

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  • A moment's consideration, however, will show that, while an albino may be an individual in which one or more of the complementary bodies of pigmentation are absent, a pigmented animal is something more than an individual which carries all the factors necessary for the development of colour.

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  • For it must be borne in mind that animals are not only coloured but the colour is arranged in a more or less definite pattern.

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  • Colour, therefore, must be correlated with some determinant (determining factor) for pattern, and it cannot, therefore, exist alone in an animal's coat.

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  • There is thus evidence that colour is correlated with other factors which determine pattern.

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  • And it is possible that this albino, had it developed colour, would have been of the piebald pattern.

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  • He was able by appropriate experiments to demonstrate that when an albino is derived (extracted) from a coloured ancestry, and is then crossed with a coloured individual, both the colour of the pigmented parent and of the pigmented ancestry of the albino may appear among the individuals of the offspring.

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  • This is likewise true of albino mice when they carry the determinants for more than one colour.

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  • Some of the individuals will be one or other of the two colours, the determinants of which were borne by the albino, and others the colour of the pigmented parent.

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  • But in such albino crosses the colour characters are latent because albinoes do not carry the whole of the complements for colour production.

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  • It is not only among albino animals that colour factors are carried in a latent condition, but also in white flowers.

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  • Cream-coloured flowers are regarded as white because cream is due to yellow plastids and not to sap colour.

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  • When they are crossed the two factors for colour production are brought together.

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  • When an albino mouse, rat, guinea-pig or rabbit is crossed with either a pure self or pure pied-coloured form, the offspring are similar to, though not always exactly like, the coloured parent; provided, of course, that the albino is pure and is not carrying some colour or pattern determinant which is dominant to that of the coloured parent used.

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  • The root of this plant, when eaten by white pigs, caused their bones to turn to a pink colour and their hoofs to fall off, but the black pigs could eat the same plant with impunity.

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  • More remarkable is the case of certain cattle, whose skin is piebald, marked by a general ground colour over which are scattered patches of unpigmented coat.

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  • All the bright-hued examples we now see in captivity have been induced by carefully breeding from any chance varieties that have shown themselves; and not only the colour, but the build and stature of the bird have in this manner been greatly modified.

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  • It has been found that by a particular treatment, in which the mixing of large quantities of vegetable colouring agents with the food plays an important part, the ordinary "canary yellow" may be intensified so as to verge upon a more or less brilliant flame colour.'

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  • There are three main varieties, of which the worst is dark in colour and strong in flavour; the best, grown in the districts of Diryus and Amamareh, is light and aromatic, and is exported mainly to Alexandria; but much goes also to Constantinople, Cyprus and direct to Europe.

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  • The other breed, called the Cambridge, is much more variegated in colour, and some parts of the plumage have a bright metallic gloss, while the chicks are generally mottled with brownish grey.

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  • Mexican form of which it quite agrees in colour.

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  • Its colour is dark grey, with a white or whitish band passing across the chest from shoulder to shoulder.

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  • It has also been found that in foggy and misty weather suitable colour screens are of assistance.

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  • The eggs are four in number, of a dark olive colour, blotched and spotted with rich brown.

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  • The word may have some connexion with a corruption of Visigoth, a suggestion to which the use in the Girard romance lends colour.

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  • Its plumage for the most part is of a pale buff colour, rayed and speckled with black and reddish brown.

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  • But in no case does it appear that the modifications in shape and colour, which contribute to bring about a mimetic resemblance, are greater and more elaborate than those which result in the simpler examples of ordinary protective resemblance.

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  • Insect-eating birds soon learn to associate distastefulness with the size, form and colour of the bees, and consequently leave them alone after one or more trials.

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  • But if all the species in question resemble each other the resemblance will be mutually beneficial to them because the association between the two attributes they have in common, namely distastefulness and a particular scheme of colour, will be rapidly established.

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  • It must be remembered, however, that apart from size and colour all snakes resemble each other in a general way in their form and actions.

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  • So close indeed is the similarity that many monkeys, apes and human beings have an apparently instinctive fear of all snakes and do not discriminate between poisonous and non-poisonous forms. Hence it may be that innocuous snakes are in many instances sufficiently protected by their likeness in shape to poisonous species that close and exact resemblance in colour to particular species is superfluous.

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  • For protective purposes soles, which are edible, also lie buried in or on the sand which they match in colour, with the exception of the right or upper pectoral fin which has a large black patch.

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  • It is probable that the resemblance between Uranoscopus and Trachinus with respect to the colour of the dorsal fin is mutually beneficial to the two fishes.

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  • In insects of the order Orthoptera, departure from the normal in form and colour, carrying with it similarity to other living things, usually takes the line of protective resemblance to parts of plants.

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  • The front wings of the wasp have a conspicuous white patch near the tip and a patch similar in size and colour is present on the wings of the beetle, which, unlike the majority of beetles, habitually keeps its wings extended, and since the elytra are exceptionally short the wings are not covered by them when folded.

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  • The changes in colour and structure required to complete the resemblance to particular species are comparatively slight and much less complicated than those needed to produce a likeness to other protected insects.

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  • Other flies of the genus Volucella, larger and heavier in build than Eristalis, resemble humble-bees in colour and form, and it was formerly supposed that the purpose of this similarity was to enable the flies to enter with impunity the nests of the humble-bees and to lay their eggs amongst those of the latter insects.

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  • The early larval stage of the " Lobster Moth " (Stauropus fagi), for example, presents a general resemblance, due to a combination of shape, colour, attitude and movements, to black ants, the swollen head and the caudal disk with its two tentacles representing respectively the abdomen and antenna-bearing head of the model.

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  • So alike in form, colour and mode of flight are those Lepidoptera that when on the wing it is almost or quite impossible to distinguish one from the other, and the resemblance between members belonging to different sub-families cannot be assigned to affinity.

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  • The badges of the other four classes are round plaques, the first three with indented edges, the last plain; in the second class the dragons are in silver on a yellow and gold ground, the jewel is a cut coral; the grades differ in the colour, shape, &c., of the borders and indentations; in the third class the dragons are gold, the ground green, the jewel a sapphire; in the fourth the silver dragons are on a blue ground, the jewel a lapis lazuli; in the fifth green dragons on a silver ground, the jewel a pearl.

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  • In colour also the thallus externally is very variable.

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  • Usually they are of a different colour, and may be black, brown, yellowish, or also less frequently rose-coloured, rusty-red, orange-reddish, saffron, or of various intermediate shades.

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  • The classification of lichens is unique in the fact that chemical colour reactions are used by many lichenologists in the discrimination of species, and these reactions are included in the specific diagnoses.

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  • These substances are represented by lichenologists by the signs K and CaC1 respectively, and the presence or absence of the colour reactions are represented thus, K+, CaCI+, or K -, CaC1 -.

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  • A solution of iodine is also used as a test owing to the blue or wine-red colour which the thallus, hymenium or spores may give with this reagent.

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  • The objection to the case of these colour reactions is due to the indefinite nature of the reaction and the doubt as to the constant presence of a definite chemical compound in a given species.

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  • A yellow colour with caustic potash solution is produced not only by atranoric acid but also by evernic acid, thamnolic acid, &c. Again in the case of Xanthoria parietina vulpinic acid is only to be found in young thalli growing on sandstone; in older forms or in those growing on another substratum it is not to be detected.

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  • Considerations such as these should make one very wary in placing reliance on these colour reactions for the purposes of classification.

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  • Inferior to this is " cudbear," derived from Lecanora tartarea, which was formerly very extensively employed by the peasantry of north Europe for giving a scarlet or purple colour to woollen cloths.

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  • By adding certain alkalies to the other ingredients used in the preparation of these pigments, the colour becomes indigoblue, in which case it is the litmus of the Dutch manufacturers.

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  • Peltigera canin g, which formed the basis of the celebrated " pulvis antilyssus " of Dr Mead, long regarded as a sovereign cure for hydrophobia; Platysma juniperinum, lauded as a specific in jaundice, no doubt on the similia similibus principle from a resemblance between its yellow colour and that of the jaundiced skin; Peltidea aphthosa, which on the same principle was regarded by the Swedes, when boiled in milk, as an effectual remedy for the aphthae or rash on their children.

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  • This bird, believed to be the second kind of ibis spoken of by Herodotus, is rather smaller than the sacred ibis, and mostly of a dark chestnut colour with brilliant green and purple reflections on the upper parts, exhibiting, however, when young none of the rufous hue.

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  • This species lays eggs of a deep sea-green colour, having wholly the character of heron's eggs, and it often breeds in company with herons, while the eggs of all other ibises whose eggs are known resemble those of the sacred ibis.

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  • Besides the blue and purple of the spectrum he was able to recognize only one colour, yellow, or, as he says in his paper, "that part of the image which others call red appears to me little more than a shade or defect of light; after that the orange, yellow and green seem one colour which descends pretty uniformly from an intense to a rare yellow, making what I should call different shades of yellow."

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  • This paper was followed by many others on diverse topics - on rain and dew and the origin of springs, on heat, the colour of the sky, steam, the auxiliary verbs and participles of the English language and the reflection and refraction of light.

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  • The French bauxites are of fairly constant composition, containing usually from 58 to 70% of alumina, 3 to 15% of foreign matter, and 27% made up of silica, iron oxide and water in proportions that vary with the colour and the situation of the beds.

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  • The water of many of the springs contains sulphur, iron, alum and other materials in solution, which in places stain the pure white sinter with bright bands of colour.

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  • The derivation of the name Alps is still very uncertain, some writers connecting it with a Celtic root alb, said to mean height, while others suggest the Latin adjective albus (white), referring to the colour of the snowy peaks.

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  • The fruit of the pear is of a higher colour and smaller on the quince stock than on the wild pear; still more so on the medlar.

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  • The result of working the Beurre Clairgeau upon the Aston Town was the production of fruits precisely intermediate in size, form, colour, speckling of rind and other characteristics.

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  • The intensity of the colour of flowers and the richness of flavour of fruit are, however, deficient where there is feebleness of light.

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  • Flowers that require the aid of insects usually offer some attraction to their visitors in the shape of bright colour, fragrance or sweet juices.

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  • The colour and markings of a flower often serve to guide the insects to the honey, in the obtaining of which they are compelled either to remove or to deposit pollen.

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  • The object of the hybridizer is to obtain varieties exhibiting improvements in hardihood, vigour, size, shape, colour, fruitfulness, resistance to disease or other attributes.

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  • Accordingly as the green or the yellow predominated in the progeny it was termed " dominant," while the colour that disappeared was called " recessive."

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  • It happened, however, that a recessive colour in one generation becomes the dominant in a succeeding one.

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  • Some of the more popular annuals, hardy and half-hardy, have been very much varied as regards habit and the colour of the flowers, and purchases may be made in the seed shops of such things as China asters, stocks, Chinese and Indian pinks, larkspurs, phloxes and others, amongst which some of the most beautiful of the summer flowers may be found.

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  • Belladonna, the Belladonna Lily, 3 ft., has large funnel-shaped flowers in September, of a delicate rose colour.

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  • It clothes the chalk cuttings on some English railways with a sheet of colour in the blooming season.

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  • C. spectabile, I z to 2 ft., white and rose colour, in June, is a lovely species, as is C. Calceolus, i ft., yellow and brown, in May; all are full of interest and beauty.

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  • Numerous hybrids have been raised, varying in colour from creamy white to salmon, pink, yellow, red and orange.

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  • Besides this, P. Sieboldii (cortusoides amoena), I ft., originally deep rose with white eye, but now including many varieties of colour, such as white, pink, lilac and purple; P. japonica, to 2 ft., crimson-rose; P. denticulate, ft., bright bluish-lilac, with its allies P. erosa and P. purpurea, all best grown in a cold frame; P. viscosa, 6 in., purple, and its white variety nivalis, with P. pedemontana and P. spectabilis, 6 in., both purple; and the charming little Indian P. rosea, 3 to 6 in., bright cherry-rose colour, are but a few of the many beautiful kinds in cultivation.

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  • The flowers are borne on erect branching stems and are chiefly white in colour.

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  • They are numerous, varied in the colour of both leaves and foliage, and mostly of compact tufted growth.

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  • The last two are evergreen, and afford varieties which differ in the colour of their flowers, while some are single and others double.

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  • Sometimes, in addition to the carpet or ground colour, individual plants of larger size and handsome appearance are dotted symmetrically over the beds, an arrangement which is very telling.

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  • The colour of the fruit varies from green to deep purple, the size from that of a small cherry to that of a hen's egg; the form is oblong acute or obtuse at both ends, or globular; the stones or kernels vary in like manner; and the flavour, season of ripening and duration are all subject to variation.

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  • The ease with which various risings were suppressed by the Franks gives colour to the supposition that they were rather the outcome of family quarrels than the revolt of an oppressed people.

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  • The sexes are distinct, and the ovary is frequently greenish in colour, the testis red.

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  • Moreover, the colour of pyrites is pale brass-yellow, whilst that of marcasite when untarnished may be almost tin-white.

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  • From copper-pyrites (chalcopyrite) iron-pyrites is distinguished by its superior hardness and by its paler colour.

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  • As pyrites, from its brass-yellow colour, is sometimes mistaken for gold, it has been vulgarly called "fool's gold."

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  • It is believed that the bluish colour of many clays and limestones is referable to the presence of finely divided pyrites, and it is known that certain deposits of blue mud now forming around continental shores owe their colour, in part, to disseminated iron sulphide.

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  • In colour it is usually brownish black above, with the nose, chin, cheeks and throat tending to whitish, and the under parts brownish chestnut; while the feet and tail are black and blackish.

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  • An epidermis-like or cortical protective outer layer is very common, and is usually characterized by the close septation of the densely interwoven hyphae and the thickening and dark colour of their outer walls (sclerotia, Xylaria, &c.).

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  • Among the enzymes already extracted from fungi are invertases (yeasts, moulds, &c.), which split cane-sugar and other complex sugars with hydrolysis into simpler sugars such as dextrose and levulose; diastases, which convert starches into sugars (Aspergillus, &c.); cytases, which dissolve cellulose similarly (Botrytis, &c.); peptases, using the term as a general one for all enzymes which convert proteids into peptones and other bodies (Penicillium, &c.); lipases, which break up fatty oils (Empusa, Phycomyces, &c.); oxydases, which bring about the oxidations and changes of colour observed in Boletus, and zymase, extracted by Buchner from yeast, which brings about the conversion of sugar into alcohol and carbondioxide.

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  • Morphologically considered, spores are marked by peculiarities of form, size, colour, place of origin, definiteness in number, mode of preparation, and so forth, such that they can be distinguished more or less sharply from the hyphae which produce them.

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  • The chief distinctive characters of the sporogenous hyphae are their orientation, usually vertical; their limited apical growth; their peculiar branching, form, colour, contents, consistency; and their spore-production.

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  • They have characteristic conidiophores bearing numerous conidia, and also cleistothecia which are spherical in form and yellowish in colour.

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  • The simpler forms bear the perithecia directly on the mycelium, but the more highly developed forms often bear them on a special mycelial development - the stroma, which is often of large size and special shape and colour, and of dense consistence.

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  • Owing to the presence of oily globules of an orange-yellow or rusty-red colour in their hyphae and spores they are termed Rust-Fungi.

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  • The fruit-body before it ruptures may reach the size of a hen's egg and is white in colour; from this there grows out a hollow cylindrical structure which can be distinguished at the distance of several yards by its disgusting odour.

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  • The 0-naphthol sulphonic acids find extensive application in the colour industry.

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  • The oxide ores of copper would be deoxidized by the savage's wood fire even more easily than those of iron, and the resulting copper would be recognized more easily than iron, because it would be likely to melt and run together into a mass conspicuous by its bright colour and its very great malleableness.

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  • These are cementite, a definite iron carbide, Fe 3 C, harder than glass and nearly as brittle, but probably very strong under gradually and axially applied stress; and ferrite, pure or nearly pure metallic a-iron, soft, weak, with high electric conductivity, and in general like copper except in colour.

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  • Hence the weakness and the dark-grey fracture of this iron, and hence, by brushing this fracture with a wire brush and so detaching these loosely clinging flakes of graphite, the colour can be changed nearly to the very light-grey of pure iron.

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  • Its colour varies from brilliant bluish-grey to deep red.

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  • Its colour varies from yellowish-brown to grey.

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  • It is by the appearance of the flame that the operator or " blower " knows when to end the process, judging by its brilliancy, colour, sound, sparks, smoke and other indications.

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  • The experiment has been tried of rearing rare, wild, fur-bearing animals in captivity, and although climatic conditions and food have been precisely as in their natural environment, the fur has been poor in quality and bad in colour, totally unlike that taken from animals in the wild state.

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  • It is found that in densely wooded districts furs are darker in colour than in exposed regions, and that the quality of wool and hair is softer and more silky than those from bare tracts of country, where nature exacts from its creatures greater efforts to secure food, thereby developing stronger limbs and a consequently coarser body covering.

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  • As regards density of colour the skunk or black marten has the blackest fur, and some cats of the domestic kind, specially reared for their fur, are nearly black.

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  • American sorts have coarse thick underwool of a pale fawn or stone colour with a growth of longer black and white hairs, 3 or 4 in.

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  • Short close hair except on flanks, colour white to y ellow.

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  • Although in colour, weight and warmth they are excellent, the fur is apt to become loose and to fall off with friction of wear.

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  • Some small wild cats, very poor flat fur of a pale fawn colour with yellow spots, are imported from Australia and used for linings.

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  • Cheetah.-Size of a small leopard and similar in colour, but has black spots in lieu of rings.

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  • Chinchilla, La Plata, incorrectly named and known in the trade as "bastard chinchilla," size 9 X4 in., in a similar species, but owing to lower altitudes and warmer climatic conditions of habitation is smaller, with shorter and less beautiful fur, the underwool colour being darker and the top colour less pure.

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  • In the height of winter the colour is pure white with exception of the tip of tail, which is quite black.

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  • Although called blue, the colour is a slaty or drab tone.

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  • Those from Archangel are more silky and of a smoky bluish colour and are the most valuable.

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  • Fox, Common.-The variation of size and quality is considerable, and the colour is anything from grey to red.

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  • The fur is fairly serviceable for carriage rugs, the leather being stout, but its harshness of quality and nondescript colour does not contribute to make it a favourite.

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  • It is similar in colour and quality to the prairie fox and to many kinds from the warmer zones, such as from Turkey, eastern Asia and elsewhere.

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  • They are also dyed a sable colour.

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  • The Canadian are silky in nature and inclined to a creamy colour, while the Siberian are more woolly and rather whiter.

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  • The colour is a light fawn, but it is so pale that it lends itself to be dyed any colour.

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  • It has a very long neck and exceedingly soft woolly fur of a light reddish-fawn colour with very white flanks.

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  • The underwool is short and rather weak, but regular, as is also the top hair; the colour is usually yellow.

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  • Mongolian lambs, size 24 X15 in., are of a short wavy loose curl, creamy white colour, and are usually exported from China dressed, the majority being ready-made into cross-shaped coats or linings.

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  • The Chinese are of a medium orange brown colour, but full in fur.

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  • The Bengal are dark and medium in colour, short and hard hair, but useful for floor rugs, as they do not hold the dust like the fuller and softer hair of the kinds previously named.

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  • The African are small with pale lemon colour grounds very closely marked with black spots on the skin, the strong contrast making a pleasing effect.

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  • Where the colour is of a sandy and reddish hue the value is far less than where it is of a bluish tone.

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  • Is of a woolly nature with rather coarse top hair and quite yellow in colour.

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  • Marten, Stone.-Size and quality similar to the baum; the colour, however, of the underwool is a stony white and the top hair is very dark, almost black.

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  • The Bosnian and the French are the best in colour.

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  • In the central states of America the colour is a good brown, but in the north-west and south-west the fur is coarse and generally pale.

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  • Values have greatly increased, and the fur possessing good qualities as to colour and durability will doubtless always be in good request.

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  • The hair is very long, very black and bright with no underwool, and the white pelt of the base of the hair, by reason of the great contrast of colour, is very noticeable.

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  • If the colour were less motley and the joins between the skins could be made less noticeable, it would be largely in demand for stoles, ties and muffs.

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  • It has, however, of later years been "unhaired," the underwool clipped very even and then dyed seal colour, in which way very useful and attractive garments are supplied at less than half the cost of the cheaper sealskins.

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  • It is also dyed sealskin colour, but its woolly nature renders it less effective than the more silky musquash.

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  • The colour varies according to the district of origin, from a blue grey to yellow with reddish tones.

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  • A large number of skins, after unhairing, is dyed seal colour and used in America.

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  • The skins are sold in the trade sale as martens, but as there are many that are of a very dark colour and the majority are almost as silky as the Russian sable, the retail trade has for generations back applied the term of sable to this fur.

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  • The prevailing colour is a medium brown, and many are quite yellow.

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  • The best skins are excellent in quality, colour and effect, and wear well.

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  • The very palest skins are dyed and made by the Chinese into mandarins' coats, in which form they are found in the London trade sales, but being overdressed they are inclined to be loose in the hair and the colour of the dye is not good.

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  • They have long been known as "sables," doubtless owing to the density of colour to which many of them attain, and they have always been held in the highest esteem by connoisseurs as possessing a combination of rare qualities.

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  • In colour they range from a pale stony or yellowish shade to a rich dark brown, almost black with a bluish tone.

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  • The Yakutsk, Okhotsk and Kamschatka sorts are good, the last being the largest and fullest furred, but of less density of colour than the others.

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  • The young of the Greenland seals are called whitecoats on account of the early growth being of a yellowish white colour; the hair is to I in.

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  • The coats of the Bengal kind are short and of a dark orange brown with black stripes, those from east or further India are similar in colour, but longer in the hair, while those from north of the Himalayas and the mountains of China are not only huge in size, but have a very long soft hair of delicate orange brown with very white flanks, and marked generally with the blackest of stripes.

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  • The colour is a pale golden-brown and the fur is held in great repute in South America for carriage rugs.

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  • In size they are less than half that of a large wolf and are of a motley sandy colour.

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  • The colour is of two or three shades of brown in one skin, the centre being an oval dark saddle, edged as it were with quite a pale tone and merging to a darker one towards the flanks.

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  • This peculiar character alone stamps it as a distinguished fur, in addition to which it has the excellent advantage of being the most durable fur for carriage aprons, as well as the richest in colour.

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  • It is not prolific, added to which it is very difficult to match a number of skins in quality as well as colour.

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  • A furrier or skin merchant must possess a good eye for colour to be successful, the difference in value on this subtle matter solely (in the rarer precious sorts, especially sables, natural black, silver and blue fox, sea otters, chinchillas, fine mink, &c.) being so considerable that not only a practised but an intuitive sense of colour is necessary to accurately determine the exact merits of every skin.

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  • Subsequently the hard top hairs are taken out as in the case of otters and beavers and the whole thoroughly cleaned in the revolving drums. The close underwool, which is of a slightly wavy nature and mostly of a pale drab colour, is then dyed by repeated applications of a rich dark brown colour, one coat after another, each being allowed to thoroughly dry before the next is put on, till the effect is almost a lustrous black on the top. The whole is again put through the cleaning process and evenly reduced in thickness by revolving emery wheels, and eventually finished off in the palest buff colour.

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  • The Paris dyers do excellent work in this direction, but the colour is not so durable, probably owing to a less pure water.

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  • The French influence upon the trade has been, and still is, primarily one of style and combination of colour, bad judgment in which will mar the beauty of the most valuable furs.

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  • One of the most remarkable results of the European intervention in the Boxer rising in China (I goo) was the absurd price paid for so-called "loot" of furs, particularly in mandarins' coats of dyed and natural fox skins and pieces, and natural ermine, poor in quality and yellowish in colour; from three to ten times their value was paid for them when at the same time huge parcels of similar quality were warehoused in the London docks, because purchasers could not be found for them.

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  • Where the skins are heavily dyed it is comparatively easy to see the difference between a natural and a dyed colour, as the underwool and top hair become almost alike and the leather is also dark, whereas in natural skins the base of the underwool is much paler than the top, or of a different colour, and the leather is white unless finished in a pale reddish tone as is sometimes the case when mahogany sawdust is used in the final cleaning.

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  • Hares, too, are dyed a sable colour and advertised as sable.

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  • Among the principal imitations of other furs is musquash, out of which the top hair has been pulled and the undergrowth of wool clipped and dyed exactly the same colour as is used for seal, which is then offered as seal or red river seal.

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  • Nutria also is prepared to represent sealskin, and in its natural colour, after the long hairs are plucked out, it is sold as otter or beaver.

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  • Furs kept in such a condition are not only immune from the ravages of the larvae of moth, but all the natural oils in the pelt and fur are conserved, so that its colour and life are prolonged, and the natural deterioration is arrested.

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  • The altar and officiating clergy are draped in black, this being the only day on which that colour is permitted.

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  • The identical relation between the ideas of space and time and the impressions corresponding to them apparently leads him to regard judgments of continuous and discrete quantity as standing on the same footing, while the ideal character of the data gives a certain colour to his inexact statements regarding the extent and truth of the judgments founded on them.

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  • The permanency of colour by which they are distinguished is attributed to the properties of the water of the Stour, which is impregnated with iron and fuller's earth.

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  • Many of its most distinguished exponents are Flemings by birth, and their writings reflect the characteristic Flemish scenery; they have the sensuousness, the colour and the realism of Flemish art; and on the other hand the tendency to mysticism, to abstraction, is far removed from the lucidity and definiteness associated with French literature properly so-called.

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  • Apart from black and white face-markings, and the black tail and dorsal stripe, the prevailing colour of the Alpine chamois is chestnut brown in summer, but lighter and greyer in winter.

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  • In colour the sides of the face are puce, and the neck and most of the body purplish, but the buttocks and upper part of both fore and hind limbs are transversely barred with black and white, while their lower portion is mainly white with black fetlock-rings, and in the front pair a vertical black stripe on the anterior surface.

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  • The colour can sometimes be removed or changed at a high temperature, but generally returns on cooling.

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  • Sir William Crookes has, however, changed a pale yellow diamond to a bluish-green colour by keeping it embedded in radium bromide for eleven weeks.

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  • Bort (or Boart) is the name given to impure crystals or fragments useless for jewels; it is also applied to the rounded crystalline aggregates, which generally have a grey colour, a rough surface, often a radial structure, and are devoid of good cleavage.

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  • The Dresden Green, one of the Saxon crown jewels, 40 carats, has a fine apple-green colour.

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  • The variations in external characters which lions present, especially in the colour and the amount of mane, as well as in the general colour of the fur, indicate local races, to which After a Drawing by Woll in Elliot's Monograph of the Felidae.

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  • The usual colour of the adult is yellowish-brown, but it may vary from a deep red or chestnut brown to an almost silvery grey.

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  • The mane, as well as the long hair of the other parts of the body, sometimes scarcely differs from the general colour, but is usually darker and not xvi.

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  • To the bunsen flame a radium salt imparts an intense carmine-red colour (barium gives a green).

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  • The lower epidermis is often of a dull or and pale-green colour.

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  • In doing so they frequently change colour, and hence arise the beautiful and varied tints of the autumnal foliage.

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  • This change of colour is chiefly occasioned by the diminished circulation in the leaves, and the higher degree of oxidation to which their chlorophyll has been submitted.

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  • Newly pressed rape oil has a dark sherry colour with, at first, scarcely any perceptible smell; but after resting a short time the oil deposits an abundant mucilaginous slime, and by taking up oxygen it acquires a peculiar disagreeable odour and an acrid taste.

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  • Refined by the ordinary processes '(see OILs), the oil assumes a clear golden yellow colour.

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  • And it is indeed the fact that large portions of the vast region comprised between the lower Volga, the AralIrtysh water-divide, the Dzungarian Ala-tau, and the outliers of the Tian-shan and Hindu-kush systems are actually covered with Aralo-Caspian deposits, nearly always a yellowish-grey clay, though occasionally they assume the character of a more or less compact sandstone of the same colour.

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  • This comes from the usage in heraldry (first in French) for the colour equivalent to black, represented conventionally by a crosshatching of vertical and horizontal lines.

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  • It is soluble in concentrated sulphuric acid with a green colour.

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  • The "quasi-reticulate" period - walling faced with masonry not yet quite so regular as opus reticulatum, and with brick quoins, coinciding with the second period of decoration (the architectural, partly imitating marble like the first style, but without relief, and by colour only, and partly making use of architectural designs).

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  • When chemically pure, which is rarely the case, blende is colourless and transparent; usually, however, the mineral is yellow, brown or black, and often opaque, the depth of colour and degree of transparency depending on the amount of iron present.

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  • The streak, or colour of the powder, is brownish or light yellow, rarely white.

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  • A compact variety of a pale liver-brown colour and forming concentric layers with a reniform surface is known in Germany as Schalen- blende or Leberblende.

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  • A few varieties of blende are distinguished by special names, these varieties depending on differences in colour and chemical composition.

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  • Transparent blende of a red or reddish-brown colour, such as that found near Holywell in Flintshire, is known as "ruby-blende" or "ruby-zinc."

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  • The Large Black breed, which vies with the Large White breed for size, and is probably its superior as a bacon pig, has only since 1900 received national show-yard recognition; but there is ample evidence that, with its characteristic whole black colour with a mealy hue, length, fine hair and lop ear, the Large Black existed in the south of England for generations.

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  • It resembles the Small White, except that the skin is coal-black in colour, and the coat of hair is not usually profuse.

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  • The colour is red or chestnut, with at times darkish spots on the skin.

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  • The Duroc Jersey or Duroc, of a red or cherry-red colour - not sandy or dark - is the most popular pig in Nebraska and equal to any other in Iowa.

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  • In 1887 the town was made a commune on the French model, all citizens irrespective of colour being granted the franchise.

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  • The rest of the head, the neck, throat and lower parts generally are clothed with lanceolate feathers of a pale tawny colour - sometimes so pale as to be nearly white beneath; while the scapulars, back and wing-coverts generally, are of a glossy greyish-black, most of the feathers having a white shaft and a median tawny line.

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  • The Via Garibaldi is flanked by a succession of magnificent palaces, chief among which is the Palazzo Rosso, so called from its red colour.

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  • When there has been much apparent movement, and brilliant changes of colour in the aurora, magnetic disturbance has nearly always accompanied it.

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  • The ordinary colour of aurora is white, usually with a distinct yellow tint in the brighter forms, but silvery white when the light is faint.

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  • Cultivated forms of this, with exquisite shades of colour and without any blotch at the base of the petals, are known as Shirley poppies.

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  • Many hybrid forms of varying shades of colour have been raised of late years.

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  • The Iceland poppy (P. undicaule), is one of the showiest species, having grey-green pinnate leaves and flowers varying in colour from pure white to deep orange-yellow, orange-scarlet, &c. Specially fine varieties with stalks 18-24 in.

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  • The history of this border trade is full of picturesque colour.

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  • The words of Isocrates (even allowing for their rhetorical colour) give us a vivid insight into what such a process meant.

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  • In colour the majority are dark chocolate, others are coal-black (a tint much admired by the natives themselves) or dark yellow-brown.

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  • These rites recall our May day observance, and give colour to the earthgoddess theory.

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  • The inhabitants are of many diverse races, the various nationalities being frequently distinguishable by differences in dress as well as in physiognomy and colour.

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  • These mosques have suffered much in the beauty of their appearance from the effects of time and neglect; but their colour has been often thus softened, and their outlines rendered the more picturesque.

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  • In colour the Cape aard-vark is pale sandy or yellow, the hair being scanty and allowing the skin to show; the northern aard-vark has a still thinner coat, and is further distinguished by the shorter tail and longer head and ears.

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  • Their beards are sometimes thick; their limbs are muscular; the colour of their skins is cinnamon brown.

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  • The insect, &c., is attracted by the colour and scent of the flower, and frequently also by honey which is secreted in some part of the flower.

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  • This would not, however, explain the formation of fruits intermediate in size and colour between those of crossed parents.

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  • Considering that his legal reforms are those by which his name is mainly known to posterity, it is curious that we should have hardly any information as to his legal knowledge, or the share which he took in those reforms. In person he was somewhat above the middle height, well-shaped, with plenty of fresh colour in his cheeks, and an extraordinary power of doing without food and sleep. He spent most of the night in reading or writing, and would sometimes go for a day with no food but a few green herbs.

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  • The two best-known species, so much alike in size, form, colour and habits that, although they are widely separated geographically, some zoologists question their specific distinction, are P. lutreola, the Norz or Sumpfotter (marsh-otter) of eastern Europe, and P. visors, the mink of North America.

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  • In colour different specimens present a considerable range of variation, but the animal is ordinarily of a rich dark brown, scarcely or not paler below than on the general upper parts; but the back xviii.

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  • The blue colour, which disappears on heating or dissolving the salt, has been variously ascribed to the presence of sodium subchloride, sodium, sulphur or of a certain compound of iron, or again to the existence of minute cavities with parallel walls.

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  • The fur has, however, a tawny yellow or reddishgrey ground colour, marked with black spots, aggregated in streaks and blotches, or in elongated rings enclosing areas rather darker than the general ground-colour.

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  • A more important consideration is the occasional absence of this colour in species, or groups of species, with, in other respects, algal affinities.

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  • To the eye, however, members of this group present a greater variety of colour than those of any other - yellow, brown, olive, red, purple, violet and variations of all these being known.

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  • The fertilized egg charged with food reserves rests for a considerable period, surrounded by its cortex, the whole having assumed a reddish-brown colour.

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  • Bornet, however, called attention in 1871 to the fact that two kinds of plurilocular sporangia occurred in certain species of the genus Ectocarpus - somewhat transparent organs of an orange tint producing small zoospores, and also more opaque organs of a darker colour producing relatively larger zoospores.

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  • The protoplast is uninucleate and vacuolate, and contains chromatophores of a brownish colour.

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  • Each cell contains a flattened chromatophore of a brown or yellow colour.

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  • Great numbers of antheridia are usually crowded together, when the part is distinguishable by the absence of the usual red colour.

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  • There is, however, considerable variation in the nature of the membrane in different species; thus the cell-wall of Oedogonium, treated with sulphuric acid and iodine, turns a bright blue, while the colour is very faint in the case of Spirogyra, the wall of which is said to consist for the most part of pectose.

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  • The hind feet have six pads on their inferior surfaces, and the colour is dull grizzled brown above and greyish white below.

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  • The only connexion between Portland cement and the place Portland is that the cement when set somewhat resembles Portland stone in colour.

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  • Portland cement clinker, however produced, is a hard, rock-like substance of semi-vitrified appearance and very dark colour.

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  • They form excellent decorative plasters on account of their clean white colour and the sharpness of castings made from them, this latter quantity being due to their expansion when setting.

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  • Mahogany cement, for filling up cracks in wood, consists of 4 parts of beeswax, i of Indian red and yellowochre to give colour.

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  • The wood is hard, heavy, close-grained and of a fine red colour.

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  • The name Alhambra, signifying in Arabic "the red," is probably derived from the colour of the sun-dried tapia, or bricks made of fine gravel and clay, of which the outer walls are built.

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  • Moorish poets describe it as " a pearl set in emeralds," in allusion to the brilliant colour of its buildings, and the luxuriant woods round them.

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  • The simplest is for the impression made by an observed object on the retina, the eye; in this connexion the term "after-image" (better "after-sensation") is used for an image which remains when the eye is withdrawn from a brilliantly lighted object; it is called positive when the colour remains the same, negative when the complementary colours are seen.

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  • But to the general surprise and Lord Rosebery's own very evident mortification Sir Henry went a long way in his Stirling speech to nail the Home Rule colour to the mast; he did not indeed propose to introduce a Home Rule Bill, but he declared his determination to proceed in Irish legislation on lines which would lead up to the same result.

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  • Its salts colour the Bunsen flame a bright green.

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  • All thallium compounds volatile or liable to dissociation at the temperature of the flame of a Bunsen lamp impart to such flame an intense green colour.

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  • The coat is remarkable for its density and compactness; the general colour of the head and upper parts being clove-brown, with more or less white or whitish grey on the under parts and inner surfaces of the limbs, while there is also some white above the hoofs and on the muzzle, and there may be whitish rings round the eyes; there is a white area in the region of the tail, which includes the sides but not the upper surface of the latter; and the tarsal tuft is generally white.

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  • The antlers are smooth, and brownish white in colour, but the hoofs jet black.

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  • The shape and colour of these roughnesses depend on the nature of the underlying rock.

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  • Every distinct variety of rock has its own type of corrie, the peculiarities being marked both in the details of the upper cliffs and crags, and in the amount, form and colour of the screes.

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  • This principle is in constant action; it regulates the colour, the figure, the capacities and instincts; those individuals in each species whose colour and covering are best suited to concealment or protection from enemies, or defence from inclemencies or vicissitudes of climate, whose figure is best accommodated to health, strength, defence and support; whose capacities and instincts can best regulate the physical energies to self-advantage according to circumstances - in such immense waste of primary and youthful life those only come to maturity from the strict ordeal by which nature tests their adaptation to her standard of perfection and fitness to continue their kind by reproduction."

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  • Apart from the great impulse which he gave to the study alike of the Bible and Church history, his influence maybe said in a very true sense to colour the writings of many of those who most differ from him.

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  • Their colour is a brown, lighter or darker generally according to the amount of their exposure to the sun - being darker on some of the atolls where the people spend much time in fishing, and among fishermen on the volcanic islands, and lighter among women, chiefs and others less exposed than the bulk of the people.

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  • This solution is of a deep violetred colour, and is somewhat fluorescent; it decomposes on exposure to light, or when heated.

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  • It crystallizes in large pink crystals, the colour of which is probably due to the presence of a small quantity of manganic sulphate or of a cobalt sulphate.

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  • In the presence of ammonium salts the precipitate is dirt y white in colour, whilst in the presence of free ammonia it is a buff colour.

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  • The fused mass has a dark olive-green colour, and dissolves in a small quantity of cold water to a green solution, which is, however, only stable in the presence of an excess of alkali.

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  • Manganese salts can be detected by the amethyst colour they impart to a borax-bead when heated in the Bunsen flame, and by the green mass formed when they are fused with a mixture of sodium carbonate and potassium nitrate.

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  • The spirit of beauty breathes in every line; a sense of music and of colour is everywhere abundant; the reader moves, as it were, under a canopy of apple-blossom, over a flower-starred turf, to the faint harmony of virginals.

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  • These were not features peculiar to the Cape province, though, as the Cape contained a larger proportion of educated natives and there was no colour bar to the exercise of the franchise, the province was the chief centre of native agitation for social and industrial rights.

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  • The whole body is covered with a thick coat of short nestling feathers, pure white in colour.

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  • Each annual ring is made up of two parts - an inner soft portion light in colour, and a hard, dark-coloured outer portion.

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  • The wood of an old tree, on the other hand, has lost a great part of its toughness, and is of bad colour, brittle and often predisposed to decay.

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  • The colour of the wood of the different growths of northern pine varies considerably, the generu1 characteristics being a light reddish yellow colour.

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  • The annual rings are well defined, each ring consisting of a hard and a soft portion, respectively dark and light in colour.

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  • The colour of the cut wood is a very light yellowish or brownish white, the hard parts of the annual rings being of a darker shade.

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  • In Canada it is called "Norway pine" and "red pine" from the colour of the bark.

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  • The wood is a light yellowish brown in colour, fine in grain and of even texture, the annular rings being marked by a darker line.

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  • The colour is a light brown, and its weight is about 50 to 56 lb per cub.

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  • Austrian oak is light in colour, and is much used for joinery work.

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  • Its colour is light brown, sometimes with a greenish tint, with the annular rings of darker colour.

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  • The wood is heavy, strong and hard; white to light reddish-brown in colour; and durable if kept either dry or wet; is porous and works easily; it weighs about 40 to 48 lb per cub.

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  • The Spanish wood has a darker colour and richer figure than the Honduras, and is therefore preferred for ornamental j oinery work.

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  • The colour of mahogany is reddish brown, and in the Cuban wood the pores are often filled with a white chalky substance which is usually absent in the Honduras variety; the latter, however, may be obtained in larger sizes, and is straighter in the grain and easier to work.

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  • It ranges in colour from pale yellow to a deep brown, and the grain is very compact and of close texture.

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  • The wood is fine-grained, frequently with a beautiful wavy figure, yellowish white to light brown in colour; it is very hard, tough and durable.

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  • The leaves are large, ovate-oblong in shape, and the flowers, which are arranged in panicles, have a greenish colour and a rather disagreeable odour.

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  • Ceylon cinnamon of fine quality is a very thin smooth bark, with a light-yellowish brown colour, a highly fragrant odour, and a peculiarly sweet, warm and pleasing aromatic taste.

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  • It is of a golden-yellow colour, with the peculiar odour of cinnamon and a very hot aromatic taste.

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  • It consists essentially of cinnamic aldehyde, and by the absorption of oxygen as it becomes old it darkens in colour and develops resinous compounds.

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  • The typical Moors of Morocco are a handsome race, with skin the colour of coffee-and-milk, with black eyes and black silky hair, and the features of Europeans.

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  • As to colour, he follows Goethe, and uses strong language against Newton's theory, for the barbarism of the conception that light is a compound, the incorrectness of his observations, &c. In chemistry, again, he objects to the way in which all the chemical elements are treated as on the same level.

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  • Technically speaking, he had much finish and harmony of composition and colour, without corresponding mastery of light and shade, and his knowledge of the human frame was restricted.

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  • We marvel at the obstinacy with which he, with inadequate mathematical knowledge, opposed the Newtonian theory of light and colour; and at his championship of "Neptunism," the theory of aqueous origin, as opposed to "Vulcanism," that of igneous origin of the earth's crust.

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  • The play of colour is exquisite, the basalt combining every tint of warm red, brown and rich maroon; sea-weeds and lichens paint the cave green and gold; while the lime that has filtered through has crusted the pillars here and there a pure snow-white.

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  • The wood of the hawthorn is white in colour, with a yellowish tinge.

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  • It is comparatively fine-grained and of a greyish colour.

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  • The kernel consists mainly of the abundant endosperm, which is firm, whitish in colour and marbled with numerous reddish-brown vein-like partitions, into which the inner seedcoat penetrates, forming what is known botanically as ruminated endosperm.

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  • These ancient rocks, which form the foundation of the country, are overlaid unconformably by a series of conglomerates and sandstones, generally unfossiliferous and often red or purple in colour, very similar in character to the Nubian sandstone of Upper Egypt.

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  • Its colour determined its value.

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  • The superior beauty of colour and durability of old specimens of lead is owing to the natural presence of a small proportion of silver.

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  • The subdued colour and soft contours of pewter render it once more a favoured material, peculiarly adapted to the methods of the art revival, and perhaps destined to supersede electro-plate for household purposes.

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  • The drained crystals are dried and heated to redness in a reverberatory furnace; when " finished," the mass is of an impure white or light yellow colour and is sold as ordinary " soda-ash."

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  • The colour is blackish, or of a dark olive-grey or brownish grey with round black spots or dots.

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  • It varies much in colour, but it may be described as usually brown or blackish, with more or less numerous yellow spots, sometimes arranged in transverse bands.

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  • As seen from the rock of Ghulgulah, Bamian, with its ruined towers, its colossi, its innumerable grottos, and with the singular red colour of its barren soil, presents an impressive aspect of desolation and mystery.

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  • They vary similarly in shape and size of ears, colour of the grain, which may be white, yellow, purple, striped, &c., and also in physical characters and chemical composition.

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  • The colour of the grain is white, yellow, red, blue or variegated.

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  • The colour of the grain varies greatly, being generally white, yellow, mottled red, or less commonly red.

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  • The district of Herat produces many of the smaller sorts of carpets (" galichas " or prayer-carpets), of excellent design and colour, the little town of Adraskand being especially famous for this industry; but they are not to be compared with the best products of eastern Persia or of the Turkman districts about Panjdeh.

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  • The surrounding scenery is famous for its richness of colour, especially in the grounds of Cary Court, and along "The Hobby," a road cut through the woods and overlooking the, sea.

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  • The doe is of a light fawn colour and has no horns.

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  • The colour of the buck is a deep brown-black above, sharply marked off from the white of the belly.

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  • As with the antelope, the male alone has the dark-blue colour.

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  • It is of a deep-brown colour, with hair on its neck almost like a mane; and it stands nearly 5 ft.

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  • Its colour is dark chestnut, or coffee-brown.

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  • The colour is a slaty black; the hide is immensely thick, with scanty hairs.

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  • Their size is about that of a man's finger, and their colour reddish.

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  • The Madura pottery deserves mention from the elegance of its form and the richness of its colour.

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  • They are usually white; formerly Syeds wore them of green colour.

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  • Among Pathans there are two kinds of kurta (kamis or khat); one worn by married women called giradana khat is dark red or blue, embroidered with silk in front; the jalana khat worn by unmarried women is less conspicuous for colour and ornament.

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  • Mahommedan women pencil the eyes with kohl or surma, use missi for the teeth and colour the palms and nails of the hand with henna.

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  • Each is of a different colour.

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  • Their dress is entirely of dark blue colour, the turban being also blue, high and pointed; on it are fastened three steel quoits.

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  • He argued that the different humours of the human eye so refract rays of light as to produce an image on the retina which is free from colour, and he reasonably argued that it might be possible to produce a like result by combining lenses composed of different refracting media.'

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  • After devoting some time to the inquiry he found that by combining lenses formed of different kinds of glass the effect of the unequal refrangibility of light was corrected, and in 1733 he succeeded in constructing telescopes which exhibited objects free from colour.

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  • In 1754 Euler communicated to the Berlin Academy a further memoir, in - which, starting from the hypothesis that light consists of vibrations excited in an elastic fluid by luminous bodies, and that the difference of colour of light is due to the greater or less frequency of these vibrations in a given time, he deduced his previous results.

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  • This want of proportion in the dispersion for different regions of the spectrum is called the "irrationality of dispersion"; and it is as a direct consequence of this irrationality, that there exists a secondary spectrum or residual colour dispersion, showing itself at the focus of all such telescopes, and roughly in proportion to their size.

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  • When all is taken into consideration it is scarcely possible to reduce the secondary colour aberration at the focus of such a double object-glass to less than a fourth part of that prevailing at the focus of a double objective of the same aperture and focus, but made of the ordinary crown and flint glasses.

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  • In addition to their long hind and short fore limbs, jerboas are mostly characterized by their silky coats - of a fawn colour to harmonize with their desert surroundings - their large eyes, and long tails and ears.

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  • Among the trees are several which yield excellent timber, such as the tacula (Pterocarpus tinctorius), which grows to an immense size, its wood being blood-red in colour, and the Angola mahogany.

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  • The roan antelope is a larger animal, with shorter horns, whose general colour in both sexes is strawberry-roan.

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  • This magnificent basilica, with four round towers, two large domes, and a choir at each end, has a specially imposing exterior, though the impression produced by the interior, is also one of great dignity and simplicity, heightened by the natural colour of the red sandstone of which it is built.

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  • It is covered with long hair, longest on the middle line of the back, where it is capable of being raised or depressed at will, of a dark-grey colour, with numerous transverse black bands and spots.

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  • The soil, usually of a reddish-brown colour, is for the most part disintegrated lava mixed with decayed vegetation; occasionally there is also a mixture of disintegrated coral limestone.

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