Aphrodite Sentence Examples

aphrodite
  • Aphrodite and Apollo preserved it from corruption and mutilation.

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  • In Homer Ares is the lover of Aphrodite, the wife of Hephaestus, who catches them together in a net and holds them up to the ridicule of the gods.

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  • The plasma may be pink (Magelona) or yellow (Aphrodite) in which cases the colour is owing to another pigment.

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  • As the plant of purity it was contrasted with the rose of Aphrodite.

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  • His name is preserved in the Sicilian Minoa, and his tomb was pointed out in the neighbourhood of Agrigentum, with a shrine above dedicated to his native Aphrodite, the lady of the dove; and in this connexion it must be observed that the cult of Eryx perpetuates to much later times the characteristic features of the worship of the Cretan Nature goddess, as now revealed to us in the palace of Cnossus and elsewhere.

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  • In the church of St Kosmas are preserved some of the archaic Doric columns of the famous temple of Aphrodite of Cythera, whose worship had been introduced from Syria, and ultimately spread over Greece.

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  • Hippomenes, before starting, had obtained from Aphrodite three golden apples, which he dropped at intervals, and Atalanta, stopping to pick them up, fell behind.

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  • In mythological accounts, Aphrodite also wed Poseidon and the mortal Kadmos (founding king of Thebes).

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  • You'll feel just like Aphrodite is this gorgeous concoction of turquoise, black and white.

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  • Ok, you're ready to unleash your inner Aphrodite, but are unsure of where to shop.

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  • I have an affinity for Aphrodite (Venus) but Athena (Minerva) or Artemis (Diana) are fun as well.

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  • It was founded by the people of Epidaurus the Holy, and its principal temples were those of Asclepius and Aphrodite.

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  • Numerous fine works of art have been found on this site, notably the Aphrodite of Melos in the Louvre, the Asclepius in the British Museum, and the Poseidon and an archaic Apollo in Athens.

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  • Its political importance now ended, but its temple of Adonis and Aphrodite (Venus Amathusia) remained famous in Roman time.

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  • In associating St Pelagia with St Marina, St Margaret, and others, of whom either the name or the legend recalls Pelagia, Hermann Usener has endeavoured to show by a series of subtle deductions that this saint is only a Christian travesty of Aphrodite.

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  • At the highest point of the road, according to Pausanias, there stood the famous temple of Aphrodite, but the remains excavated at this point seem to be those of a late tower, and the few foundations below it do not resemble those of a temple.

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  • Even in Roman times it kept its own coinage with the punning device of the bent arm holding a palm branch, and the head of Aphrodite on the reverse, and continued the use of the Greek language.

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  • Thus, he engages in combat with Heracles on two occasions to avenge the death of his son Cycnus; once Zeus separates the combatants by a flash of lightning, but in the second encounter he is severely wounded by his adversary, who has the active support of Athena; maddened by jealousy, he changes himself into the boar which slew Adonis, the favourite of Aphrodite; and stirs up the war between the Lapithae and Centaurs.

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  • From that time, apparently under the influence of Athenian sculptors, he was conceived as the ideal of a youthful warrior, and was for a time associated with Aphrodite and Eros.

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  • He also appears in many other groups, with Aphrodite, in marble and on engraved gems of Roman times.

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  • During her husband's absence she was induced by Paris, son of Priam, with the connivance of Aphrodite, to flee with him to Troy.

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  • Here Aphrodite met him and, enamoured of his beauty, bore him Aeneas.

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  • From the name Assaracus, from the intercourse between the Phoenicians and the early inhabitants of the Troad, and from the connexion of Aphrodite, the protecting goddess of the Phoenicians, with Anchises, it has been inferred that his family was originally of Assyrian origin.

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  • His flight on the shoulders of Aeneas is frequently represented on engraved gems of the Roman period; and his visit from Aphrodite is rendered in a beautiful bronze relief, engraved in Millingen's Unedited Gems.

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  • Many weights have been found in the temenos of Demeter at Cnidus, the temple of Artemis at Ephesus, and in a temple of Aphrodite at Byblus (44); and the making or sale of weights may have been a business of the custodians of the temple standards.

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  • Momus is reported to have burst with chagrin at being unable to find any but the most trifling defects in Aphrodite.

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  • In the temples of Apollo and Aphrodite were sacred fish, which may point to a fish cult.

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  • A temple of Aphrodite is also mentioned by Athenaeus.

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  • The two chief sites to be cleared were the temples of Apollo and of Aphrodite, in both of which successive buildings of various date were found.

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  • Both were remarkable for the great mass of early painted pottery that was found; in the temple of Apollo this had been buried in a trench; in that of Aphrodite it was scattered over the whole surface in two distinct strata.

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  • His wife was Charis, one of the Graces (in the Iliad) or Aphrodite (in the Odyssey).

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  • The connexion of the rough Hephaestus with these goddesses is curious; it may be due to the beautiful works of the smith-god (xapLEVTa Epya), but it is possibly derived from the supposed fertilizing and productive power of fire, in which case Hephaestus is a natural mate of Charis, a goddess of spring, and Aphrodite the goddess of love.

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  • Like Aphrodite and Adonis in Syria, Baal and Astarte at Sidon, and Isis and Osiris in Egypt, the Great Mother and Attis formed a duality which symbolized the relations between Mother Earth and her fruitage.

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  • His resemblance to Adonis has led to the theory that the names of the two are identical, and that Attis is only the Semitic companion of Syrian Aphrodite grafted on to the Phrygian Great Mother worship (Haakh, Stuttgarter-Philolog.- Vers., 18J7, 176 ff.).

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  • The common epithetsKinrpcs and KvOEpeta (of Kuthera in Cyprus),Cypria and Paphia, show that she was identified with Aphrodite and Venus.

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  • The agora, the theatre, an odeum, a temple of Dionysus, a temple of the Muses, a temple of Aphrodite and a great number of minor buildings have been identified, and the general plan of the city has been very clearly made out.

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  • The most famous statue by the elder Praxiteles, the Aphrodite, was made for Cnidus.

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  • The Aphrodite, which is thought to be the finest piece, was removed to the Museo delle Terme in Rome; the rest are at Bengazi.

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  • Carapanos as a temple of Aphrodite, on the insufficient evidence of a single dedicated object; it does not seem to have any of the characteristics of a temple.

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  • The connexion with Cyprus appears further in the predominance given in the poem to Aphrodite.

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  • The latter of these may evidently be taken to belong to Salamis in Cyprus and the festival of the Cyprian Aphrodite, in the same way that the Hymn to Apollo belongs to Delos and the Delian gathering.

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  • The duel - Paris is saved by Aphrodite.

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  • So, too, the legend of Anchises in the Hymn to Aphrodite is evidently local; and Aeneas becomes more prominent in the later epics, especially the Cypria and the 'IAiou - of Arctinus.

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  • Lang (1870-1872) had excavated a sanctuary of Aphrodite at Dali; 10 and at the time of the publication of the 9th ed.

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  • At the expiration of this period the gods gave him to wife Harmonia, daughter of Ares and Aphrodite, by whom he had a son Polydorus, and four daughters, Ino, Autonoe, Agave and Semele - a family which was overtaken by grievous misfortunes.

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  • Hero, the beautiful priestess of Aphrodite at Sestos, was seen by Leander, a youth of Abydos, at the celebration of the festival of Aphrodite and Adonis.

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  • Cybele was usually worshipped in connexion with Attis, as Aphrodite with Adonis, the two being a duality interpreted by the philosophers as symbolic of Mother Earth and her vegetation.

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  • Thyrsis sings to a goatherd how Daphnis, the mythical herdsman, having defied the power of Aphrodite, dies rather than yield to a passion with which the goddess had inspired him.

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  • It is therefore necessary first to examine the nature and characteristics of her Eastern prototype, and then to see how far they reappear in the Greek Aphrodite.

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  • The article " Aphrodite " 1 No satisfactory etymology of the name has been given; although the first part is usually referred to iu pos (" the sea foam "), it is equally probable that it is of Eastern origin.

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  • This oriental Aphrodite was worshipped as the bestower of all animal and vegetable fruitfulness, and under this aspect especially as a goddess of women.

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  • The Eastern Aphrodite was closely related to the sea and the element of moisture; in fact, some consider that she made her first appearance on Greek soil rather as a marine divinity than as a nature goddess.

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  • The oriental Aphrodite is connected with the lower world, and came to be looked upon as one of its divinities.

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  • The worship of Aphrodite at an early date was introduced into Cyprus, Cythera and Crete by Phoenician colonists, whence it spread over the whole of Greece, and as far west as Italy and Sicily.

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  • In both these islands there lingered a definite tradition of a connexion with the cult of the oriental Aphrodite Urania, an epithet which will be referred to later.

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  • In the Iliad, Aphrodite is the daughter of Zeus and Dione, a name by which she herself is sometimes called.

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  • This has been supposed to point to a confusion between Aphrodite and Hebe, the daughter of Zeus and Hera, Dione being an Epirot name for the last-named goddess.

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  • In the Odyssey, she is the wife of Hephaestus, her place being taken in the Iliad by Charis, the personification of grace and divine skill, possibly supplanted by Aphrodite, the goddess of love and beauty.

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  • Aphrodite as the goddess of all fruitfulness in the animal and vegetable world is especially prominent.

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  • In the Homeric hymn to Aphrodite she is described as ruling over all living things on earth, in the air, and in the water, even the gods being subject to her influence.

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  • It is pointed out by Farnell that this cult of Aphrodite, as the patroness of married life, is probably a native development of the Greek religion, the oriental legends representing her by no means as an upholder of the purer relations of man and woman.

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  • It was natural that a personality invested with such charms should be regarded as the ideal of womanly beauty, but it is remarkable that the only probable instance in which she appears as such is as Aphrodite, uop4co form ") at Sparta (0.

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  • The function of Aphrodite as the patroness of courtesans represents the most degraded form of her worship as the goddess of love, and is certainly of Phoenician or Eastern origin.

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  • Like her oriental prototype, the Greek Aphrodite was closely connected with the sea.

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  • Like Ishtar, Aphrodite was connected with the lower world.

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  • Thus, at Delphi there was an image of Aphrodite 6rtrupt31a (" Aphrodite of the tomb "), to which the dead were summoned to receive libations; the epithets ru,u i 3capvxos (" grave-digger "), µvxia (" goddess of the depths "), peXacv%s (" the dark one "), the grave of Ariadne-Aphrodite at Amathus, and the myth of Adonis, point in the same direction.

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  • The cult of the armed Aphrodite probably belongs to the earlier period of her worship in Greece, and down to the latest period of Greek history she retained this character in some of the Greek states.

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  • The cult is found not only where oriental influence was strongest, but in places remote from it, such as Sparta, where she was known by the name of Areia (" the warlike "), and there are numerous references in the Anthology to an Aphrodite armed with helmet and spear.

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  • It is possible that the frequent association of Aphrodite with Ares is to be explained by an armed Aphrodite early worshipped at Thebes, the most ancient seat of the worship of Ares.

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  • The most distinctively oriental title of the Greek Aphrodite is Urania, the Semitic " queen of the heavens."

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  • At Thebes, Harmonia (who has been identified with Aphrodite herself) dedicated three statues, of Aphrodite Urania, Pandemos, and Apostrophia.

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  • Aphrodite Pandemos was held in equal regard with Urania; she was called Qeµv i ("holy"), and was served by priestesses upon whom strict chastity was enjoined.

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  • In time, however, the meaning of the term underwent a change, probably due to the philosophers and moralists, by whom a radical distinction was drawn between Aphrodite Urania and Pandemos.

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  • According to Plato (Symposium, 180), there are two Aphrodites, " the elder, having no mother, who is called the heavenly Aphrodite - she is the daughter of Uranus; the younger, who is the daughter of Zeus and Dione - her we call common."

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  • The same idea is expressed in the statement (quoted by Athenaeus, 569 d, from Nicander of Colophon) that after Solon's time courtesans were put under the protection of Aphrodite Pandemos.

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  • But there is no doubt that the cult of Aphrodite was on the whole as pure as that of any other divinities, and although a distinction may have existed in later times between the goddess of legal marriage and the goddess of free love, these titles do not express the idea.

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  • Aphrodite Urania was represented in Greek art on a swan, a tortoise or a globe; Aphrodite Pandemos as riding on a goat, symbolical of wantonness.

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  • In ancient art Aphrodite was at first represented clothed, sometimes seated, but more frequently standing; then naked, rising from the sea, or after the bath.

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  • But this old Latin deity was in historical times entirely absorbed by the Greek Aphrodite, and assumed the characteristics of a cult of human love, which in her original form she had never possessed.

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  • At Naxos Ariadne (probably a Cretan goddess akin to Aphrodite) was associated with Dionysus as his wife, by whom he was the father of Oenopion (wine-drinker), Staphylus (grape), and Euanthes (blooming), and their marriage was annually celebrated by a festival.

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  • Aphrodite, charmed by his beauty, hid the infant in a box and handed him over to the care of Persephone, who afterwards refused to give him up. On an appeal being made to Zeus, he decided that Adonis should spend a third of the year with Persephone and a third with Aphrodite, the remaining third being at his own disposal.

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  • On the first day, which celebrated the union of Adonis and Aphrodite, their images were placed side by side on a silver couch, around them all the fruits of the season, "Adonis gardens" in silver baskets, golden boxes of myrrh, cakes of meal, honey and oil, made in the likeness of things that creep and things that fly.

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  • He is born from the myrrhtree, the oil of which is used at his festival; he is connected with Aphrodite in her character of vegetation-goddess.

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  • The swine would be sacrificed as having caused the death of Adonis, which explains the dislike of Aphrodite for that animal.

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  • It has been observed that whenever swinesacrifices occur in the ritual of Aphrodite there is reference to Adonis.

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  • To commemorate this exploit, a statue of the poetess, in the act of putting on a helmet, with books lying at her feet, was set up in the temple of Aphrodite at Argos.

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  • Further, the statue seen by Pausanias may not have been intended for Telesilla; it would equally represent Aphrodite, in her character as wife of Ares and a warlike goddess (the books, however, seem out of place).

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  • Artemis is the goddess of chastity, an aspect of her character which gradually assumed more and more importance - the protectress of young men and maidens, who defies and contemns the power of Aphrodite.

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  • She has much in common with the oriental prototype of Aphrodite, and the Cappadocian goddess Ma, another form of Cybele.

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  • While Tsountas, for the Greek Archaeological Society, picked up his work at Mycenae in 1886, and gradually cleared the Acropolis, with notable results, Schliemann tried for traces of the Caesareum at Alexandria, of the Palace of Minos at Knossos, in Crete, and of the Aphrodite temple at Cythera (1888); but he was not successful, meeting in the two former enterprises with a local opposition which his wealth was unable to bear down.

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  • In other words, they regarded Zeus, Aphrodite and the rest as real persons, diabolical not divine.

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  • In the Odyssey he is naturally annoyed by the adultery of his wife, Aphrodite, with Ares.

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  • The chief associates of Eros are Pothos and Himeros (Longing and Desire), Peitho (Persuasion), the Muses and the Graces; he himself is in constant attendance on Aphrodite.

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  • And when Paris eventually returns as Aphrodite's augur his galley is, of course, a flying bedstead.

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  • Aphrodite sits in a similar position to Eos, her dress heavily pleated.

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  • In the town of Aegina itself are the remains of another temple, dedicated to Aphrodite; one column of this still remains standing, and its foundations are fairly preserved.

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  • The intestine is provided with numerous branched caeca in Aphrodite.

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  • He says they chiefly reverence Tahiti (Hestia), next Papaeus and his wife Apia (Zeus and Ge), then Oitosyros (Apollo) and Argimpasa (Aphrodite Urania).

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  • The orgies of Adonis in the temple of Baalit (Aphrodite Byblia) are described by Lucian, De Dea Syr., cap. vi.

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  • This Cyprian Aphrodite is the same as the later Hermaphroditos, which simply means Aphroditos in the form of a herm (see Hermae), and first occurs in the Characteres (16) of Theophrastus.

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  • Of existing statues the most famous is the Aphrodite of Melos (Venus of Milo), now in the Louvre, which was found on the island in 1820 amongst the ruins of the theatre; the Capitoline Venus at Rome and the Venus of Capua, represented as a goddess of victory (these two exhibit a lofty conception of the goddess); the Medicean Venus at Florence, found in the porticus of Octavia at Rome and (probably wrongly) attributed to Cleomenes; the Venus stooping in the bath, in the Vatican; and the Callipygos at Naples, a specimen of the most sensual type.

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  • The dispute between Aphrodite and Persephone for the possession of Adonis, settled by the agreement that he is to spend a third (or half) of the year in the lower world (the seed at first underground and then reappearing above it), finds a parallel in the story of Tammuz and Ishtar (see APHRODITE).

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  • In addition to the great Homeric gods, the poet knows a whole " Olympian consistory " of deities, nymphs, nereids, sea-gods and goddesses, river-gods, Iris the rainbow goddess, Sleep, Demeter who lay with a mortal, Aphrodite the goddess of love, wife of Hephaestus and leman of Ares, and so forth.

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  • From the blood of Uranus (this feature is common in Red Indian and Egyptian myths) were born furies, giants, ash-nymphs and Aphrodite.

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  • The Romans associated moonstone with the goddess Aphrodite.

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  • These original gods were Tartarus, Gaia (earth), Eros (perhaps - also given as son of Ares and Aphrodite), Nyx (night) and Erebus.

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  • From the parts that went into the sea, sprang Aphrodite.

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  • Zeus and the Titaness, Dione, are given as parents of Aphrodite (counterpart of the Roman Venus - goddess of love) in Homer's Illyiad / Iliad.

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  • However, Aphrodite is also given as offspring of the sea and Uranus's severed member.

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  • Of all purported offspring of Zeus, Ares, Aphrodite and Hercules are among the best known today.

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  • In Homer's legend, Aphrodite married the god of fire, Hephaestus, who was reportedly very ugly.

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  • According to legend, Aphrodite later married Ares.

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  • At Pellene in Achaea, and at Plataea he made two other statues of Athena, also a statue of Aphrodite in ivory and gold for the people of Elis.

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  • One part of her religious being survives in that of the later Rhea, another in that of Aphrodite, one of whose epithets, Ariadne (= the exceeding holy), takes us back to the earliest Cnossian tradition.

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  • The dead, who returned to the Great Mother, were objects of a sort of heroworship. This early nature-cult explains many anomalous features of Hellenic religion, especially in the cults of Artemis and Aphrodite.

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  • Not unnaturally she is identified with the Greek Aphrodite.

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  • Among the objects of interest described by Pausanias as extant in Epidaurus are the image of Athena Cissaea in the Acropolis, the temple of Dionysus and Artemis, a shrine of Aphrodite, statues of Asclepius and his wife Epione, and a temple of Hera.

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  • Aphrodite and Ares are given as parents of Eros (god of love).

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  • Aries was also the lover of Aphrodite (goddess of love).

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  • If Jackson was Adonis, then Sarah was Aphrodite.

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  • The golden apples, the gift of Aphrodite to Hippomenes before his race with Atalanta, were also plucked from the garden of the Hesperides.

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  • Here was the ancienfcity'of Tentyra, capital of the Tentyrite nome, the sixth of Upper Egypt, and the principal seat of the worship of Hathor [[[Aphrodite]]] the cow-goddess of love and joy.

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